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DeRank ™: 2,48 • DeAge™ : 6643 days
"With this album, we want you to label us as progressive, because we have the aptitude, but know that we will stand out." "That epic mellotron at the beginning is kind of a parody, and if you take it away, in a romantic key, you get the future style of the Crimson King, dry."
"With this album, we want you to label us as progressive, because we have the aptitude, but know that we will stand out."
"That epic mellotron at the beginning is kind of a parody, and if you take it away, in a romantic key, you get the future style of the Crimson King, dry."
This opinion piece offers a unique interpretation of King Crimson's celebrated debut, 'In the Court of the Crimson King.' It highlights the album's blend of progressive styles and its visionary nature. The review argues that the album uses musical elements as a statement of identity and foreshadows the band’s future sound. The thoughtful analysis invites listeners to reconsider the familiar masterpiece from a new perspective. Explore this insightful interpretation of King Crimson’s debut and rediscover a progressive rock masterpiece!
Dummy consecrates itself as one of the best albums I have ever listened to. Each track offers a different image, together creating a colorful and varied musical vision.
Dummy consecrates itself as one of the best albums I have ever listened to.
Each track offers a different image, together creating a colorful and varied musical vision.
This review praises Portishead's 1997 album Dummy as a seminal trip-hop record celebrated for its retro beats, haunting vocals by Beth Gibbons, and innovative blend of soul and jazz influences. The reviewer highlights standout tracks like 'Mysterons,' 'Sour Times,' and especially 'Roads,' calling the album one of the best they've ever heard. Emphasizing the album's timeless and atmospheric qualities, the review encourages listeners to experience its unique elegance and cinematic vibe. Listen to Portishead's Dummy and explore the timeless trip-hop masterpiece!
Alan Sorrenti adopted the rule of the three P’s: Progressive, Psychedelia, and Pop. A bit of disappointment after the very promising debut, but still a good album, still influenced by progressive.
Alan Sorrenti adopted the rule of the three P’s: Progressive, Psychedelia, and Pop.
A bit of disappointment after the very promising debut, but still a good album, still influenced by progressive.
Alan Sorrenti’s second album embraces progressive rock, psychedelia, and pop but doesn’t quite match the success of his debut “Aria.” The album offers a harsher, more electric sound across seven tracks, including a long, experimental suite. While some songs like “Angelo” and “Oratore” stand out, others fall short, making the album interesting yet somewhat disappointing for fans of his early style. Discover Alan Sorrenti’s unique blend of prog and psychedelia — listen to this intriguing sophomore album now!
"Every scene must be seen and studied." "Profanity becomes common language and mockery becomes daily life."
"Every scene must be seen and studied."
"Profanity becomes common language and mockery becomes daily life."
The review praises "South Park: The Movie" for its ingenious ideas and unapologetic satire. It highlights character dynamics, sharp humor, and standout moments such as Cartman's song and Kenny's afterlife. The film's boldness in mocking culture and politics is celebrated, making it one of the reviewer's favorites. Watch South Park: The Movie for a bold and hilarious satirical experience!
"...di terra is an entirely instrumental album, a perfect fusion of Progressive and Classical Music, characterized by dark and solemn atmospheres." "Terramadre is a wonderful mix of dark swirling keyboards and a sax, played perfectly by guest Alan King, equally dark and mysterious."
"...di terra is an entirely instrumental album, a perfect fusion of Progressive and Classical Music, characterized by dark and solemn atmospheres."
"Terramadre is a wonderful mix of dark swirling keyboards and a sax, played perfectly by guest Alan King, equally dark and mysterious."
Banco del Mutuo Soccorso’s 1977 album ...di terra is a complex yet accessible instrumental blend of progressive rock, classical music, and jazz. Featuring the Unione Musicisti di Roma orchestra, the album creates dark and solemn atmospheres with rich musical diversity. Although lacking vocals, it delivers a unique listening experience and marks an important point in Banco’s evolution. While a bit dated, it remains a strong and recommended work for fans. Listen to Banco's ...di terra and experience a masterful blend of progressive and classical instrumental music.
An album that would deserve 5 stars... but I cannot give more than 4 stars due to the poor recording quality. Cento mani e cento occhi... extends to ten minutes, with a long 'electric' and exciting instrumental piece that keeps your ears up until the end.
An album that would deserve 5 stars... but I cannot give more than 4 stars due to the poor recording quality.
Cento mani e cento occhi... extends to ten minutes, with a long 'electric' and exciting instrumental piece that keeps your ears up until the end.
The review covers Banco Del Mutuo Soccorso's 1972 live album 'Papagayo Club,' praising the band's passionate performance and extended instrumental sections. Despite the excitement, the album suffers from poor sound quality that hinders a full appreciation. Special mention goes to the impressive keyboard work and the ambitious 25-minute suite 'Il giardino del mago.' Overall, the album is a must-listen for fans but is imperfect due to recording flaws. Discover Banco del Mutuo Soccorso’s energetic 1972 live performance and explore their extended prog masterpieces now!
This is definitely a good album, especially considering the period in which it was released. Banco resists (but not for long) and releases a good album, indeed 'Come in un’ultima cena'.
This is definitely a good album, especially considering the period in which it was released.
Banco resists (but not for long) and releases a good album, indeed 'Come in un’ultima cena'.
This review analyzes Banco del Mutuo Soccorso's 1976 album 'Come In Un’Ultima Cena', highlighting its progressive rock roots with emerging pop elements. Shorter songs and fewer long suites mark a stylistic shift. Standout tracks include 'Il ragno' and 'Si dice che i delfini parlino'. Although it lacks the strong emotional highs of earlier albums, it remains a solid work reflecting its era. Discover Banco del Mutuo Soccorso’s unique blend of prog and pop in 'Come In Un’Ultima Cena'—listen and explore the evolution of 70s Italian rock!
Darwin! is an absolute masterpiece of Italian Progressive! The MASTERPIECE of the album is ’750000 anni fa.... l’amore?’ a poignant ballad of a crude prehistoric man.
Darwin! is an absolute masterpiece of Italian Progressive!
The MASTERPIECE of the album is ’750000 anni fa.... l’amore?’ a poignant ballad of a crude prehistoric man.
This review praises Banco Del Mutuo Soccorso's 1973 album Darwin! as a pinnacle of Italian progressive rock. It highlights the album's concept based on evolution, the impressive keyboard work, and the emotional intensity of key songs. The reviewer regards it as the band's best work, surpassing their other albums. Despite minor critiques, it remains a beloved classic. Discover the rich sounds and profound themes of Darwin! – a must-listen for progressive rock fans!
DeRank™: 14,42
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DeAge 6642
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