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DeRank ™: 2,88 • DeAge™ : 6370 days
What makes this piece so vital and seductive is the constant contamination of ideas, cues, solutions that from extra-classical suggestions are integrated into the musical fabric of a cultured composition. With his music, many barriers fall: cultured and extra-cultured, classical and popular, sacred and profane merge into a highly controlled blend in which what matters is the expressive power of the musical language.
What makes this piece so vital and seductive is the constant contamination of ideas, cues, solutions that from extra-classical suggestions are integrated into the musical fabric of a cultured composition.
With his music, many barriers fall: cultured and extra-cultured, classical and popular, sacred and profane merge into a highly controlled blend in which what matters is the expressive power of the musical language.
Fausto Romitelli's Professor Bad Trip is a vital and seductive musical work inspired by surrealist texts. It blends classical elements with electric guitar and electronic effects, creating a trance-like atmosphere. The album also features other compositions showcasing Romitelli's mastery in using unconventional techniques and instruments. This work exemplifies his unique fusion of cultured and popular music influences. Explore Fausto Romitelli's genre-blending Professor Bad Trip and experience its hypnotic soundscape now!
The human face of electronics: it is what one encounters along the tracks of this work by Ulrich Schnauss. 43 minutes that glide away with pleasure, so much so that in 2005 the album was reissued for the American edition with a second bonus CD.
The human face of electronics: it is what one encounters along the tracks of this work by Ulrich Schnauss.
43 minutes that glide away with pleasure, so much so that in 2005 the album was reissued for the American edition with a second bonus CD.
Ulrich Schnauss' 2001 album 'Far Away Trains Passing By' marks his debut under his own name, showcasing a clean and communicative ambient techno sound. The six tracks feature melodic piano cues and rhythmic textures, building gradually with lightness and intimacy. The album's approachable simplicity and layered compositions create a pleasant listening experience suited for both relaxed environments and attentive consumption. Its quality warranted a 2005 reissue with bonus content. Listen to Ulrich Schnauss’ Far Away Trains Passing By and immerse yourself in a melodic ambient electronica journey.
This CD by Giovanni Verrando, which gathers four recent orchestral works using electronics, is therefore of particular interest. Listening to this CD is a remarkable experience, which makes me welcome Giovanni Verrando with a resounding Welcome!: yes, among the composers to love.
This CD by Giovanni Verrando, which gathers four recent orchestral works using electronics, is therefore of particular interest.
Listening to this CD is a remarkable experience, which makes me welcome Giovanni Verrando with a resounding Welcome!: yes, among the composers to love.
Giovanni Verrando's album presents four orchestral works where electronics merge with traditional instruments, creating a distinct sound that challenges orchestral norms. Each piece explores different levels of electronic integration, from discreet interventions to dominant noise influences. This collection marks Verrando's artistic maturation and his commitment to innovative orchestral language. The review highly recommends this album for its originality and daring approach. Discover Giovanni Verrando’s groundbreaking orchestral fusion—listen now and experience a new dimension of symphonic music!
These are pieces with a rather monotonous and gray underlying texture, a sort of instrumental drone where nothing happens: but at intervals, for short durations, more dense phrases are inserted. CD recommended for a preparatory listening of Olga Neuwirth: precisely because it does not contain masterpieces, it can be used as a springboard towards more challenging music from the Austrian.
These are pieces with a rather monotonous and gray underlying texture, a sort of instrumental drone where nothing happens: but at intervals, for short durations, more dense phrases are inserted.
CD recommended for a preparatory listening of Olga Neuwirth: precisely because it does not contain masterpieces, it can be used as a springboard towards more challenging music from the Austrian.
This review examines Olga Neuwirth’s 'Instrumental-Inseln Aus Bählamms Fest,' focusing on her use of live electronics and spatial sound. It highlights the album's experimental textures and timbral complexity, praising its inventive qualities while noting it as preparatory listening. The review encourages using this CD as a stepping stone to more challenging works by Neuwirth. Discover Olga Neuwirth’s experimental soundscapes—listen now and explore her innovative musical world!
The eleven tracks proceed with meditative slowness, favoring clear and crystalline sounds that bring to mind pure air at high altitudes. A voice that does not sing lyrics but proceeds in a measured chanting... runs the risk of becoming somewhat cloying if repeated without variations.
The eleven tracks proceed with meditative slowness, favoring clear and crystalline sounds that bring to mind pure air at high altitudes.
A voice that does not sing lyrics but proceeds in a measured chanting... runs the risk of becoming somewhat cloying if repeated without variations.
Cathedral Oceans marks John Foxx’s return after a 12-year hiatus with a gentle ambient album focused on calm, crystalline electronic sounds. Vocals are filtered and used sparingly, blending with synthetic textures. The album favors a traditional, clean sound, deliberately avoiding contemporary trends of its time. While evocative, some vocal repetition may feel excessive. It remains a distinctive work appreciated by ambient enthusiasts. Discover the serene soundscapes of John Foxx’s Cathedral Oceans—listen now and immerse yourself in its ambient tranquility.
"Akrostichon-Wortspiel" catapulted the Korean to international recognition. A sonic world deeply rooted in Western music, yet simultaneously in that of extra-European music.
"Akrostichon-Wortspiel" catapulted the Korean to international recognition.
A sonic world deeply rooted in Western music, yet simultaneously in that of extra-European music.
Unsuk Chin, a Korean-born composer trained in Europe, blends Eastern and Western musical traditions brilliantly in her album 'Akrostichon-Wortspiel.' The title piece features inventive vocal techniques with texts from Michael Ende and Lewis Carroll. Other works on the album showcase her mastery of instrumental textures, electronics, and timbral richness. This collection highlights her unique sonic voice and international acclaim. Discover the innovative fusion of East and West in Unsuk Chin's 'Akrostichon-Wortspiel'—listen now to experience groundbreaking contemporary classical music.
A sound in filigree, and "Shadow of sound" is indeed the title of one of his pieces: a definition that could apply to all his music. For those unfamiliar with Sciarrino... the torn texture of this music can be more unnerving than extreme metal.
A sound in filigree, and "Shadow of sound" is indeed the title of one of his pieces: a definition that could apply to all his music.
For those unfamiliar with Sciarrino... the torn texture of this music can be more unnerving than extreme metal.
Salvatore Sciarrino's Lohengrin offers a delicate and rarefied musical theater experience, distinct from traditional melodrama. The piece features fragile, almost whispered sounds, with narration distinguishing the characters Lohengrin and Elsa. Though challenging and fragmented in form, it showcases Sciarrino's personal style and inventive orchestration. The CD highlights the complexity of the work, but the full impact is better captured in a live performance. Discover Sciarrino's fragile soundscapes in Lohengrin—listen now and experience avant-garde musical theater.
Films like "Close Encounters of the Third Kind" have shown us contact with aliens, and albums like "Encounter" by Michael Stearns have let us listen to it. "A very personal yet familiar sonic journey to everyone", said the author about this album.
Films like "Close Encounters of the Third Kind" have shown us contact with aliens, and albums like "Encounter" by Michael Stearns have let us listen to it.
"A very personal yet familiar sonic journey to everyone", said the author about this album.
Michael Stearns' 1988 album Encounter offers a serene and thoughtful ambient journey from earthly sounds to cosmic themes. Comprised of ten instrumental tracks, it presents an evocative concept album blending program music with electronic textures. The album is a slow but richly articulated experience that conveys wonder and anticipation. Fans of space-themed ambient music and the Californian ambient school will particularly enjoy this work. Dive into Michael Stearns' Encounter and experience a mesmerizing ambient journey through space and emotion.
Magnus Lindberg’s music uses the most uncompromising language of modernity without easy concessions. You will not find neo-dada gestures, provocations, or off-key sounds in Lindberg that seem so avant-garde (amateurish, of course).
Magnus Lindberg’s music uses the most uncompromising language of modernity without easy concessions.
You will not find neo-dada gestures, provocations, or off-key sounds in Lindberg that seem so avant-garde (amateurish, of course).
This review highlights Magnus Lindberg's evolution from his early tempestuous style to a more varied and mature orchestral voice. The CD features three vibrant works: Feria evokes festive exuberance, Corrente II demonstrates mastery of orchestral texture, and Arena balances light and dark melodic lines. Lindberg's music respects classical tradition while embracing modern complexity without resorting to superficial avant-garde gimmicks. Discover Magnus Lindberg’s rich orchestral landscape—listen to the Finnish Radio Symphony Orchestra’s captivating performance now!
The soprano never actually intones a true phrase but instead resorts to onomatopoeias, whispers, emphasis on certain consonant sounds. It’s not easy music, that of Beat Furrer, who does not want to change the world but describes it effectively as it is now: already changed.
The soprano never actually intones a true phrase but instead resorts to onomatopoeias, whispers, emphasis on certain consonant sounds.
It’s not easy music, that of Beat Furrer, who does not want to change the world but describes it effectively as it is now: already changed.
Beat Furrer’s album features three contemporary classical pieces characterized by vocal and instrumental fragmentation, irony, and meticulous ensemble writing. The soprano in "Aria" vocalizes fragments instead of melodies, while "Solo" presents a 22-minute cello exploration of micro-sonorities. Finally, "Gaspra" delivers precise ensemble textures with sudden bursts, reflecting a modernist and disenchanted musical view. The music demands attention but offers a compelling and innovative listening experience. Discover Beat Furrer’s innovative works blending vocal subtlety and instrumental precision—listen to Aria / Solo / Gaspra today!
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