supersoul

 "That old chap Steve Reid makes that drum roll like a metronome and this young crossbreed Kieran Hebden shoots you with nine minutes of electronic psychedelia."

 "How I wish this splendid darkness would never end..."

The album NYC by Kieran Hebden and Steve Reid delivers an immersive blend of jazz and electronic psychedelia inspired by six locations in New York City. The reviewer appreciates the atmospheric drum work by Reid and the electronic layers from Hebden, evoking vivid imagery and dreamlike states. Tracks like 'Arrival' and 'Between B & C' create tension and tranquility, while '1St & 1St' energizes with upbeat rhythms. Overall, the album is praised for its anticipation and evocative mood. Dive into the hypnotic fusion of jazz and electronic sounds in NYC by Kieran Hebden & Steve Reid. Listen now and experience the sonic journey!

 That perhaps it is the one closest to the original spirit.

 Willy’s singing seems unhurried, no progression but a laid-back Latin rhythm.

This review explores Willy DeVille’s 1992 rendition of 'Hey Joe' from his album 'Backstreet of Desire', highlighting its close connection to the song's original folk spirit. The Tex-Mex arrangement and mariachi opening transport listeners to a vivid narrative of betrayal and escape. Praised for its laid-back Latin rhythm and evocative instrumentation, DeVille’s version stands out among countless covers. The reviewer also reflects fondly on DeVille’s legacy and mourns his recent passing. Listen to Willy DeVille's soulful 'Hey Joe' and experience the timeless blend of folk, rock, and Tex-Mex traditions.

 "Tonight, however, he received much: old and young captivated by his ballads halfway between poetry and cynicism, between dreams and disappointment, between Dylan and Springsteen."

 "After two hours and three encores, Elliott unplugs the instruments and we gather around him to sing unplugged 'Drive all night' which in my honest opinion surpasses, and quite a lot, the song of the same name composed by Springsteen three years later."

This review celebrates Elliott Murphy’s 2009 live concert at Rocca dei Rettori, highlighting his poetic songwriting and engaging performance. The audience, spanning generations, connected deeply with his blend of rock, cynicism, and dreams. Murphy’s homage to Dylan and Springsteen adds layers of meaning. The emotional unplugged moments created an intimate experience that left a lasting impact. Discover Elliott Murphy’s unforgettable live performance—listen now and experience timeless rock poetry in motion.

 Maybe the world will go to hell and it will be the end of everything, but at least we'll die with our middle finger proudly displayed and a grin on our face.

 It's no coincidence they end the record with the blinding metallic clangs of 'Never and Always'... you can tell.

The review highlights The Three Johns' 1988 album 'The Death of Everything' as a peak of musical cynicism and sharp political satire. Blending punk, funk, dub, and post-punk, the band delivers fierce critiques of Thatcherism and Reaganism. With clever lyrics and genre-crossing sounds, the album challenges listeners through ironic and confrontational energy. Production by Adrian Sherwood adds a metallic edge that aligns with the era's post-punk experimentation. Dive into The Three Johns' sharp and energetic punk satire—listen to 'The Death of Everything' and experience 80s political rebellion in sound!

 Kevin Ayers is indeed a genius, but one of the lazy ones.

 This ten-minute freak-out perfectly represents his sonic agenda.

The review praises Kevin Ayers' 1970 album 'Shooting At The Moon' as a brilliant, playful, and experimental work. Ayers is depicted as a lazy genius who enjoys musical exploration without the pretentiousness of some contemporaries. The album features notable collaborations and a fusion of styles, from ballads to progressive jazz and quirky sound experiments. Bonus tracks on the CD add further charm. Dive into Kevin Ayers' inventive 'Shooting At The Moon' and experience a unique blend of progressive rock and playful genius.

 Like Mad Hatters who stumbled into a Hieronymus Bosch painting, amongst strange half-human, half-animal figures.

 A loony and ramshackle record that seeks to establish a complicity more than a simple listening.

Robyn Hitchcock's 1984 album ‘I Often Dream of Trains’ marks an intimate, acoustic departure from his electric work with The Soft Boys. The record captures the artist’s creative freedom in isolation, blending surreal lyrics and varied acoustic techniques. Influences from Syd Barrett, Ray Davies, and other cult musicians are woven throughout. This loony and heartfelt album invites listeners into a unique, introspective soundscape filled with vulnerability and poetic oddities. Dive into Robyn Hitchcock’s hauntingly beautiful acoustic world — listen to ‘I Often Dream of Trains’ and experience its surreal charm today!

 "If at the end of every performance you wring out the shirt with an elephant ear collar from James, I believe you could distill a gut-wrenching hangover."

 "Gallon Drunk are the perfect soundtrack for the contortions of Satanico Pandemonium!"

Tonite... the Singles Bar is a gritty anthology collecting ten tracks from Gallon Drunk’s early singles, showcasing their visceral, dark, and tribal rock style. The album channels the smoky, sinister atmosphere of swamp rock, blending psychedelic and blues influences with raw energy. The review praises the emotional intensity and instrumental prowess of the band, especially James Johnston's guitar work. It positions the band as a unique force distinct from similar artists like Nick Cave, emphasizing their authentic, boozy, rock spirit. Dive into the raw, dark energy of Gallon Drunk’s Tonite... the Singles Bar—listen now and experience a visceral rock journey like no other!

 Frank Zappa is a freaking genius just like our Totò, who is even greater in box office movies where he can unleash his creativity without being stuck in the constraints of a limiting script.

 At a concert with Zappa, you don’t go to be an intellectual but to revel, even when he takes notes from Bartok’s 'Third Piano Concerto' or Ravel’s 'Bolero.'

This review celebrates Frank Zappa’s 1988 live album 'Broadway the Hard Way,' highlighting his unmatched musical genius and satirical, witty performances. It emphasizes the album’s human imperfection, creative musical references, and political commentary. The review praises the all-star band and the album’s seamless live compilation. It dismisses detractors who undervalue Zappa's clever songwriting and encourages listeners to embrace this powerful work. Explore Frank Zappa’s electrifying live genius in 'Broadway the Hard Way'—listen now and experience the ultimate musical rebellion!

 This man is not normal, he is the reincarnation of some old voodoo shaman emerging from the shadows with a shriveled and shrunken head on the microphone stand.

 When the last note dies it feels a bit like we've died too.

This review captures Jeffrey Lee Pierce's passionate blues album recorded with Cypress Grove and Willie Love. It highlights his transformation from punk icon to blues troubadour, blending traditional songs with his original material. The production's raw energy shines when amplified, and standout tracks like 'Go Tell the Mountain' evoke profound emotion. Despite some traditional covers feeling less compelling, the album succeeds as a heartfelt tribute to the darker blues legacy. Listen to Ramblin' Jeffrey Lee’s evocative blues journey and feel the haunting spirit of classic and punk-blues fusion.

 These damned drunks brought it all back home.

 They concocted the same old scattered mess that made me put them on the record player, sure they would (s)crew me over once again playing at being bad.

Marah's Angels of Destruction! is praised for its rugged, heartfelt rock that evokes Bruce Springsteen and the Replacements. Produced by Owen Morris, the album retains raw energy despite attempts to polish it for mass appeal. The Bielanko brothers deliver soulful vocals and stirring compositions filled with Americana spirit. While the album mixes energetic rockers and softer ballads, it ultimately captures a timeless, authentic American rock essence. Listen to Marah's Angels of Destruction and experience raw, soulful rock at its finest!