mementomori

 Moynihan’s misanthropy finds its full sublimation here, in a work that presents itself as the apotheosis of the Extreme.

 The 52 minutes flow over our ears like a dense and sticky mixture that’s hard to shake off.

This review praises "Absinthe: La Folie Verte," a 2001 collaborative album by Blood Axis and Les Joyaux de la Princesse. The music evokes a haunting and surreal noir-cabaret atmosphere tied to absinthe's mythic legacy. Michael Moynihan's distinctive vocals and Erik Konofal's industrial soundscapes create a dense, dark sonic journey. The album blends ambient psychedelia, neoclassical elements, and unsettling orchestration to convey a dreamlike, intoxicating experience of existential dread and elitist artistry. It's regarded as a pinnacle of extreme and uncompromising art. Dive into the dark and intoxicating world of Absinthe: La Folie Verte—listen now and experience this unique ambient industrial masterpiece.

 Jerome Reuter confirms himself as the most credible figure in today’s neo-folk scene.

 'Flowers From Exile' is a desolate folk-singer-songwriter jewel that stages themes of exile, solitude, and existential uprooting.

Jerome Reuter's fourth album, 'Flowers From Exile,' showcases his artistic maturity and strong neo-folk identity. This concept album explores the Spanish Civil War through intimate, melancholic songs. With refined instrumentation and poetic lyrics, Reuter steps beyond genre clichés, drawing heavy influence from Leonard Cohen and Nick Cave. The album balances historical themes with personal reflection, offering a rich, cohesive listening experience. Explore 'Flowers From Exile' and dive into the rich world of neo-folk with Jerome Reuter’s heartfelt masterpiece.

 "'III' is the least convincing chapter of the trilogy, due to compositional limitations and stylistic shifts."

 "The recording quality, worse than previous works, sometimes makes the album laughable or irritating."

Ain Soph's "III" concludes their initial trilogy with a collection of early ritual recordings focused solely on Crucifige. Despite its hypnotic moments and raw originality, the album suffers from poor sound quality and inconsistent execution. More aligned with dark-ritualistic masters like Current 93, it remains a niche release for dedicated fans. Overall, "III" is less convincing compared to its predecessors, recommended mainly for those completing the trilogy. Explore Ain Soph's enigmatic final trilogy chapter and dive into the raw atmosphere of 'III'—a must-listen for dark ambient collectors!

 "A true symphony of horror, of enormous proportions (nearly seventy minutes!), divided into four movements."

 "Surviving and triumphing in a context of non-communication is the undeniable suggestive force of an architecture of elusive and impenetrable sounds."

Ain Soph's 'II' continues the journey of dark ritualistic sound in an expanded, nearly 70-minute work divided into four movements. Building on the debut's raw and primitive edge, this album refines complex layers and coherence. Rooted in occult and Kabbalistic rites, 'II' evokes hypnotic, horror-filled atmospheres and a powerful sense of non-communication. It is a demanding but rewarding listen for those intrigued by esoteric industrial music. Dive into Ain Soph's hypnotic 'II' and experience a unique blend of occult industrial soundscapes. Listen now and explore its dark rituals!

 The pieces may be musically sparse, and for this reason, the superior art of far more gifted Current 93 is a distant echo along the grooves of the sparse settings laid out.

 Musically speaking, we cannot certainly cry miracle, from an emotional and mere sensory point of view, it is undeniable not to recognize a high value to 'I', the first step towards the occult that the Ain Soph entity was able to dig well twenty-five years ago.

Ain Soph's debut album 'I' from 1984 is an esoteric and ritualistic project rooted in dark ambient and minimalist electronics. Created with magical intent rather than artistic ambition, it establishes a hypnotic and unsettling atmosphere through sparse loops, reverberations, and dark percussion. The album evokes a journey into occult realms inspired by Aleister Crowley’s works, standing apart from mainstream dark-industrial styles. Though musically rudimentary, the emotional impact and immersive sound design are highly praised. Dive into Ain Soph's haunting ritualistic soundscapes and experience a pioneering dark ambient masterpiece from the 1980s.

 "Il Fuoco is a beautiful album,"

 The Giardini do not set up a simple soundtrack, but a work in its own right and independent from the film.

Though initially skeptical about Giardini di Mirò, the reviewer praises 'Il Fuoco' as a beautiful and mature instrumental post-rock album. Created as a soundtrack for the restored 1915 silent film 'Il Fuoco,' it captures emotional nuances through delicate arrangements and inspired performances. The album marks a return to the band's strengths and is seen as their best and most thoughtful work. It balances intimacy with occasional powerful crescendos and stands as a significant step in their career. Explore 'Il Fuoco' to experience Giardini di Mirò's most mature and emotional post-rock album yet.

 A transitional phase, this album from 2002, where the battleship Der Blutharsch lightens the artillery, maintains the appearance of a tank, but replaces grenades with water balloons filled with piss.

 The vocals, for example, here are off-key, there become a real torture for our ears, producing overall the opposite effect of what was probably the original intent.

Der Blutharsch's 2002 album 'When All Else Fails!' marks a transitional period with mixed results. While some experimental ideas and collaborations appear, the album suffers from uneven execution, especially in vocals and the integration of folk elements. It contrasts with the project's earlier strict industrial rigor and hints at future neo-folk explorations. Fans of the more rigid past may find it lacking, while others may appreciate its boldness and irony. Explore Der Blutharsch's 'When All Else Fails!' to hear a bold but imperfect musical transition blending industrial and folk sounds.

 Class isn’t water: class is blood!

 Blood Axis erect their usual monument of epicness, tension, and solemnity that only they can stage.

Blood Axis's live album Blót: Sacrifice in Sweden is praised as a monumental work, blending apocalyptic folk with gritty industrial sounds. The addition of violinist Annabel Lee enriches the band's sound, while the album revisits early material and iconic tracks from The Gospel of Inhumanity. The recording captures deep, emotional performances with masterful production. This album stands as a fundamental milestone in the band’s unique and influential discography. Discover the dark and epic world of Blood Axis—listen to Blót: Sacrifice in Sweden now and experience apocalyptic folk like never before.

 More than anything, it seems that this man has the Gift; the gift, that is, of knowing how to write and interpret music that, although simple and elementary, linear and essentially predictable, proves to be emotional in every instance.

 Each with its own reason for being, the nine gems composing the work carry within themselves the same poetic world: an epic of solitude, a melancholic gaze at the world, a participatory contemplation of reality, which is typical of great artists.

In Gowan Ring’s 'Hazel Steps Through a Weathered Home' is a quietly profound neo-folk album from 2002, crafted by multi-instrumentalist Jon Michael Beirth. The work evokes traditional folk with introspective, poetic lyrics inspired by themes of solitude, death, and nature, enhanced by delicate instrumentation. The review praises its emotional depth and intimate atmosphere, recommending it affectionately to listeners. The album stands apart from the apocalyptic folk label through its gentle, timeless beauty. Dive into the haunting beauty of In Gowan Ring's 'Hazel Steps Through a Weathered Home'—listen now and experience timeless neo-folk artistry.

 Per Viam strikes us as something more linear, direct, decidedly more rock-oriented, yet still maintaining the basic ingredients of Antonius Rex's third millennium sound.

 Antonius Rex Prophecy... constitutes 'Antonius Rex's apocalyptic message to the world' – a ruthless observation on the fate of man and the world.

Per Viam marks Antonius Rex's celebration of 40 years in music, showcasing a solid blend of dark-progressive rock, gothic-metal influences, and intricate orchestration. The album emphasizes a more physical and rock-oriented sound than its predecessor, with strong contributions from Doris Norton and Rexanthony. Highlights include 'Woman of the King' and the apocalyptic 'Antonius Rex Prophecy.' Despite a weaker opening track, the album affirms Bartoccetti's enduring artistry and visionary approach. Dive into Antonius Rex's Per Viam and experience 40 years of dark progressive mastery—listen now!