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DeRank ™: 0,58 • DeAge™ : 6835 days
"'Dull Colors' perfectly marries certain trends of that period... and anticipates with more predictable and less rarefied atmospheres what would be the most successful vocal track of 'Claustrophobia.'" "Precious as a collectible item... it remains an interesting transitional chapter and also quite unusual in the long arc of his career."
"'Dull Colors' perfectly marries certain trends of that period... and anticipates with more predictable and less rarefied atmospheres what would be the most successful vocal track of 'Claustrophobia.'"
"Precious as a collectible item... it remains an interesting transitional chapter and also quite unusual in the long arc of his career."
Deca's 'Dull Colors' is a rare, limited-release 1988 single bridging the gap between his albums 'Synthetic Lips' and 'Claustrophobia.' The song blends industrial and darkwave influences with a tribal rhythm and a compelling vocal crescendo. Its B-side offers a melancholic ambient instrumental. A collectible piece, it stands out as an engaging transitional work within Deca's career. Discover Deca's rare 'Dull Colors' single—listen now and experience a unique blend of darkwave and electronic history.
Delta Machine exaggerates and contrasts two essential elements of this professional phase of the group: the bluesy backbone of the writing, the lyrics, and the mood and the increasingly orthodox use of electronics. In the 17 tracks of Delta Machine, in the end, there’s really everything, and the world tour with stops at all latitudes will once again demonstrate how necessary a certain resilience is to survive at these levels for over thirty years.
Delta Machine exaggerates and contrasts two essential elements of this professional phase of the group: the bluesy backbone of the writing, the lyrics, and the mood and the increasingly orthodox use of electronics.
In the 17 tracks of Delta Machine, in the end, there’s really everything, and the world tour with stops at all latitudes will once again demonstrate how necessary a certain resilience is to survive at these levels for over thirty years.
This review reflects on Depeche Mode's 2013 album Delta Machine, recognizing the band's longevity and blending of blues with electronic music. While the album doesn't reach the heights of their classic hits, it offers a balanced and professional approach combining melody and rhythm. The band remains relevant by evolving their sound while honoring their roots, appealing to both long-time fans and a broader audience. Discover how Depeche Mode blends blues and electronics in Delta Machine—listen now and explore their enduring musical journey!
The sensation is that of a self-referential project, where step by step leitmotifs and styles of previous works echo in a more digestible key. 'The Hunter' is a good work, which cut here and there would have been more cohesive and impactful.
The sensation is that of a self-referential project, where step by step leitmotifs and styles of previous works echo in a more digestible key.
'The Hunter' is a good work, which cut here and there would have been more cohesive and impactful.
Mastodon's 'The Hunter' offers a more accessible metal approach compared to their earlier prog-metal masterpieces. Though lighter and less progressive, the album balances precise musicianship with memorable tracks like 'Thickening' and 'The Sparrow'. While not groundbreaking, it reflects the band's evolution and a desire to reach a broader audience. Some tracks show classic Mastodon flair, but overall the album leans on familiar territory. Discover Mastodon's evolving sound on 'The Hunter'—listen now and explore the blend of prog roots and fresh metal energy.
"This beautiful album by the Canadians Front Line Assembly is generally considered a filler work, an obligatory chapter - therefore less weighty - of their discography." "‘Flavour of the weak’ has nothing to envy from the most considered works of the band and perfects the thunderous repertoire of cybernetic electronics that is somewhat their trademark."
"This beautiful album by the Canadians Front Line Assembly is generally considered a filler work, an obligatory chapter - therefore less weighty - of their discography."
"‘Flavour of the weak’ has nothing to envy from the most considered works of the band and perfects the thunderous repertoire of cybernetic electronics that is somewhat their trademark."
Front Line Assembly's 'Flavour of the Weak' is a strong, technically impeccable cyberpunk album with deep electronic and industrial sounds. Though sometimes underrated as a filler, it showcases the band's solid artistic evolution and influence on the genre. The album's sci-fi themes and complex compositions create a distinct atmosphere, appealing primarily to devoted fans of electronic and industrial music. Dive into the cybernetic sounds of Front Line Assembly's 'Flavour of the Weak' and experience a milestone in industrial electronic music!
"'Sign' is a rather watered-down album, full of long-drawn-out ideas, unable to say anything original after the path marked by titles like 'Buried Dreams'." Overall, 'Sign' fails to leave a mark... a pasted-on swan song of a project that had a great global impact.
"'Sign' is a rather watered-down album, full of long-drawn-out ideas, unable to say anything original after the path marked by titles like 'Buried Dreams'."
Overall, 'Sign' fails to leave a mark... a pasted-on swan song of a project that had a great global impact.
Clock DVA's final studio album 'Sign' marks a decline from their influential works of the late 80s and early 90s. The album is described as diluted and repetitive, lacking the originality and energy that defined earlier releases like 'Buried Dreams'. While it attempts a more emotional and dreamlike vibe, it ultimately fails to engage, making it an underwhelming swan song for the band. Explore Clock DVA's legacy—listen to 'Sign' and decide if this final chapter resonates with you.
The sounds of the opening track "Boreas" are the precise synthesis of what the work represents: a space-time suspension that sends shivers down your spine. "The Creatures of the Wind" is none of these [metal or industrial]. The genre is more that of concrete and electronic music, although here only the post-production technology is electronic.
The sounds of the opening track "Boreas" are the precise synthesis of what the work represents: a space-time suspension that sends shivers down your spine.
"The Creatures of the Wind" is none of these [metal or industrial]. The genre is more that of concrete and electronic music, although here only the post-production technology is electronic.
‘The Creatures Of The Wind’ by Where transforms recordings of wind and windmills into a striking ambient album deeply rooted in Italian folklore myths. Produced by Zairo and Darvulia, the soundscape evokes eerie, ancestral atmospheres beyond typical metal or industrial genres. The album captures emotional and cultural depths with an inventive use of natural sounds and subtle electronic post-production. Released in 1999 by Eibon Records, it remains a rare gem in radical independent music. Discover the haunting sounds of 'The Creatures Of The Wind' and immerse yourself in a unique blend of folklore and ambient music.
The 4 tracks contained in "Clistere di Sangue" are a vortex of delirious, distorted noise, almost incomprehensible. With adequate systems, they could be used to make buildings implode.
The 4 tracks contained in "Clistere di Sangue" are a vortex of delirious, distorted noise, almost incomprehensible.
With adequate systems, they could be used to make buildings implode.
Orrokton's debut album Clistere Di Sangue delivers an intense barrage of distorted noise and chaotic sound. The review highlights the difficulty in defining the genre, the overwhelming sonic experience, and questions the album's artistic substance. It recognizes the album's brutal power when played at high volume and its unique place in extreme music. Dive into Orrokton's chaotic noise world—listen to Clistere Di Sangue and experience extreme sound like never before!
The King of Limbs is a convoluted and pretentious work that perhaps wouldn’t even gain credit if it had been recorded by a lesser-known name. Today, The King of Limbs seems an album without a reason to be.
The King of Limbs is a convoluted and pretentious work that perhaps wouldn’t even gain credit if it had been recorded by a lesser-known name.
Today, The King of Limbs seems an album without a reason to be.
The King Of Limbs is viewed here as a convoluted and pretentious album lacking the innovation and emotional impact expected from Radiohead. The reviewer finds it minimalistic to a fault, missing the engaging elements present in their earlier works. Compared to iconic albums like In Rainbows and OK Computer, this record falls short, failing to justify its existence beyond anticipation. It's described as disappointing and uninspired. Discover why The King Of Limbs divides fans—read the full review and listen to decide for yourself!
This 'I.E.D.' is a massive album that prepares you for the worst moments of the day and makes you fierce. The album shows us the darkest side of technology and its deviations, demonstrating that craftsmanship still makes a difference.
This 'I.E.D.' is a massive album that prepares you for the worst moments of the day and makes you fierce.
The album shows us the darkest side of technology and its deviations, demonstrating that craftsmanship still makes a difference.
Front Line Assembly's fifteenth studio album, 'Improvised Electronic Device,' marks 25 years of their signature aggressive sound. The album dives into reinterpretations of EBM and techno hard-core, creating dark, unsettling atmospheres with distorted vocals and analog-digital basslines. Despite few melodic exceptions, the record delivers a tense, science fiction-tinged sonic journey. It confirms the band's craftsmanship in conveying adrenaline-fueled, technologically inspired soundscapes. Listen to 'Improvised Electronic Device' and experience Front Line Assembly's powerful blend of aggressive and immersive electronic music.
"What is so brilliant and epochal about 'Abbey Road'? An album more famous for its cover than for the songs it contains." "If I have to listen to a Beatles album, I pull out 'Pepper' or 'Revolver'."
"What is so brilliant and epochal about 'Abbey Road'? An album more famous for its cover than for the songs it contains."
"If I have to listen to a Beatles album, I pull out 'Pepper' or 'Revolver'."
This review argues that The Beatles' Abbey Road is overrated and lacks the innovation present in other 1969 albums like those by King Crimson. It suggests the album is more notable for its iconic cover than the music itself, which is viewed as a summary of Beatles' earlier styles rather than a groundbreaking work. The author prefers albums like Sgt. Pepper and Revolver as more representative of the band's innovation. Overall, Abbey Road is seen as a polished but less substantial testament to the band's legacy. Explore the debate: is Abbey Road truly a Beatles masterpiece or just an overrated classic?
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DeAge 7002
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