Cover of Orrokton Clistere Di Sangue
Breus

• Rating:

For fans of extreme noise and industrial music,lovers of experimental and avant-garde sound,listeners interested in underground and harsh music,explorers of chaotic and brutal audio experiences
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LA RECENSIONE

What can one expect from an album with such a title? Especially when the group that created it remains shrouded in a (toxic) cloud of anonymity?

I often distrust music that concentrates the potential audience’s attention on the visual and lexical impact. In this case, I decided to trust my intuition, listened to this half-hour of music (a highly euphemistic word) and after getting over the seasickness, I decided to keep you informed.

What genre is proposed by Orrokton? Industrial? Noise? Chaotic-Grind?... Anyone can have fun assigning definitions, one is as good as another, since the 4 tracks contained in "Clistere di Sangue" are a vortex of delirious, distorted noise, almost incomprehensible, that might have a purpose if used as a weapon of war, blasting them at immense volumes. In fact, on headphones or hi-fi systems, it is impossible to appreciate their devastating apocalyptic power. With adequate systems, they could be used to make buildings implode.

Are we at a new frontier of music, or is it yet another attempt to create extremism without substance?

Certainly, the album title (a debut, self-produced, released about a month ago, I believe) and the title of the fourth track: "Sangue nelle urine, urina nel sangue" will remain in the annals.

Deo Gratias.

 

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Summary by Bot

Orrokton's debut album Clistere Di Sangue delivers an intense barrage of distorted noise and chaotic sound. The review highlights the difficulty in defining the genre, the overwhelming sonic experience, and questions the album's artistic substance. It recognizes the album's brutal power when played at high volume and its unique place in extreme music.

Orrokton

Described in the provided DeBaser review as an anonymous group responsible for the debut, self-produced release 'Clistere Di Sangue' (four tracks). The review (Breus, 2011) characterises the music as abrasive industrial/noise/chaotic-grind with apocalyptic intensity. The reviewer believed the release appeared about a month before the 2011-04-15 review.
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