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DeRank ™: 2,88 • DeAge™ : 6370 days
The bleak atmosphere of those years is perceived in this turbulent and restless piece. His music is never desperate, the last word always belongs to hope.
The bleak atmosphere of those years is perceived in this turbulent and restless piece.
His music is never desperate, the last word always belongs to hope.
This review highlights Elliott Carter's brilliance as a pivotal American composer of the 20th century, focusing on his Piano Concerto and Variations for Orchestra. Both works balance rigorous traditional forms with innovative musical transformations. Composed in Berlin and Rome respectively, they reflect historical and emotional contexts, delivering a powerful yet hopeful listening experience. Discover the profound world of Elliott Carter's orchestral works—listen now and experience a journey through tradition and innovation.
Mark Templeton is a very distinctive new guitarist who uses acoustic and electric guitar as pretexts to draw faint melodies that drift away without development. This work is listenable, and not without some emotion: congratulations to Mark Templeton, or how to disfigure sound.
Mark Templeton is a very distinctive new guitarist who uses acoustic and electric guitar as pretexts to draw faint melodies that drift away without development.
This work is listenable, and not without some emotion: congratulations to Mark Templeton, or how to disfigure sound.
Mark Templeton's 'Standing on a Hummingbird' is an inventive electroacoustic album that uses guitars, ambient sounds, and extensive noise to create atmospheric loops. Combining glitch, field recordings, and distortion, Templeton offers a fresh take on guitar music in symbiosis with electronic textures. Despite its harsh sonic elements, the album remains emotionally engaging and demonstrates a unique artistic vision. Listen to Mark Templeton's unique blend of guitar, noise, and ambient sounds and experience 'Standing on a Hummingbird' now!
A gigantic drone that envelops without letting up. Those who ventured this far can only be captivated by this music of wild fascination.
A gigantic drone that envelops without letting up.
Those who ventured this far can only be captivated by this music of wild fascination.
Weltraum, the electronic prologue and epilogue from Stockhausen's Freitag aus Licht opera, envelops listeners in a dense, cosmic drone lasting over two hours. Despite its length, the music fascinates with its slow evolution, use of vocoder voice effects, and microtonal shifts. Created with assistance from his son Simon, the piece exemplifies Stockhausen's avant-garde mastery. This review highlights its thematic depth and immersive auditory experience. Dive into Stockhausen's cosmic soundscape—listen to Weltraum and experience the legendary Licht cycle!
The music of "Before The Day Breaks" begins and immediately leaves a wet trail behind, as if the sound were too dense and moist to exhaust its presence in the mere act of listening. Ethereal music, for dreamers: to be listened to before the day breaks, as the album title suggests, or after the night has fallen.
The music of "Before The Day Breaks" begins and immediately leaves a wet trail behind, as if the sound were too dense and moist to exhaust its presence in the mere act of listening.
Ethereal music, for dreamers: to be listened to before the day breaks, as the album title suggests, or after the night has fallen.
Before The Day Breaks by Robin Guthrie and Harold Budd creates a dense, immersive ambient experience through sparse guitar, softened piano, and deep reverb. The album balances instrumental dialogue across nine tracks, culminating in an emotional rhythmic release. It continues a storied collaboration between Guthrie and Budd, ideal for dreamers and ambient lovers. Dive into the immersive world of Guthrie & Budd—listen to Before The Day Breaks and experience ethereal ambient bliss.
A very peculiar release for two distinct but complementary albums. An album for dreamers, to listen to when the clamors of the day have subsided, to savor without haste.
A very peculiar release for two distinct but complementary albums.
An album for dreamers, to listen to when the clamors of the day have subsided, to savor without haste.
The review describes 'After the Night Falls' as a complementary dialogue to its twin album 'Before the Day Breaks'. It highlights the gentle interplay between Guthrie's electric guitar and Budd's electronic piano creating dense, intimate soundscapes. This album is portrayed as ideal for quiet, reflective night listening, offering a rich, emotional experience without vocals. The music invites listeners to surrender and immerse themselves in its ethereal atmosphere. Dive into the serene world of 'After the Night Falls' and experience its intimate, dreamy soundscapes tonight.
John Tavener is a composer who is not very flashy at first listen, whose music requires reflection and contemplation to be appreciated. The Protecting Veil...is too long and a bit monotonous in relying solely on the cello, which represents the voice of the Madonna.
John Tavener is a composer who is not very flashy at first listen, whose music requires reflection and contemplation to be appreciated.
The Protecting Veil...is too long and a bit monotonous in relying solely on the cello, which represents the voice of the Madonna.
This review presents John Tavener as a unique contemporary composer deeply inspired by religious themes. The double CD anthology features instrumental and choral pieces that require contemplation to be fully appreciated. While The Protecting Veil is seen as lengthy and somewhat monotonous, the choral pieces and The Last Sleep of the Virgin are praised for their evocative qualities. The reviewer finds Tavener less engaging than Arvo Pärt but acknowledges the composer’s profound musicality for those willing to listen attentively. Discover the spiritual depth of John Tavener's The Protecting Veil and explore its serene choral masterpieces today.
Anyone who loves classical guitar cannot miss this record edition. An interesting listen is thus offered by this CD, to discover an author who has established himself as an original voice of our time.
Anyone who loves classical guitar cannot miss this record edition.
An interesting listen is thus offered by this CD, to discover an author who has established himself as an original voice of our time.
This review praises Leo Brouwer’s La Obra Guitarrística Vol. I as an essential record for classical guitar lovers. The album features Brouwer’s own performances of four significant pieces, blending contemporary styles with Cuban influences. Highlights include the 26-minute guitar concerto and innovative guitar dialogues. The CD showcases Brouwer’s originality and avoidance of clichés in modern guitar composition. Explore Leo Brouwer’s unique guitar compositions and listen to La Obra Guitarrística Vol. I for a rich classical guitar experience.
It’s like venturing into a continent of sounds whose boundaries are not visible. For those who love the most sophisticated and creative electronic music, this double CD is a safe haven.
It’s like venturing into a continent of sounds whose boundaries are not visible.
For those who love the most sophisticated and creative electronic music, this double CD is a safe haven.
The review praises Klaus Schulze’s ‘In Blue’ as an ambitious and rewarding double album. It highlights the long, immersive tracks filled with evolving synth textures and subtle layering. Schulze’s collaboration with guitarist Manuel Göttsching adds dynamic contrasts. Though demanding in length and attention, the album offers a rich experience for fans of sophisticated electronic music. Dive into Klaus Schulze’s ‘In Blue’ and experience a masterclass in cosmic electronic music.
The compelling novelty of those sounds finds its way into us until it invades our consciousness and explodes within it. It is impossible not to consider the scenic aspect in the music of "Invasion-Explosion": if you limit yourself to listening only on a CD, you are exposed to a tangle of sounds that might seem nonsensical.
The compelling novelty of those sounds finds its way into us until it invades our consciousness and explodes within it.
It is impossible not to consider the scenic aspect in the music of "Invasion-Explosion": if you limit yourself to listening only on a CD, you are exposed to a tangle of sounds that might seem nonsensical.
Invasion-Explosion, from Stockhausen’s opera Tuesday from Light, is a 72-minute avant-garde war-themed composition mixing electronic and live instruments. The piece features a sonic battle between Michael and Luzifer’s troops, blending theatrical invasion with complex musical episodes. While challenging to follow on CD alone, the staged performance reveals the work’s immersive and evocative power. This recording captures one of the most dramatic moments of the entire Licht cycle. Dive into Stockhausen’s epic sonic battle—listen and experience the theatrical intensity of Invasion-Explosion today!
The phrasing of the string quartet is nervous and fragmentary, marked by frequent changes of tempo. It remains admirable, the skill with which Steve Reich makes this music full of lightness, rhythm, and engaging ability.
The phrasing of the string quartet is nervous and fragmentary, marked by frequent changes of tempo.
It remains admirable, the skill with which Steve Reich makes this music full of lightness, rhythm, and engaging ability.
This review examines Steve Reich's two iconic late '80s pieces, Different Trains and Electric Counterpoint. Different Trains combines string quartet with recorded speech fragments reflecting Holocaust narratives and personal history. Electric Counterpoint features layered electric guitars pioneered with Pat Metheny’s collaboration. The review praises Reich’s skill in creating complex yet engaging minimalist music that is both emotionally profound and technically impressive. Discover Steve Reich’s groundbreaking minimalist works—listen to Different Trains and Electric Counterpoint now!
DeRank™: 6,07
DeRank™: 16,68
DeRank™: 0,23
DeRank™: 9,57
DeRank™: 1,09
DeRank™: 0,88
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DeRank™: 6,03
DeRank™: 0,52
DeRank™: 0,80
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