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DeRank ™: 1,13 • DeAge™ : 6830 days
Never had a soundtrack like this been heard. Goblin give us a kind of 'anthem'... dense and anguishing, terribly raw, with that smell of raw flesh.
Never had a soundtrack like this been heard.
Goblin give us a kind of 'anthem'... dense and anguishing, terribly raw, with that smell of raw flesh.
Goblin’s 1977 Suspiria soundtrack is celebrated as a groundbreaking horror album that perfectly complements Dario Argento’s film. The review praises its raw, anguishing sound, innovative use of percussion and synthesizers, and atmospheric intensity. It highlights Goblin’s seamless collaboration with Argento and the album’s lasting cultural impact. Bonus tracks on later versions are deemed unnecessary, recommending original releases instead. Listen to Goblin’s Suspiria soundtrack and experience one of horror’s most iconic and haunting musical journeys.
A singer who could make the likes of Ronnie James Dio, Ian Gillan, David Byron sit up and take notice. Ride the Sky... might remind you of 'Immigrant Song,' but here it’s all more diabolic and dark.
A singer who could make the likes of Ronnie James Dio, Ian Gillan, David Byron sit up and take notice.
Ride the Sky... might remind you of 'Immigrant Song,' but here it’s all more diabolic and dark.
Lucifer's Friend's 1970 debut album delivers a gritty, hard rock experience infused with progressive and psychedelic elements. Featuring John's Lawton's powerful and versatile vocals, the album stands out despite limited initial success. Tracks like 'Ride the Sky' and 'Lucifer's Friend' showcase a dark, diabolical atmosphere that appeals to fans of classic hard rock and early metal. The review celebrates the album as a hidden gem worth rediscovering. Explore Lucifer’s Friend debut album now and experience classic hard rock’s dark and powerful roots!
‘Al Maestrale’ is one of the rarest and most forgotten Italian albums. ‘Il Fuoco E La Spada’ is definitely the masterpiece of the album with beautiful guitar solos and gutsy spirit.
‘Al Maestrale’ is one of the rarest and most forgotten Italian albums.
‘Il Fuoco E La Spada’ is definitely the masterpiece of the album with beautiful guitar solos and gutsy spirit.
Janus' 'Al Maestrale' is a rare and underappreciated Italian progressive rock album from 1977, notable for its Nordic atmosphere and adventurous musical ideas. Despite poor recording quality and some flaws, it offers unique tracks featuring flute, hard rock, and synth elements. The album reflects a bold and unconventional approach for its time, blending prog and rock 'n' roll. Though it sold poorly, its musical depth and avant-garde spirit have earned it lasting recognition. A solid 4-star rating highlights its value as a hidden classic. Explore Janus' 'Al Maestrale' and experience a rare, atmospheric prog rock voyage from 1977!
The music contained is of a high satanic level, a bit like the esoteric symbols that embellish the cover and the bootleg. Get yourself the album and listen to it, order it from your trusted dealer, download it with the mule, invoke it with a seance… You won’t regret it.
The music contained is of a high satanic level, a bit like the esoteric symbols that embellish the cover and the bootleg.
Get yourself the album and listen to it, order it from your trusted dealer, download it with the mule, invoke it with a seance… You won’t regret it.
This review delves into Coven's 1970 album 'Witchcraft Destroys Minds and Reaps Souls,' highlighting its unique blend of satanic themes, psychedelic blues, and gothic rock. The mysterious lineup and haunting female vocals are praised, alongside the album’s eerie atmosphere and influence. Despite some flaws, it is considered a rare and essential listen. The review mixes serious insight with humor and vivid imagery. Dive into Coven's occult rock classic and uncover the mysterious power behind 'Witchcraft Destroys Minds and Reaps Souls' today!
John Lawton has an amazing voice that, for a moment (1977-79), manages to overshadow Byron himself. "Firefly" is the album's absolute masterpiece: a fantasy narrative often sung in multiple voices and a dreamlike atmosphere.
John Lawton has an amazing voice that, for a moment (1977-79), manages to overshadow Byron himself.
"Firefly" is the album's absolute masterpiece: a fantasy narrative often sung in multiple voices and a dreamlike atmosphere.
Firefly, released in 1977, is considered Uriah Heep's last great album, marked by John Lawton's impressive vocals following David Byron's departure. The album features a mix of epic and melodic tracks with some weak moments, but overall it remains a powerful classic in their catalog. Songs like "The Hanging Tree," "Wise Man," and "Firefly" showcase the band's creative strength. Despite later decline, this album stands as a memorable high point. Listen to Uriah Heep's Firefly now and experience one of rock's unforgettable twilight classics!
The track is one of the highest points of Antonio Bartoncetti and his associates’ entire career. The album just reviewed, is a full-blown mind-masturbation, so don’t think it’s one of those records to put on for a Halloween party and other nonsense.
The track is one of the highest points of Antonio Bartoncetti and his associates’ entire career.
The album just reviewed, is a full-blown mind-masturbation, so don’t think it’s one of those records to put on for a Halloween party and other nonsense.
This review praises Jacula's 1972 album 'Tardo Pede In Magiam Versus' for its dark, psychedelic soundscapes and gothic atmosphere. Highlighting the use of pipe organ, minimoog, and unique instrumentation, it details standout tracks like "U.F.D.E.M." and "In Old Castle." The album is described as complex, requiring attentive and repeated listening to fully appreciate its artistic depth and occult mystique. Dive into Jacula's dark and hypnotic world — listen to 'Tardo Pede In Magiam Versus' and explore its unique gothic psychedelia!
Time of Change, a masterpiece of refinement and elegance, like few other records. Joe Vescovi did not own a synthesizer but managed to mold the sound of his Hammond to make it seem like a Moog (don’t believe it? Listen to believe...).
Time of Change, a masterpiece of refinement and elegance, like few other records.
Joe Vescovi did not own a synthesizer but managed to mold the sound of his Hammond to make it seem like a Moog (don’t believe it? Listen to believe...).
The Trip's 1973 album Time Of Change is praised as a refined and elegant masterpiece of Italian progressive rock. The trio delivers standout performances, with highlights in jazz and experimental sounds. Despite its quality, the album remains underrated and forgotten. The review celebrates the album's intricate compositions and emotional depth, inviting new listeners to discover this prog gem. Listen to The Trip’s Time Of Change and rediscover a rare masterpiece of Italian progressive rock.
"The album is very important: it indeed marks the birth ... of the so-called Italian prog." "'L’Ultima Ora/Ode a Jimi Hendrix' ... where Vescovi and his companions each play their instrument to the point of achieving the desired musical ejaculation."
"The album is very important: it indeed marks the birth ... of the so-called Italian prog."
"'L’Ultima Ora/Ode a Jimi Hendrix' ... where Vescovi and his companions each play their instrument to the point of achieving the desired musical ejaculation."
The Trip's 1971 album 'Caronte' is a pioneering work of Italian progressive rock, noted for its dark atmosphere and Dante-inspired themes. Featuring five tracks, it blends hard rock energy with hypnotic and dreamlike moments. Standout songs include the instrumental 'Caronte I' and the masterpiece 'L’Ultima Ora/Ode a Jimi Hendrix.' Despite limited recognition, 'Caronte' remains a milestone deserving rediscovery. Dive into 'Caronte' and experience a foundational Italian prog rock masterpiece today!
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