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DeRank ™: 0,16 • DeAge™ : 6801 days
Zurlini manages above all to mix a certain irony with a certain despair, which reminded me of some protagonists of Almodovar’s films. The beauty of this film lies precisely in these insights into the characters’ inner lives, in the continuous dialogue of glances, silences, and nuances highlighted by the chiaroscuro.
Zurlini manages above all to mix a certain irony with a certain despair, which reminded me of some protagonists of Almodovar’s films.
The beauty of this film lies precisely in these insights into the characters’ inner lives, in the continuous dialogue of glances, silences, and nuances highlighted by the chiaroscuro.
Valerio Zurlini’s La ragazza con la valigia is a poetic and emotionally rich film that explores class divisions and the bittersweet nature of first love. Claudia Cardinale delivers a captivating performance, paired with Jacques Perrin, under a direction that skillfully blends irony and despair. The film's visual style and musical choices deepen its lyrical impact. A touching portrayal of youthful passion and societal contrasts in 1960s Italy. Discover the timeless charm of La ragazza con la valigia—watch this poetic Italian classic today!
"Every word is a lie, every word is falsehood, every smile a grimace...what is the most difficult role?" "The Master with his extremely succinct, clean, neutral style...gives us a work full of suggestions and meanings, which I wasn’t able to fully express here, on life and fiction."
"Every word is a lie, every word is falsehood, every smile a grimace...what is the most difficult role?"
"The Master with his extremely succinct, clean, neutral style...gives us a work full of suggestions and meanings, which I wasn’t able to fully express here, on life and fiction."
This review praises Ingmar Bergman's Persona as a powerful and complex film exploring themes of identity, duality, and self-awareness. It highlights the ambiguous relationship between two women, rich symbolism, and the film's dreamlike style. The performances by Liv Ullmann and Bibi Andersson are celebrated for their emotional depth and skill. The reviewer emphasizes the film's lasting impact and layered meanings. Discover the haunting brilliance of Bergman's Persona—watch it today and unravel the mysteries of identity and silence.
Santa Maradona is one of those films, at first glance it seems like an extension of Muccino’s movies. If the director could have played with the good resources of the actors... it ends up in the usual television jam, trying to say and do too much.
Santa Maradona is one of those films, at first glance it seems like an extension of Muccino’s movies.
If the director could have played with the good resources of the actors... it ends up in the usual television jam, trying to say and do too much.
The review criticizes Marco Ponti's Santa Maradona as another cliché Italian film about aimless 30-somethings struggling with adulthood and jobs. Despite some interesting dialogue and strong performances, especially by Libero di Rienzo, the film falls into predictable romantic tropes and overused narrative choices. Its attempts at tension and style via camera work and music feel forced. Overall, the reviewer considers it a missed opportunity. Explore this honest review of Santa Maradona and decide if this Italian youth drama is worth your time.
Petri tells us, with his profound mastery and elegant camera movements, in this very original film... an almost psychedelic film about madness. The film is a tribute to art and an excellent description of the anxieties and phobias of a man on the brink of severe mental illness.
Petri tells us, with his profound mastery and elegant camera movements, in this very original film... an almost psychedelic film about madness.
The film is a tribute to art and an excellent description of the anxieties and phobias of a man on the brink of severe mental illness.
Elio Petri's 1969 film 'Un Tranquillo Posto di Campagna' offers an original, almost psychedelic exploration of madness through the mind of painter Leonardo. The film examines alienation, creative paralysis, and the influence of the art market. Strong performances by Franco Nero and Vanessa Redgrave, combined with atmospheric cinematography and Morricone’s music, create a haunting tribute to art and mental decline. Despite momentary dips into mystery, the film remains a profound study of obsession and psychosis. Discover Elio Petri’s visionary film—experience madness and art through a mesmerizing cinematic journey.
Olmi manages to tell the story of these people, their feelings, the true goodness of heart through the simple, very simple filming of a few summer days. The hand of Olmi is felt both in the images of everyday life, in the splendid images that perfectly render the melancholic atmosphere of summers in the city.
Olmi manages to tell the story of these people, their feelings, the true goodness of heart through the simple, very simple filming of a few summer days.
The hand of Olmi is felt both in the images of everyday life, in the splendid images that perfectly render the melancholic atmosphere of summers in the city.
Durante l'estate depicts the simple, touching interactions between a quirky professor and a young woman in a nearly deserted Milan. The film explores themes of nobility of heart through poetic, everyday moments. While the plot feels sparse and weak, Olmi’s direction captures a melancholic summer mood and deep lyricism in certain scenes. Discover the quiet beauty of 'Durante l'estate' and experience Olmi’s tender portrayal of human connection this summer.
"This film talks about drug addiction for what it is, without romanticizing but simply showing us the lives of these young people from the Roman suburbs." The film is 'raw and unfiltered,' showing misery and personal annihilation without judgment or dramatic effects.
"This film talks about drug addiction for what it is, without romanticizing but simply showing us the lives of these young people from the Roman suburbs."
The film is 'raw and unfiltered,' showing misery and personal annihilation without judgment or dramatic effects.
Amore Tossico is a brave Italian film by Claudio Caligari that portrays drug addiction realistically, focusing on young people in Roman suburbs. The film draws on neorealism and cinema vérité, casting real addicts and avoiding romanticism or judgment. Its raw depiction surpasses comparable films like Trainspotting. Despite some clichéd references to Pasolini, it stands out as a powerful and honest look at addiction's harsh reality. Discover Claudio Caligari's raw masterpiece — watch Amore Tossico for an unflinching look at addiction.
"Adriana seems to fly above all this, also in search of a man who can truly love her, ending up throwing herself into countless affairs." "The heavy makeup melts in tears, revealing all her fragility and shattering her dreams."
"Adriana seems to fly above all this, also in search of a man who can truly love her, ending up throwing herself into countless affairs."
"The heavy makeup melts in tears, revealing all her fragility and shattering her dreams."
This review examines Antonio Pietrangeli's 1965 film 'Io la conoscevo bene,' focusing on Adriana, a young woman escaping a harsh reality through fleeting pleasures. Stefania Sandrelli's portrayal reveals layers of complexity beneath Adriana's apparent superficiality. The film's nonlinear storytelling and evocative use of period music deepen the bittersweet tone, illustrating personal and societal struggles during Italy's economic boom. Discover Adriana's poignant journey in this classic Italian drama—watch 'Io la conoscevo bene' and explore Pietrangeli's masterful storytelling.
"Sautet manages to touch the tenderest, most romantic, pastel, and gray tones of our souls while being anti-romantic." "The fear of loss, combined with the splendid music by Philippe Sarde, brings a lump of silent pain to my throat."
"Sautet manages to touch the tenderest, most romantic, pastel, and gray tones of our souls while being anti-romantic."
"The fear of loss, combined with the splendid music by Philippe Sarde, brings a lump of silent pain to my throat."
This review praises Claude Sautet's film 'L'amante' ('Les choses de la vie') for its delicate and realistic portrayal of love, memory, and mortality. Featuring strong performances by Michel Piccoli and Romy Schneider, the film balances subtle romantic tension without sentimentality. The music by Philippe Sarde enhances the emotional depth. Though some parts verge on the banal, the film excels in depicting fragile human emotions with quiet intensity. Watch Claude Sautet's 'L'amante' for a hauntingly beautiful exploration of love and life's fragile moments.
"A film where he can converge his memories, the novels and music he loves, and the attitude of the Lombard upper class towards fascism." "Visconti shows the falsity of ceremonies, every ceremony, every appearance hides violence and abuse."
"A film where he can converge his memories, the novels and music he loves, and the attitude of the Lombard upper class towards fascism."
"Visconti shows the falsity of ceremonies, every ceremony, every appearance hides violence and abuse."
This review highlights Luchino Visconti’s La Caduta degli Dei as a powerful and decadent family melodrama set in Nazi Germany’s bourgeoisie. The film draws heavily from Wagner’s opera and Thomas Mann’s literature, portraying a brutal power struggle fraught with violence and moral decay. The masterful use of expressionist lighting and music enhances the film’s intense atmosphere, while the performances, especially by Helmut Berger, stand out. The film’s themes reflect Visconti’s complex view of fascism and bourgeois values. Discover the intensity of Visconti’s masterpiece—watch La Caduta degli Dei and explore the dark saga of power and decadence.
The merit of the film lies in the movement that seems to animate these characters, seems to disassemble them, only to return instead to an initial situation of stillness and immutability, as if nothing at the end had happened. The director seems to adopt a moralistic tone towards the characters: they are losers from the start since they are bourgeois.
The merit of the film lies in the movement that seems to animate these characters, seems to disassemble them, only to return instead to an initial situation of stillness and immutability, as if nothing at the end had happened.
The director seems to adopt a moralistic tone towards the characters: they are losers from the start since they are bourgeois.
Maselli's 'I Delfini' depicts wealthy youths of a small Italian town trapped in boredom and social conventions. Despite a talented cast, the characters feel stereotyped and the narrative moralistic. The film excels technically with sophisticated camerawork and evocative black-and-white visuals that capture an atmosphere of stagnant elegance. Ultimately, it shows characters unable to break free from their bourgeois cages, resulting in a melancholic but static portrait of provincial life. Watch 'I Delfini' to experience a stylish and thought-provoking look at idle youth trapped by social norms.
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