Rhayader

 "Paradise of Replica succeeds in the not-so-easy task of being accessible even to those not particularly accustomed to this breakdown of times."

 "Paradise of Replica is a collection of images for an ear... The perfect ukiyo-e of the late twentieth century."

After Dinner’s 1989 album Paradise of Replica is an avant-garde musical laboratory blending traditional Japanese sounds with diverse experimental influences. Led by composer Haco, it features 16 musicians and a wide array of instruments producing floating, dissonant, yet accessible soundscapes. The album juxtaposes Japanese musical traditions with Rock in Opposition and art rock styles. Despite its complexity, it remains enjoyable and evocative, capturing a modern ukiyo-e spirit. Dive into After Dinner’s Paradise of Replica and experience a groundbreaking blend of Japanese tradition and avant-garde sound. Listen now!

 The mantra of the German band Dzyan is imbued with experimentation, which can be linked to a form of jazz improvisation, enriched with tribal sounds.

 Each track of the album represents a spiritual journey; initially as lysergic as a litany, then more urgent, culminating in unanimous involvement.

Dzyan's Electric Silence is an experimental Krautrock album that merges jazz improvisation with tribal and cosmic sounds. Featuring instruments like the mellotron and sitar, it evokes spiritual journeys and new age atmospheres. The album recalls Popol Vuh's sound and stands as a significant contributor to the Krautrock and new age movement. Its tracks form a continuous invocation blending the earthly with the cosmic. Dive into Dzyan's Electric Silence and experience a cosmic Krautrock journey filled with mysticism and experimentation.

 The main strength of the record is the remarkable skill of the musicians, committed to exploiting various solutions, comprising the most diverse instruments.

 A great album to rediscover and listen to with great attention.

Hands' self-titled 1977 album captures the essence of the American progressive rock scene with remarkable musicianship and a mix of dreamy melodies and intense compositions. Though recorded over various sessions, each track stands out with unique quality. The band merges symphonic prog elements with blues-infused guitar and intricate arrangements. This album is a noteworthy rediscovery for fans of vintage prog rock. Explore Hands' 1977 prog masterpiece—listen now and dive into classic American progressive rock!

 The proposed sounds immediately bring to mind King Crimson’s 'Red.'

 Ultimately, a blatantly derivative album, which nonetheless highlights the great technique of the individuals and introduces the understanding of the progressive phenomenon in Japan.

Bi Kyo Ran's 1982 self-titled album is a landmark Japanese progressive rock release marked by strong King Crimson influences. The music is complex, technical, and challenging, featuring intense guitar work, dissonant violin, and dynamic shifts. Tracks vary from aggressive to delicate, exhibiting unique instrumental interplay. Though derivative, the album highlights the band's mastery and contributes to understanding Japan's progressive scene. Explore Bi Kyo Ran’s intricate prog debut and experience the roots of Japanese progressive rock!

 This work represents the swan song for the Supersister, which, unlike the early works, offers a sound comparable, in some respects, to that of The Mothers of Invention and RIO in general.

 The spiral changes mood again with the lively 'Gi, Ga, Go (Gollumble Jafers)', a track initially polyvocal in full musical style, then rhythmically Caribbean, and finally completely inconclusive.

Supersister's 'Spiral Starcase' marks a powerful and avant-garde finale to the Dutch band's career, blending progressive rock with jazz and complex themes. The album explores schizophrenia through stylistic extravagance and mood shifts, drawing comparisons to The Mothers of Invention and RIO. Key tracks use unique instrumentation to convey a narrative of instability and melancholy. This work revives the original lineup and offers a sophisticated listening experience that stands as their swan song. Explore the avant-garde depths of Supersister's Spiral Starcase—listen now and experience a prog rock masterpiece!

 It is most likely the group’s most representative work, as it serves as a container of all the kaleidoscopic facets that have always distinguished the sound of the German combo.

 Special mention goes to the ending 'Kraan Arabia,' a track with a distinct ethnic 'flavor'... establishing a sort of conceptual circularity.

Kraan Live, recorded in 1974 and released in 1975, is a definitive live album by German jazz-rock band Kraan. The album highlights extended instrumental improvisations, showcasing the band's solid rhythm section and dynamic solos. Divided into two distinct parts, it blends rhythmic coherence with meticulous, almost liturgical passages. The final track 'Kraan Arabia' adds an ethnic flair, reinforcing the album's cohesive and diverse musical journey. Listen to Kraan Live for a masterclass in jazz-rock improvisation and vibrant live energy from the heart of the 70s krautrock scene.