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DeRank ™: 6,96 • DeAge™ : 6865 days
"Listening to this album is like flipping through the pages of a diary: the words arise from the depths and are written hastily, without particular artifices." "The void... is identified as the space that lends itself to be filled, physically and spiritually, like a place of hope."
"Listening to this album is like flipping through the pages of a diary: the words arise from the depths and are written hastily, without particular artifices."
"The void... is identified as the space that lends itself to be filled, physically and spiritually, like a place of hope."
This review explores Franco Battiato's album 'Il Vuoto,' highlighting its shift towards simplicity and introspection compared to its predecessor. The album embraces themes of void as both emptiness and hopeful space for renewal. While musically refined and elegant, some tracks lack the urgency and lyrical depth that characterized prior works. Standout songs like 'I giorni della monotonia' and 'Stati di gioia' offer memorable moments amidst an overall subdued atmosphere. Explore Franco Battiato's 'Il Vuoto' and uncover the subtle yet profound layers of this introspective album.
Samhain’s primordial punk is timeless, it doesn’t seem to come from a shabby basement but directly from the depths of Hell. The album blends punk with tense, morbid atmospheres absolutely foreign to the genre, foreshadowing Danzig’s future dark visions.
Samhain’s primordial punk is timeless, it doesn’t seem to come from a shabby basement but directly from the depths of Hell.
The album blends punk with tense, morbid atmospheres absolutely foreign to the genre, foreshadowing Danzig’s future dark visions.
Samhain's 'Initium' serves as the dark transitional work linking Glenn Danzig's Misfits punk roots with his solo career. The album blends raw punk energy with emerging darker, gothic sounds, offering fans a glimpse into the artist's evolving style. Despite its technical simplicity and sparse production, 'Initium' delivers a powerful atmosphere rooted in horror punk. It appeals mainly to dedicated Danzig fans and lovers of the genre's darker edge. Discover the dark origins of Glenn Danzig's legacy—listen to Samhain's 'Initium' now and explore punk's shadowy depths.
"Burned Mind is hardly an arbitrary title for this album by Wolf Eyes, the new sensation in the American experimental-noise scene of the third millennium." "Wolf Eyes create nothing and destroy nothing, but simply close, with lethal effects, a circuit born from the negative energies, fears, and frustrations of the unfortunate whom they contact."
"Burned Mind is hardly an arbitrary title for this album by Wolf Eyes, the new sensation in the American experimental-noise scene of the third millennium."
"Wolf Eyes create nothing and destroy nothing, but simply close, with lethal effects, a circuit born from the negative energies, fears, and frustrations of the unfortunate whom they contact."
Burned Mind by Wolf Eyes is a groundbreaking experimental noise album characterized by its cerebral intensity and extreme soundscape. Released on Sub Pop in 2004, it blends harsh noise, drone, industrial and hardcore elements into a complex sonic experience. The album balances chaotic, aggressive moments with unsettling calm, creating a mature and original statement in extreme music. Its themes revolve around urban neuroses, psychological collapse, and the destructive nature of inner chaos. Dive into the chaotic and haunting world of Wolf Eyes' Burned Mind – listen now and experience an unparalleled journey through extreme experimental noise.
Danzig is a dark and visionary showman, always over the top, capable of painting even the most carefree rock’n’roll black. ‘4’ offers twelve tracks that, between spirited assaults and moments of extreme pathos, deliver a Danzig in great shape.
Danzig is a dark and visionary showman, always over the top, capable of painting even the most carefree rock’n’roll black.
‘4’ offers twelve tracks that, between spirited assaults and moments of extreme pathos, deliver a Danzig in great shape.
Danzig's 4 marks a significant evolution in Glenn Danzig's career, blending hard rock with gritty 70s and punk influences. Despite lacking mainstream success, the album captures his dark, visionary style with powerful songs and raw energy. It stands as a cult classic, praised for its authenticity and connection to alternative subcultures. This album represents both a peak and turning point before later artistic decline. Discover Danzig’s cult classic album ‘4’—experience the raw power and dark vision of one of rock’s most unique voices.
Brotzmann’s music lends itself more to being described with a graphic representation than with words: imagine a huge scribble, a tangle of segments that twist and turn with no apparent sense. We won’t fully understand them… but we will nonetheless cherish them, imagining them working frantically solely to damage our eardrums and brain.
Brotzmann’s music lends itself more to being described with a graphic representation than with words: imagine a huge scribble, a tangle of segments that twist and turn with no apparent sense.
We won’t fully understand them… but we will nonetheless cherish them, imagining them working frantically solely to damage our eardrums and brain.
The review praises Peter Brötzmann's 1970 album 'Balls' as a powerful and unsettling avant-garde jazz experience. It highlights the album's chaotic yet structured soundscape created by Brötzmann, Fred Van Hove, and Han Bennink. The music challenges listeners with its intense and unpredictable passages but rewards those who engage deeply by revealing intricate musical details. Recommended for fans of experimental jazz and adventurous listeners willing to explore complex sounds. Dive into the wild sonic world of 'Balls' and experience Peter Brötzmann's avant-garde genius today!
"Together they are Das Ich, and 'Die Propheten' is their first full-length, a massive album, a work that truly deserves more attention than it actually receives." "At times it seems to verge on the late progressive which has become synonymous with the soundtracks of horror films."
"Together they are Das Ich, and 'Die Propheten' is their first full-length, a massive album, a work that truly deserves more attention than it actually receives."
"At times it seems to verge on the late progressive which has become synonymous with the soundtracks of horror films."
Das Ich's Die Propheten is a compelling and haunting electro-goth album blending industrial sounds with horror atmospheres and theatrical vocals. Bruno Kramm's intricate compositions combine with Stefan Ackermann's intense and extravagant vocal performances to create an immersive experience beyond simple electronics. Influenced by legendary German groups and gothic themes, the album uniquely merges dark dance rhythms with unsettling, paranoid moods. Despite niche appeal, its musical depth and emotional intensity make it an essential listen for gothic and industrial enthusiasts. Dive into the dark world of Das Ich's Die Propheten and experience a masterful blend of electro-goth and thrilling industrial sounds!
Albin Julius surrounds himself with more collaborators and attempts a, how shall we say, more played approach. This music... can also hold socio-psychological interest, constituting a journey beyond the untouchable taboos of society.
Albin Julius surrounds himself with more collaborators and attempts a, how shall we say, more played approach.
This music... can also hold socio-psychological interest, constituting a journey beyond the untouchable taboos of society.
This review examines Der Blutharsch's 2004 album Time Is Thee Enemy!, highlighting Albin Julius’s talent and the album's mix of martial industrial sounds, historical references, and sonic experimentation. Despite ideological controversies surrounding Julius, the album offers a fresh, sometimes ironic approach to dark post-industrial music, blending orchestral, ambient, and electro-industrial elements. It may divide fans but showcases a unique artistic voice and socio-psychological depth. Dive into the intense and provocative world of Der Blutharsch and discover the complex layers of Time Is Thee Enemy!
Endless Summer warms the heart just as much as a rock record. It is a journey that retraces and reproduces the complexity and inexplicability of the most intimate and personal feelings.
Endless Summer warms the heart just as much as a rock record.
It is a journey that retraces and reproduces the complexity and inexplicability of the most intimate and personal feelings.
Fennesz's Endless Summer is a landmark electronic album that combines melodic guitar with rich electronic textures. It evokes strong emotions and nostalgia through a poetic and meticulous sound design. Despite its complexity, it remains an intimate and captivating listening experience. The album balances abstract noise with clear melodic themes, creating a unique and elusive charm. Explore the poetic and emotional world of Fennesz's Endless Summer—listen now and experience the fusion of guitar and glitch like never before.
"Children of the Black Sun is a metaphysical drill relentlessly digging into the underground." "For once Rice keeps quiet, leaving the word to his machines. And for that, we are grateful."
"Children of the Black Sun is a metaphysical drill relentlessly digging into the underground."
"For once Rice keeps quiet, leaving the word to his machines. And for that, we are grateful."
Children Of The Black Sun is an atypical and more digestible album by Boyd Rice's NON project, blending harsh noise roots with dark ambient soundscapes. The album explores myths and underground realms through intricate sonic textures and a spiritual concept. The absence of Rice’s usual vocal provocations is notable, leaving pure atmospheric journeys. The production by Bob Ferbreche and contributions by Albin Julius add depth. It's recommended for listeners seeking an intense but accessible introduction to NON. Dive into NON's dark ambient world with Children Of The Black Sun – experience this haunting sonic descent today.
Andersson’s ambient ends up losing touch with the concrete spaces of physical reality, until it assumes proper psychoanalytical connotations and becomes the soundtrack of the individual’s interiority. It is as if Andersson wraps us in a black cloak, takes us elsewhere, and at the right moment slashes the veil with a sharp knife, letting slivers of light penetrate the darkness.
Andersson’s ambient ends up losing touch with the concrete spaces of physical reality, until it assumes proper psychoanalytical connotations and becomes the soundtrack of the individual’s interiority.
It is as if Andersson wraps us in a black cloak, takes us elsewhere, and at the right moment slashes the veil with a sharp knife, letting slivers of light penetrate the darkness.
This review highlights 'In Sadness, Silence and Solitude' as a pivotal album by Peter Andersson’s project Raison d’être, marking a transition from industrial roots to introspective dark ambient. The album expertly balances anxious noise with melodic passages, evoking profound psychological and esoteric themes. Its meticulous sound design creates a haunting atmosphere that challenges perceptions of reality. Overall, the work is praised for its depth, variety, and lasting impact within the ambient genre. Dive into Raison d’être’s haunting soundscape and experience the depths of dark ambient mastery today.
DeRank™: 1,73
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DeAge 6819
DeRank™: 39,03
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