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Morgan acts as the spokesperson for a (fake) stereotypical musical sophistication seasoned with embarrassing déjà-vus. The only undeniable ability of Morgan is his capacity to continue to fool naive people who believe they have found the messiah in him, Amen.
Morgan acts as the spokesperson for a (fake) stereotypical musical sophistication seasoned with embarrassing déjà-vus.
The only undeniable ability of Morgan is his capacity to continue to fool naive people who believe they have found the messiah in him, Amen.
This review harshly criticizes Morgan's 'Da A ad A' as pretentious and unoriginal. Only one track, 'Liebestood,' is seen as valid. The artist's intellectual persona is viewed as annoying and contrived. The album's influences feel copied rather than innovative, and lyrical themes come across as snobbish. Overall, the reviewer sees Morgan as deceiving naive fans with false sophistication. Discover why Morgan's 'Da A ad A' divides listeners — read the full review and decide for yourself!
Everything in this album is special, starting with the title and finishing with the instrumentation used. It is an extremely varied and very interesting sound experiment that is worth listening to and revisiting.
Everything in this album is special, starting with the title and finishing with the instrumentation used.
It is an extremely varied and very interesting sound experiment that is worth listening to and revisiting.
Franco Mussida's 1991 album 'Racconti Della Tenda Rossa' offers a rich blend of world jazz and ethnic sounds, featuring diverse instrumentation and skilled vocals. The album creates a serene, vibrant atmosphere through a variety of musical styles and highlights Mussida’s versatility beyond his traditional work. Notable tracks showcase jazz, tribal rhythms, and Brazilian samba elements, making it a distinctive and enjoyable listening experience. Explore Franco Mussida's fascinating world jazz journey and experience a masterful blend of ethnic sounds and jazz artistry.
This unusual formation thus fields a total of eight members, playing a symphonic prog in which I see clear traces of Soul and splashes of Jazz. Horizons represents a true musical manifesto of the group (and endowed with a genuineness that unfortunately will not be repeated).
This unusual formation thus fields a total of eight members, playing a symphonic prog in which I see clear traces of Soul and splashes of Jazz.
Horizons represents a true musical manifesto of the group (and endowed with a genuineness that unfortunately will not be repeated).
Horizons by The Greatest Show On Earth is a standout 1970 progressive rock album noted for its rich horn section, blend of soul and jazz influences, and skilled musicianship. The album features a nearly 15-minute suite and showcases diverse instrumentation including flute, organ, and guitars. Although the band split soon after, this record remains a polished and unique example from the underground prog scene. The review praises the group’s instrumental talent and the album’s genuine, varied sound. Explore Horizons by The Greatest Show On Earth and experience a rare 70s prog masterpiece blending soul, jazz, and symphonic rock!
In everything shines with a freshness and immediacy that has the notable merit of not succumbing to banality. Will Robinson Sheff possesses an emotional charge that he manages to adapt and perfectly shape according to the musical style of each track.
In everything shines with a freshness and immediacy that has the notable merit of not succumbing to banality.
Will Robinson Sheff possesses an emotional charge that he manages to adapt and perfectly shape according to the musical style of each track.
The reviewer praises Okkervil River's album The Stage Names as their best work, highlighting its fresh indie rock sound distinct from post-rock minimalism. The production by Brian Beattie is noted for superior quality, while Will Sheff's expressive and self-ironic vocals give the album emotional depth. The music balances melancholy with lively rhythms and rich orchestration. The album is recommended for those seeking an incisive yet engaging alternative rock experience. Listen to The Stage Names and experience Okkervil River’s unique blend of melancholy and vibrant indie rock today!
From Battiato’s honey-drenched rock, we transitioned to machine-gun guitar blasts and relentless drum rhythms... I was ecstatic and laughed watching the disgusted faces of the bejeweled ladies next to me... wonderful. The whole theater stood up clapping their hands in rhythm. Spectacular live show nonetheless. Both Franco and Manlio were fantastic... if they happen to come to your area, make sure not to miss them.
From Battiato’s honey-drenched rock, we transitioned to machine-gun guitar blasts and relentless drum rhythms... I was ecstatic and laughed watching the disgusted faces of the bejeweled ladies next to me... wonderful.
The whole theater stood up clapping their hands in rhythm. Spectacular live show nonetheless. Both Franco and Manlio were fantastic... if they happen to come to your area, make sure not to miss them.
The review describes a memorable live show from Franco Battiato’s Il Vuoto Tour in Palermo. Despite initial doubts about supporting acts, the concert impressed with strong performances, a rich setlist, and the unique contribution of philosopher Manlio Sgalambro. The reviewer praises the blend of rock, classical elements, and witty stage moments. Overall, it was a spectacular event not to be missed by fans. Discover the magic of Franco Battiato’s live performance and explore the unique blend of music and philosophy in the Il Vuoto Tour!
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