mementomori

 Death SS confirms themselves as an essential band that demonstrates enviable longevity.

 Resurrection is nothing more and nothing less than what Death SS have always been and always will be.

Death SS’s Resurrection marks a triumphant return after a seven-year hiatus, blending classic horror metal roots with modern gothic and industrial influences. The album showcases strong musicianship and rich production, appealing to both longtime fans and newcomers. While not drastically innovative, it refreshes the band’s sound without losing their signature style. Key tracks balance heavy riffs with atmospheric and emotional depth. Discover Death SS's Resurrection and experience the masterful blend of horror metal and modern gothic sounds—listen now!

 There are valid reasons to calmly ignore this last chapter of the endless Death in June saga, and these reasons are more numerous and more substantial than those that might lead one to approach it.

 Pearce’s ramshackle ballads continue to shine with an intrinsic magnetism that we can hardly explain.

The Snow Bunker Tapes is a stripped-down, raw collection of demos underpinning the previous album Peaceful Snow. While it reveals the intimate solitude of Douglas P., it feels incomplete and at times careless. The album mainly appeals to dedicated Death In June fans and those interested in Pearce’s artistic evolution. It contrasts sharply with its predecessor, lacking the elegant piano but highlighting the bare skeleton of the songs. Overall, it is a polarizing work that may disappoint casual listeners but offers insight into the band’s creative struggles. Explore the stripped-down side of Death In June and dive into the emotional solitude of The Snow Bunker Tapes today.

 ‘You’re Nothing’ sounds fresh, it’s adrenaline, it’s full of energy, it pleases, stuns, decompresses.

 The idea of being grabbed by the ferocity of a wolf with a broken backbone.

Iceage’s 2013 album ‘You’re Nothing’ delivers a fresh, energetic take on punk, blending nihilism with melodic chaos. The band channels late 70s British punk and early 80s hardcore with a decadent, existential edge. Their raw, apocalyptic sound captures youthful bitterness and anger with unexpected maturity. Though not a masterpiece, it’s a vivid, ruthless portrayal of contemporary unrest that appeals beyond traditional punk fans. Listen to Iceage’s ‘You’re Nothing’ now and experience a raw, relentless punk energy unlike any other.

 "The Last Spire is beautiful, it is dense, sublime, overflowing with doom in every note or sound."

 "Death dies and her funeral is a party. A party for our ears, a party for the passionate fans of the English combo."

The Last Spire is Cathedral's final and most focused doom metal album, returning to the band's heavy roots while honoring their legacy. It closes their career with dense, oppressive, and monolithic music. Though not flawless, the album's rawness and spontaneity add to its charm. Notable tracks like 'Cathedral of the Damned' and 'Tower of Silence' showcase their mastery. Overall, it is a fitting and satisfying farewell for fans and doom metal lovers. Discover Cathedral's final doom metal masterpiece and experience their powerful farewell — listen to The Last Spire now!

 "In just eight tracks and only twenty-nine minutes they manage to build a post-apocalyptic setting that finds no equal in recent music history."

 "A thorny music, theirs, dirty, annoying at times... but never gratuitous or self-indulgent or worse still self-referential."

This review praises Father Murphy’s album 'Anyway, Your Children Will Deny It' as a unique, intense, and emotionally lacerating musical journey. The trio creates a dark, ritualistic atmosphere combining elements of noise, psychedelia, and blues. Despite the challenging listening experience, their ability to synthesize and innovate sets them apart in the alternative underground scene. The album is recommended for discerning music lovers seeking rare and profound soundscapes. Dive into Father Murphy's haunting world with 'Anyway, Your Children Will Deny It' and experience a unique dark musical journey today.

 When he straps on the guitar and sings, he’s really lousy, but if he applies himself to what he does best... the result is actually enjoyable.

 Fleischmann is a little artisan of electronics, but also a real talent, as his music somehow always manages to move and even tantalize the palate.

The reviewer shares a sincere experience attending B. Fleischmann’s intimate, low-key concert and explores his latest album 'I’m Not Ready for the Grave Yet.' Despite less energetic live singing and a modest venue, the electronic textures and guitar interplay create an enjoyable atmosphere. The album features a softer, more polished sound than live shows, highlighting Fleischmann’s craftsmanship and emotional depth. While not as strong as earlier works, the record confirms his talent for blending electronic music with human warmth. Discover the delicate blend of heartfelt electronics and inventive guitar work in B. Fleischmann's latest album — listen now!

 Soror Dolorosa do not aspire to sound original, or at the very least personal, but they limit themselves to wielding their instruments with the didactic approach of a professional cover band.

 Despite everything, our Guys manage to win us over and endear themselves to us, giving us nice sensations, especially thanks to two or three pearls that solace the expense of purchasing their last effort.

The review covers Soror Dolorosa's 2013 album 'No More Heroes', highlighting its strong 80s dark-wave influences and skilled musicianship. While technically polished and evocative of The Cure and Sisters of Mercy, the album lacks originality. Noteworthy tracks like 'Hologram', 'Wormhole', and 'Exodus' bring moments of emotional depth and charm. The album appeals mainly to fans of nostalgic post-punk and gothic rock but doesn't break new ground. Discover the nostalgic charm of Soror Dolorosa's No More Heroes—listen now and experience classic dark-wave at its best.

 Never before had it been permissible to listen to such music, and it is a pity that the medium of words is not at all able to describe it: I had read effusive praises, but I had to listen to believe.

 Mr. Doctor’s music ceases to be simple classical music, simple progressive rock, simple theater-driven dark music, and becomes an experience that can only leave a deep mark on the listener.

Devil Doll’s Dies Irae is a remarkable dark-progressive concept album blending orchestral, opera, and rock elements. Despite production setbacks including a studio fire, the album was completed with the Slovenian Philharmonic Orchestra’s help. Mr. Doctor’s theatrical, unearthly vocals and the intricate composition make it an unforgettable experience. Influences from cinema and literature enrich the storytelling, creating a unique, labyrinthine musical journey that defies categorization. Listen to Devil Doll’s Dies Irae and immerse yourself in a dark-progressive symphony unlike any other.

 The sound of “Black Faith” is indeed modern and powerful, with overwhelming groove, bombastic riffs.

 An honest, smooth album, with a good drive and seasoned here and there with some winning flashes that perk up the ears even of the most inattentive listener.

Cancer's 1995 album Black Faith represents a brave fusion of thrash and death metal with post-grunge and industrial influences. The band avoids cliché nu-metal trends, instead delivering a varied and powerful album with nods to classic metal and alternative rock. Though not groundbreaking, the album shows creativity and effort worth revisiting. It remains a notable record for fans nostalgic for early 90s metal diversity. Explore Cancer's Black Faith and rediscover a unique 90s metal fusion—listen now to experience its powerful grooves and diverse styles.

 "Messiah thus delivered their contribution to the history of death metal, staking what appeared to be their particle of immortality."

 "The courage and the premises underlying 'Underground' are appreciated, even though the band’s shift to stubbornly transmute their classicism into a more modern form is not always convincing."

Messiah’s 1994 album 'Underground' marks a significant stylistic shift from their classic death metal roots toward a more technical, thrash-inspired sound with experimental elements. Featuring Christofer Johnsson on vocals, the album is praised for its ambition and dynamic range but criticized for uneven experimentation, including controversial techno influences. Although not fully successful in shaking off old school death metal, 'Underground' reflects the band’s courageous attempt to evolve during a transformative period in metal history. Explore Messiah's daring 'Underground' album—listen now to experience a bold evolution in 90s death metal!