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 Seidl has managed to carve out his own, unsettling attitude.

 Psychotic, depressing, and extraordinary, "Import/Export" is a two and a half hour concentrate that flows like a breath, but weighs like a boulder.

Ulrich Seidl is praised as a unique European cinema talent whose film Import/Export confronts human flaws and social decay with cold, detached realism. The review highlights the film's twin narratives of loneliness and harsh social realities, layered with misanthropic black humor. Import/Export is depicted as an emotionally heavy but masterful work, reflecting Seidl’s distinctive vision. Recommended for those interested in unflinching cinematic portrayals of humanity. Explore Ulrich Seidl's 'Import/Export' for a powerful cinematic journey through loneliness and humanity's darker truths.

 Because what will happen next is the apocalypse captured on film.

 Haneke’s magic lies in making you experience the same neurosis the characters feel, distancing you from them, preventing you from understanding what’s going on in their heads.

Michael Haneke’s 1989 film The Seventh Continent is a uniquely disturbing and minimalist portrayal of a family’s self-destruction. The film avoids typical horror tropes, emphasizing emotional coldness and alienation to evoke deep unease. As the first part of Haneke’s glaciation trilogy, it critiques bourgeois lifestyle and explores human nature's darker impulses. The experience is unsettling yet profoundly impactful, leaving viewers shocked and contemplative. Experience the chilling power of The Seventh Continent—watch Haneke’s unforgettable exploration of family and despair now.

 Kyary Pamyu Pamyu is not a pop star and not a diva: this young Japanese girl [...] is THE ANTICHRIST OF THE POP SONG.

 This chaos of notes and little voices conveys a schizophrenic euphoria, a lively explosion of fluorescent colors, and a galactic harmony between the purest sweetness and the bloodiest of massacres.

Kyary Pamyu Pamyu’s 'Nanda Collection' defies traditional pop with its chaotic, grotesque, yet joyful soundscape. The album blends diverse genres, creating an unorthodox pop experience that shocks and captivates. Despite the artist’s lack of vocal talent, the album is praised for its originality and visual artistry. It stands as an avant-garde statement in 2013’s pop scene, blending innocence with madness and irreverence. Dive into the wild, colorful world of Kyary Pamyu Pamyu and experience the boldest pop album of 2013!

 No doubt, this is the best noise album I have ever listened to in my entire life.

 Li Jianhong stays there on the edge, between reason and madness, calm as a professional tightrope walker.

Li Jianhong's Sang Sheng Shi is praised as an extraordinary noise album that defies typical genre boundaries. The reviewer highlights its engaging 50-minute guitar improvisation that never bores and conveys profound emotions. The album is depicted as a powerful atmospheric journey blending chaos and beauty. Recommended for fans of both experimental and traditional rock music seeking something unique and immersive. Explore Li Jianhong's Sang Sheng Shi now—immerse yourself in a groundbreaking noise journey you won't forget!

 "'Why Be Blue' is a disaster, and it's sad to say it because I am one of those many die-hard fans who would like to forget it."

 "Ten absolutely forgettable melodies, sound accompaniments that couldn't be more '80s, tedious and straight from the bottom of the warehouse."

The review harshly critiques Suicide's 1992 album 'Why Be Blue?', describing it as an uninspired and forgettable effort reminiscent of outdated 1980s synth-pop. The album fails to capture the innovation and edge of Suicide's earlier work, disappointing even longtime fans. Vocals and melodies come across as bland and interchangeable, making the record a low point in the band's discography. The reviewer laments the album as a symptom of the era's trend of recycling and dilution of once groundbreaking artists. Explore Suicide's groundbreaking debut instead of 'Why Be Blue' for true electronic punk innovation.

 Drifters/Love Is The Devil is the raucous and daring song of a man who has yet to find his place in the world, a nocturnal solo simultaneously wild and decrepit.

 You can picture him wandering the seediest streets of some metropolis across the ocean... with a lost look, hands in the pockets of his leather jacket, tight blue jeans and a cigarette between his lips.

Dirty Beaches' double album Drifters/Love Is The Devil presents a rich blend of styles from blues to ambient, reflecting Alex Zhang Hungtai's feelings of displacement and loneliness. The album contrasts accessibility with abstract soundscapes, creating a unified yet complex musical experience. Its evocative urban imagery and raw emotion make it a daring statement, though it may not appeal to fans expecting another Badlands. Overall, it's a compelling, emotionally charged journey into a sonic homeland. Dive into Dirty Beaches' evocative double album and experience a haunting journey through soundscapes of loneliness and longing.

 "Field Of Reeds is a bud. If you don’t water it and take care of it, it will die. But if you commit to making it grow, it will then give rise to a magnificent garden."

 Instead of easily continuing with entertainment or a 'Hidden 2.0', These New Puritans preferred to envelop the listener with a cold sweetness.

These New Puritans continue to reinvent themselves with Field Of Reeds, delivering a challenging yet enchanting album. Departing from past post-punk, the record embraces poetic, atmospheric arrangements. It rewards dedication with rich, evolving soundscapes reminiscent of Talk Talk and Sigur Rós. The album is a bold artistic statement, inviting listeners to immerse and grow with its unique style. Dive into the captivating world of These New Puritans’ Field Of Reeds and experience its poetic depth and bold innovation.

 "People is a nightmare: it is like entering the head of a madman."

 Give my regards to Charon.

Mike Pathos' 2005 album 'People' is a brutal, unsettling journey into noise, cello, and tortured vocals. Far from classical music, it crafts a terrifying, hellish soundscape. The album challenges listeners with violent, carnal textures and extreme emotional rawness. Its metaphysical darkness and originality secure it as a unique and unforgettable artistic testament. Experience the raw power and madness of Mike Pathos' People — listen now and explore this one-of-a-kind sonic journey.

 Lies is animalistic, wild, rotten inside.

 Sometimes it’s not only cinema that’s a lie, but life itself.

Jang Sun-Woo's film Lies is a deeply disturbing and complex exploration of despair and human disconnection. Known for its controversial content and brutal honesty, the film shocked audiences and critics alike. It defies conventional notions of love, focusing instead on raw, animalistic survival and communication breakdowns. Despite its harsh reception and difficult subject matter, Lies is regarded here as a profound cinematic masterpiece. Discover the raw power of Jang Sun-Woo's Lies—watch, reflect, and experience a film that challenges everything.

 An album that immediately proposes, in a sonic key, the valleys of Eden, with rivers of milk, blooming gardens, and rainbows replacing bridges.

 A radical rejection of all forms of violence in favor of an obsessive pursuit of redemption, hope, serenity.

At The Gates Of Paradise provides a calm, romantic jazz experience, standing apart from John Zorn's more chaotic works. With influences from William Blake, it offers a soothing and balanced sound. The album avoids noise and grindcore elements, favoring a homogeneous and serene mood. It's ideal for listeners new to Zorn’s music or those seeking a gentler side of his discography. Experience John Zorn’s peaceful side—listen to At The Gates Of Paradise for a soothing jazz journey today!