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DeRank ™: 2,88 • DeAge™ : 6370 days
Michael Hedges established himself as one of the most creative and original guitarists ever to appear on the scene. The acoustic guitar is the absolute star, with joyous compositional flair and a catalogue of impressive techniques.
Michael Hedges established himself as one of the most creative and original guitarists ever to appear on the scene.
The acoustic guitar is the absolute star, with joyous compositional flair and a catalogue of impressive techniques.
Michael Hedges' 1981 debut album 'Breakfast in the Field' features eleven short instrumental tracks highlighting his exceptional acoustic guitar skills. The album blends various styles, from rhythmic to meditative to rustic, showcasing his creativity and technical prowess. Recorded live in the studio on just two tracks without overdubs, it emphasizes pure musicianship. His innovative use of harmonics and open tunings makes this a landmark acoustic guitar album. Fans of guitar virtuosity will find much to admire in this concise 34-minute work. Dive into Michael Hedges' groundbreaking debut and experience acoustic guitar innovation like never before!
Before listening to "Darkness and Light" we perhaps didn’t even know about the existence of these instruments. Stephan Micus, the ambassador of sounds, revealed them to us.
Before listening to "Darkness and Light" we perhaps didn’t even know about the existence of these instruments.
Stephan Micus, the ambassador of sounds, revealed them to us.
Stephan Micus' 1990 album 'Darkness and Light' offers a mesmerizing acoustic journey through rare global instruments like the dilruba and ki un ki. The album's intricate layering and cross-cultural dialogues create a rich, immersive soundscape. The reviewer appreciates Micus as an ambassador of unheard instruments, highlighting the album's unique structure and emotive melodies. Overall, this work is praised for its historic and sonic depth. Explore Stephan Micus' 'Darkness and Light' and experience a mesmerizing journey through rare acoustic instruments from around the world.
Music that leaves room for the listener’s imagination, never so free to wander in the imaginary spaces traced by these sounds. Stockhausen himself suggested the piece was perfect for dance, inspiring a show by choreographer Angelin Preljocaj.
Music that leaves room for the listener’s imagination, never so free to wander in the imaginary spaces traced by these sounds.
Stockhausen himself suggested the piece was perfect for dance, inspiring a show by choreographer Angelin Preljocaj.
Sonntags-Abschied concludes Stockhausen's seven-day Light cycle with an intricate electronic piece for five synthesizers. The composition transforms choir timbres into synthesized sounds, creating a dense and varied texture. It invites listener imagination and inspired a dance show by Angelin Preljocaj. This 35-minute farewell piece adds an intimate chamber dimension to Stockhausen's electronic legacy. Dive into Stockhausen's Sonntags-Abschied and experience a mesmerizing fusion of electronic textures and avant-garde composition.
Music that despite its extreme serenity can create tension, both for the emotional resistance the listener experiences regarding the sudden conclusions in the tracks of the first part, and for the anticipation of an event or an evolution in the expansive sonic continent of the second. The first disc contains ten tracks with a total duration of 66 minutes. Roach’s atmospheric keyboards blend with looping percussive phrases, tabla... metallic tinkling... and the aboriginal sounds of the didgeridoo.
Music that despite its extreme serenity can create tension, both for the emotional resistance the listener experiences regarding the sudden conclusions in the tracks of the first part, and for the anticipation of an event or an evolution in the expansive sonic continent of the second.
The first disc contains ten tracks with a total duration of 66 minutes. Roach’s atmospheric keyboards blend with looping percussive phrases, tabla... metallic tinkling... and the aboriginal sounds of the didgeridoo.
Steve Roach's 1992 double album World's Edge marries primitive elements with advanced electronic textures to create immersive ambient experiences. The first disc offers shorter, detailed tracks rich with diverse instruments like tabla and didgeridoo, while the second disc features a nearly one-hour continuous soundscape fostering deep listening. The music invites surrender and emotional engagement, balancing serenity with subtle tension. Overall, it is a rewarding work showcasing Roach's mastery of ambient sound. Dive into Steve Roach's World's Edge for a transcendent ambient experience full of deep soundscapes and primal energy.
You won’t hear cacophonies or dissonance on this CD, the ten tracks flow pleasantly with dynamics that never approach forte. Clementi constructs sound objects that he watches come to life and fade away within a few minutes.
You won’t hear cacophonies or dissonance on this CD, the ten tracks flow pleasantly with dynamics that never approach forte.
Clementi constructs sound objects that he watches come to life and fade away within a few minutes.
This review highlights Aldo Clementi’s Madrigale album as a collection of ten chamber music pieces showcasing his mastery of sound textures and refined dynamics. The compositions employ varying ensembles, from duets to nine-instrument groups, integrating hypnotic repetition and gradual decay. Clementi’s music is described as persuasive and fluid rather than loud or cacophonous, appealing to listeners who appreciate complexity with lightness. The album’s understated cover contrasts with the richness within. Discover Aldo Clementi’s hypnotic chamber music – listen to Madrigale and experience its unique sound textures and subtle dynamics.
"The power of Boulez, one who improves with age: as demonstrated by this piece written when the French composer was over seventy." "The sound is decomposed and analyzed as in a prism."
"The power of Boulez, one who improves with age: as demonstrated by this piece written when the French composer was over seventy."
"The sound is decomposed and analyzed as in a prism."
Pierre Boulez's 'Sur Incises' is a complex and vivid 37-minute piece showcasing a unique ensemble of pianos, harps, and percussion. The album also features 'Messagesquisse' for cellos and 'Anthèmes 2' for violin and electronics, highlighting Boulez's innovative blending of acoustic and electronic sounds. The review praises Boulez's mature compositional skill and originality in sound treatment. This collection exemplifies his demanding and inventive approach to music. Listen to Boulez's groundbreaking compositions and explore the fusion of acoustic brilliance and electronic innovation.
De Staat proposes itself as politically engaged music inspired by Plato’s Republic. De Staat is a successful essay of Andriessen’s personality, marked by a strong rhythmic perspective and aggressive sounds.
De Staat proposes itself as politically engaged music inspired by Plato’s Republic.
De Staat is a successful essay of Andriessen’s personality, marked by a strong rhythmic perspective and aggressive sounds.
Louis Andriessen's De Staat is a politically engaged and rhythmically intense contemporary classical work inspired by Plato's Republic. Composed between 1972-1976, it features a unique ensemble with dominant winds and electric guitars. The piece combines American minimalism with European style, showcasing Andriessen's distinctive compositional voice. The review praises its lively modular structure and strong personality. Discover the dynamic and politically charged sounds of Louis Andriessen's De Staat—listen now and experience a modern classic!
Strange things happen in the sixth work of the Licht cycle: four helicopters (with musicians inside) take flight in the third scene. The sound cauldron prepared by Stockhausen is as always very dense, though I must observe that the entire Wednesday appears somewhat subdued compared to the many wonders scattered throughout the other works in the cycle.
Strange things happen in the sixth work of the Licht cycle: four helicopters (with musicians inside) take flight in the third scene.
The sound cauldron prepared by Stockhausen is as always very dense, though I must observe that the entire Wednesday appears somewhat subdued compared to the many wonders scattered throughout the other works in the cycle.
The review covers Stockhausen's Michaelion, the sixth part of his Licht cycle, highlighting its unique instrumentation including four helicopters, choir, and electronic sounds. It emphasizes the complex interplay of vocal and instrumental elements, cosmic thematic layers, and sound spatialization. Although acknowledged as a dense and intricate work, the reviewer finds Wednesday somewhat subdued compared to other parts of the cycle. The opera remains unperformed in full but individual scenes are available in concert and DVD formats. Explore Stockhausen's Michaelion and experience the cosmic blend of vocal, electronic, and instrumental innovation in this unique opera work.
Berio does not favor pauses for reflection; his orchestral pieces are exemplary for their rich color, sonic density, and the ability to create moments of progressive tension answered by sudden and serene relaxations. An explosion of colors, fantasy, and instrumental exuberance.
Berio does not favor pauses for reflection; his orchestral pieces are exemplary for their rich color, sonic density, and the ability to create moments of progressive tension answered by sudden and serene relaxations.
An explosion of colors, fantasy, and instrumental exuberance.
This review highlights Luciano Berio's innovative orchestral works, particularly the Chemins cycle and Concerto for Two Pianos. It emphasizes the rich textures, inventive orchestration, and striking spatial arrangement of the orchestra. Recorded live at the Wien Modern festival, the pieces demonstrate Berio's mastery in blending solo instruments with an ensemble and creating dynamic musical tension. The reviewer expresses strong admiration and enthusiasm for the CD. Dive into Luciano Berio's orchestral masterpieces—listen now to experience their vibrant colors and innovative soundscapes.
Mars Polaris delivers less than it promises: it is a good Tangerine Dream album in the '70s format, but it has very little or nothing cosmic about it. The sound format is typical of the '70s for this group: no experimentation, catchy melodic themes supported by plenty of electronic percussion.
Mars Polaris delivers less than it promises: it is a good Tangerine Dream album in the '70s format, but it has very little or nothing cosmic about it.
The sound format is typical of the '70s for this group: no experimentation, catchy melodic themes supported by plenty of electronic percussion.
Mars Polaris by Tangerine Dream evokes high hopes with its space-inspired themes and 70s sound style but falls short on cosmic originality. The album features well-crafted electronic melodies with a strong 70s vibe, lacking experimentation. It suits newcomers well but may feel uninspired to longtime fans. Despite its limitations, the music is polished and consistent over ten tracks. Explore Mars Polaris and discover Tangerine Dream’s nostalgic journey through space-inspired electronics.
DeRank™: 6,07
DeRank™: 16,68
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DeRank™: 9,57
DeRank™: 1,09
DeRank™: 0,88
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DeRank™: 6,03
DeRank™: 0,52
DeRank™: 0,80
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