mien_mo_man

 Nothing horrific and nothing revolutionary, nothing genius and little conventional: that’s how "Nearly Human" is.

 The refined soul devoted to smooth and radio-friendly pop of "Parallel Lines" is lost along the way.

The review critiques Todd Rundgren’s 1989 album Nearly Human for lacking the rock vitality and experimental spirit of his earlier work. Instead, the album leans heavily on smooth soul and radio-friendly pop with uninspired arrangements and weak production choices typical of the 80s. While guitar solos occasionally shine, the overall album fails to deliver innovation or strong personality, resulting in a disappointing return after a long hiatus. Discover why Nearly Human marked a shift in Rundgren’s sound—listen and judge this 80s-era album for yourself!

 "This album of spiritual and sparse folk... goes beyond folk, with bare arrangements and sounds that do not erect the rightful wall."

 "Mike Scott’s mind is nothing short of being influenced by knowledge, insights, studies, and clichés between neopaganism and magic."

The review praises Mike Scott's 'Universal Hall' as a deeply spiritual and minimalist folk album rooted in Scottish neopagan traditions. It highlights the stripped-down arrangements and wintry, atmospheric soundscapes. The album contrasts with earlier vibrant works, focusing on peaceful, ritualistic moods influenced by the Findhorn community. Though not without minor weaker tracks, its overall ambiance is calming and immersive. Discover the serene and mystical world of The Waterboys' 'Universal Hall'—listen now and immerse yourself in its spiritual folk journey.

 The problem is that the British march, this nonsense of a musical subgenre, is the most noble thing pop has produced in the last fifty years!

 The result is a nice album but without great personality; catchy but without moments of excellence.

The review critiques Old Man River's album 'Good Morning' for its lack of originality and boldness despite pleasant melodies and gentle rhythms. The opening single 'La' is seen as overly simplistic and banal. Though some songs exhibit subtle influences of British and American folk and blues, the album fails to offer memorable or passionate moments. Overall, it's a mild, easy listen but does not stand out or challenge the britpop or indie folk genres. Explore Old Man River's 'Good Morning' to hear a gentle indie folk album and judge its mellow charm for yourself.

 Utopia’s hand is indistinguishable, to the point of losing their trademark.

 The problem is certainly (and always) the excessive prolificacy: ... at least six of these eleven songs would have been considered as filler.

The review critically examines Utopia's 1985 album 'Pov', highlighting its attempt to align with early 80s musical trends like arena rock and new wave, but ultimately falling short due to lack of innovation and generic songwriting. Despite a few standout tracks, the album suffers from monotony and loss of the band's unique identity. The review also discusses Todd Rundgren's prolific output and questions whether a slower pace could have preserved creativity. 'Pov' reflects the challenges of adapting to fast-changing 80s music scenes. Explore Utopia's 'Pov' to discover the challenges of evolving sound in the 80s and listen for hidden gems amidst the struggles.

 In 1984 Todd Rundgren and his companions see the world resembling an Oblivion, an inhuman city...

 ‘Oblivion,’ as good as it is, is not comparable to its two older brothers, and that the iron struck by the previous albums has now cooled.

This review explores Utopia's 1984 album Oblivion, inspired by Buckminster Fuller's vision and Orwellian themes. Despite intriguing conceptual underpinnings, the album leans toward lighter 80s AOR and pop sounds, lacking the impact of earlier Utopia works. The reviewer appreciates some tracks but finds the overall album less compelling, suggesting it marks the end of one creative phase for the band. Discover Utopia’s Oblivion and explore an 80's prog-rock journey with deep conceptual roots and melodic surprises.

 This album is a more than eloquent response, one that brooks no argument.

 Procuring this CD is equivalent to joining Kid Rock in what is an unpardonable blasphemy. Vade retro!

This review offers a harsh critique of Kid Rock's album Rock N Roll Jesus, highlighting the lack of originality and poor musical execution. The author questions Kid Rock's artistic credibility, noting uninspired riffs and awkward genre fusions. Despite his commercial success and media presence linked to Pamela Anderson, his music is seen as failing to impress. The overall tone is dismissive and critical. Read this candid review before you listen to Kid Rock's Rock N Roll Jesus and discover the controversy behind the music.

 "A Cappella" should be read 'the songs performed a cappella according to the way Todd Rundgren understands a cappella music.'

 Definitely a great missed opportunity.

Todd Rundgren's 1985 album 'A Cappella' showcases his vocal overdubbing skills but suffers from inconsistent execution. While ambitious in style, the album fails to fully explore its potential or offer a cohesive experience. The review highlights the blend of diverse genres and experimental ideas, yet sees the project as a missed opportunity overall. Discover Todd Rundgren's daring vocal experiment—listen to 'A Cappella' and decide for yourself!

 The guy is an honest and perhaps bespectacled singer-songwriter without any peculiar features, whose record company has imposed to take on a rebellious look and attitude, all to sell a mediocre album to the kids.

 They are good, clever, honest with themselves, and therefore they respect their desire for charting.

The review critiques The Last Goodnight's debut album Poison Kiss for its predictable pop-rock style and forced rebellious image. Despite the clichés and average arrangements, the vocalist’s sincerity and occasional theatrical moments stand out. The band shows potential and cleverness in mixing influences but doesn’t break new ground. Ultimately, the album is an honest effort that entertains but won’t revolutionize the music scene. Discover The Last Goodnight's Poison Kiss and judge if this honest, catchy debut album deserves a spot in your playlist!

 Todd Rundgren's 1982 obsession is the perfect pop wave song.

 A radio-friendly pop rock album that wouldn’t be out of place among the best albums of the then-emerging bands.

Utopia's 1982 self-titled album marks a clear shift from their progressive roots to accessible pop and powerpop songs influenced by new wave. The record features catchy, concise tracks that highlight simplicity and radio-friendly appeal. While it doesn't match the artistic depth of previous works, it offers a strong introduction to the band's later phase and showcases their mainstream creative strengths. Discover Utopia's pop rock transformation—listen to their 1982 album now and dive into catchy new wave sounds!

 "The results are totally different. And inferior."

 "Simply placing a fiddle (violin) instead of a keyboard and a fuzz mandolin instead of any electric guitar is not enough to be what it once was."

This review analyzes Mike Scott's 2001 release 'Too Close To Heaven,' a collection of unreleased sessions linked to 'Fisherman's Blues.' While the album attempts to recreate the original's unique Celtic folk-blues fusion, it falls short in atmosphere and coherence. Some tracks deliver intensity, but the mixture of outtakes from different periods dilutes the album's focus. Overall, the album is an interesting but imperfect companion to the classic. Explore The Waterboys' journeys through unreleased sessions and discover the echoes of Fisherman's Blues!