Cover of John Zorn At The Gates Of Paradise
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For fans of john zorn,lovers of romantic jazz,readers interested in jazz music,listeners seeking calm instrumental albums,those exploring william blake-inspired art
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THE REVIEW

The Divine Comedy of John Zorn: Paradise

In the previous review, I mentioned how, in an ideal solo Zornian Divine Comedy, "IAO" was hell. Here. If we were to find its paradisiacal counterpart, it would surely be "At The Gates Of Paradise".
An album that immediately proposes, in a sonic key, the valleys of Eden, with rivers of milk, blooming gardens, and rainbows replacing bridges. An album that, regarding the depiction of relaxation and beauty, brings to mind another ideal Zornian paradisiacal piece: the beautiful "The Goddess: Music For The Ancient Days").

An extremely pleasant album, well played and arranged. Far from the crazy peaks for which Zorn is universally known: no grindcore, no bursts of sick jazz inside, or ear-splitting noise battles. But there isn't even the tendency, also a crazy one, to engage in jazz vignettes from a waiting room (the album "The Dreamers" is an example). 

We are talking about a homogeneous, meticulous, academic work, that refuses eclecticism or changes in mood, where the heart of the album is a calm, soothing, romantic jazz (not surprisingly, we are talking about a work inspired by the figure of William Blake, a key poet and painter of romanticism).

Among the lulling and caressing piano notes (by John Medeski) that accompany the album, there is a radical rejection of all forms of violence (which for many Naked City fans might seem unacceptable) in favor of an obsessive pursuit of redemption, hope, serenity. An ideal calm after the storm, capable of delivering once again worthy tracks: the opener "The Eternals", an emotional crescendo that also manages to move and the pure innocence of "Song Of Innocence" are just two examples.

Balanced and meticulous, "At The Gates Of Paradise" is yet another excellent brick that constitutes the enormous four-hundred-story castle that is Zorn's boundless discography. Recommended for those who have not yet found the courage to approach his extreme masterpieces and would like to get to know this genius through his more traditional states.

For everyone else: dreamy journeys (but remember: caressing, romantic, reassuring) guaranteed. 

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Summary by Bot

At The Gates Of Paradise provides a calm, romantic jazz experience, standing apart from John Zorn's more chaotic works. With influences from William Blake, it offers a soothing and balanced sound. The album avoids noise and grindcore elements, favoring a homogeneous and serene mood. It's ideal for listeners new to Zorn’s music or those seeking a gentler side of his discography.

Tracklist Videos

01   The Eternals (05:55)

02   Song of Innocence (06:44)

03   A Dream of Nine Nights (08:33)

04   Light Forms (03:24)

05   The Aeons (05:52)

06   Liber XV (06:29)

07   Dance of Albion (06:36)

08   Song of Experience (04:58)

John Zorn

American composer, saxophonist and producer known for prolific, genre-crossing work (avant-garde, jazz, film music, klezmer) and founder of the Tzadik record label.
40 Reviews