Poletti

 Fabrizio De Andrè... one who went beyond any pleonastic reasoning, one who knew how to reconcile Present and Future, one who distinguished the boundaries of divine greatness.

 Enormous prayers... we, with all the love and goodwill, could never be enormous: we are Men, therefore, we are Normal. In fact, Extremely Normal.

This review praises Fabrizio De André's album Anime Salve as a profound exploration of the human condition against the vastness of the universe. De André is lauded as a poet of timeless clarity who reconciles present and future. The review reflects on themes like flaws, virtues, and existential dilemmas through his music. It highlights the poetic depth and societal insight present in the album, positioning De André as a lasting figure in music and poetry. Dive into the profound world of Fabrizio De André's Anime Salve and experience music as timeless poetry.

 Tatu, musical phenomenon of this early century, are neither skilled nor talented, they are, like almost all phenomena, incapable and fundamentally useless.

 The carelessness and ease with which Tatu hum their little songs, repeating until exhaustion the most trivial refrain.

This review critiques t.A.T.u.'s album Dangerous And Moving, emphasizing the duo's success based largely on marketing and scandal rather than talent. It discusses their commercial appeal to teenagers and notes the album's lack of musical innovation or quality. Though popular, the music is described as repetitive and unoriginal. Ultimately, it expresses disappointment in the music industry's embrace of hype over artistry. Discover why t.A.T.u.'s Dangerous And Moving sparked controversy—read the full review and listen for yourself!

 It is the finished grandiloquency... an artist who wants to amaze everyone with complex and articulated words but has little or nothing to say.

 If it had been less grandiloquent, less pretentious, a little more musically lively, less depressing, it could have been an excellent example of Italian songwriting.

This review critically examines Francesco Guccini's album 'Stanze di Vita Quotidiana,' highlighting its overly complex and pretentious lyrics. While acknowledging Guccini's talent in past works, the album is portrayed as grandiloquent and musically monotonous, with only two notable exceptions. The review underscores Guccini's inability to accept criticism and his own later repudiation of the record. Overall, the album is seen as a missed opportunity within Italian songwriting. Discover the complex world of Guccini’s 'Stanze di Vita Quotidiana'—listen and decide for yourself!