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DeRank ™: 6,94 • DeAge™ : 6635 days
Dragonforce is born, aka ludicrous speed in metal. After a few minutes, Dragonforce tires me out: the riffs/solos are too similar and the excessive length of the songs does not play in their favor.
Dragonforce is born, aka ludicrous speed in metal.
After a few minutes, Dragonforce tires me out: the riffs/solos are too similar and the excessive length of the songs does not play in their favor.
Dragonforce's "Inhuman Rampage" pushes the limits of musical speed with blazing guitar duels and a relentless rhythm section. While tracks like "Through Fire and Flames" stand out, repetitive riffs and long song durations may tire some listeners. The band's unique style sets them apart in the power metal scene, though their appeal depends on listener tolerance for hyper-speed intensity. Live performances demand precise sound to maintain clarity. Overall, the album is worth hearing for speed metal enthusiasts despite its polarizing nature. Listen to Dragonforce's Inhuman Rampage and experience power metal at ludicrous speed!
"Luca does not smoke, does not use drugs and does not drink. I just don’t know how the hell he plays so well!!!" "Promise me you’ll never make me wear a straitjacket."
"Luca does not smoke, does not use drugs and does not drink. I just don’t know how the hell he plays so well!!!"
"Promise me you’ll never make me wear a straitjacket."
Piano, Solo is a touching Italian film that explores the life and struggles of jazz pianist Luca Flores, portrayed with depth by Kim Rossi Stuart. The movie highlights his exceptional talent and tragic descent into madness, portraying the fragile balance between genius and personal demons. With strong performances and evocative storytelling, the film sheds light on a lost musical legend. While some editing choices feel TV-like, the emotional core remains powerful and recommended. Discover the heartfelt story of Luca Flores and experience Kim Rossi Stuart's captivating performance in Piano, Solo—watch it now!
Taraxacum offers an hour of continuous enjoyment, of substantial hard rock, enriched by a refined melodic taste. Every rock-loving person I’ve played this CD to said: 'Great band, I’ve never heard of them. Thanks.'
Taraxacum offers an hour of continuous enjoyment, of substantial hard rock, enriched by a refined melodic taste.
Every rock-loving person I’ve played this CD to said: 'Great band, I’ve never heard of them. Thanks.'
The review praises Taraxacum’s 2003 album Rainmaker as a remarkable hard rock/metal release by a lesser-known band linked to famous acts. It highlights the band’s powerful vocals, strong songwriting, and balanced melodic and raw guitar elements. The reviewer values fresh talent over established names and recommends listening to the entire album for a continuous, satisfying experience. Listen to Taraxacum's Rainmaker now and uncover a hidden hard rock treasure!
A sound suicide, a musical abortion, a blow to the balls, an own goal in a World Cup final. Sonata, in this gigantic musical dream, have succeeded in a titanic endeavor: ruining their honest career as a power metal band.
A sound suicide, a musical abortion, a blow to the balls, an own goal in a World Cup final.
Sonata, in this gigantic musical dream, have succeeded in a titanic endeavor: ruining their honest career as a power metal band.
This review critiques Sonata Arctica's 2007 album 'Unia' as a disappointing departure from their established power metal style. While some fans and critics praise its experimental nature, the reviewer finds it confusing, lacking focus, and ultimately a career misstep. The album is described as neither power nor progressive metal, resulting in an unsatisfying listening experience. Discover the controversial twists of Sonata Arctica's 'Unia' and decide if this polarizing album is a hidden gem or a missed mark.
"Funeral Party tries to destroy the sanctity of the funeral service with exaggerated style and humor." "A series of gags maintain a high rhythm, keeping the film vibrant and free of dead spots."
"Funeral Party tries to destroy the sanctity of the funeral service with exaggerated style and humor."
"A series of gags maintain a high rhythm, keeping the film vibrant and free of dead spots."
Funeral Party, directed by Frank Oz, is a sharply absurd English comedy centered on an inappropriate funeral setting filled with exaggerated, hilarious situations. The film thrives on its chaotic characters and a relentless pace of gags, balancing tastelessness with clever satire. Despite some unsuccessful jokes, its style and energy make it an entertaining watch. It ends on a stereotypical yet ironic note with a politically correct funeral eulogy, closing the film before overstaying its welcome. Watch Funeral Party for an outrageously funny take on a funeral you won’t forget!
Ghost Rider can compete for the title of the worst I’ve ever seen. The atmosphere in the cinematic adaptation of an extremely gothic and dark comic is one of farce, of ridicule.
Ghost Rider can compete for the title of the worst I’ve ever seen.
The atmosphere in the cinematic adaptation of an extremely gothic and dark comic is one of farce, of ridicule.
The review describes Ghost Rider as one of the worst Marvel movies, criticizing its poor story, acting, and special effects. Nicholas Cage's performance is unconvincing, and the film fails to capture the dark tone of the comic. The director, Mark Steven Johnson, is noted for delivering a subpar sequel to his previous work on Daredevil. Read the full review to see why Ghost Rider missed the mark and decide if it’s worth your time.
Tools Of Destruction was a surprise to my ears; a pure heavy metal CD with many granite-like mid-tempo tracks that, even after 2 years, still make me nod my head in silent and satisfied assent. I close with the suite 'Land Of Innocente': a dizzying demonstration of compositional maturity.
Tools Of Destruction was a surprise to my ears; a pure heavy metal CD with many granite-like mid-tempo tracks that, even after 2 years, still make me nod my head in silent and satisfied assent.
I close with the suite 'Land Of Innocente': a dizzying demonstration of compositional maturity.
Thunderstone's third album, Tools Of Destruction, marks a significant step forward from their debut, showcasing gritty vocals and powerful riffs. The album balances melodic and heavy elements with standout tracks like 'I Will Come Again' and 'Land Of Innocente.' Praised for compositional maturity and energy, this 2005 release is celebrated as a strong, refreshing offering in the Finnish heavy metal scene. Dive into Thunderstone’s Tools Of Destruction and experience a powerful blend of melodic and gritty heavy metal!
A sad, cold, and grumpy Neapolitan commissioner... begins the investigation in the town. It is a simple noir, deliberately devoid of twists or high-tension moments, yet pleasing for its simplicity and how well it is crafted.
A sad, cold, and grumpy Neapolitan commissioner... begins the investigation in the town.
It is a simple noir, deliberately devoid of twists or high-tension moments, yet pleasing for its simplicity and how well it is crafted.
Andrea Molaioli's debut film La ragazza del lago is a melancholic Italian noir set in Friuli, revolving around a murder investigation in a quiet town. The film skillfully balances the crime plot with a touching family drama, enhanced by superb performances, particularly by Toni Servillo. Its simple yet engaging storytelling, atmospheric cinematography, and strong character development make it a noteworthy Italian thriller. Explore Andrea Molaioli's atmospheric Italian noir and uncover the mysteries of La ragazza del lago today.
Honestly, this latest effort titled 'The Monster Is Loose' in my opinion has no reason to exist. It’s all a matter of self-persuasion: with such artwork and such a story, this record can’t help but be damn rock, and people ended up believing it, considering Bat Out Of Hell a sum of the genre.
Honestly, this latest effort titled 'The Monster Is Loose' in my opinion has no reason to exist.
It’s all a matter of self-persuasion: with such artwork and such a story, this record can’t help but be damn rock, and people ended up believing it, considering Bat Out Of Hell a sum of the genre.
This review examines Meat Loaf's Bat Out Of Hell III, noting its departure from the groundbreaking quality of its predecessors. While the original albums were theatrical and innovative rock operas crafted by Jim Steinman, the third installment lacks fresh energy and feels redundant. The reviewer highlights the album's polished pop-rock sound but criticizes the absence of Steinman and perceives the record as unnecessary, ultimately disappointing longtime fans. Discover the highs and lows of Meat Loaf's Bat Out Of Hell III and decide if this rock opera sequel lives up to the legend.
"Ecliptica is truly a well-packaged album and probably one of the best debuts in the power metal genre." "Composing music that is so straightforward, direct, and pleasant and catchy from the first distracted listen is anything but easy given that it’s an overused formula with enormous competition."
"Ecliptica is truly a well-packaged album and probably one of the best debuts in the power metal genre."
"Composing music that is so straightforward, direct, and pleasant and catchy from the first distracted listen is anything but easy given that it’s an overused formula with enormous competition."
This review highlights Sonata Arctica's debut album Ecliptica as a strong example of Finnish power metal influenced by Stratovarius. The album features fast tempos, energetic solos, and catchy choruses with well-crafted melodic lines. While it lacks some originality, Ecliptica remains a pleasant and engaging listen especially for teenagers and metal fans looking for straightforward power metal. Key tracks like '8th Commandment,' 'My Land,' and 'Replica' stand out. Rated 3.5 stars overall. Explore Sonata Arctica's Ecliptica and dive into the energetic world of Finnish power metal now!
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