mementomori

DeRank : 6,96 • DeAge™ : 6864 days

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  • Here since 17 september 2006

 "The beautiful title track, a poignant 'doom ballad' that stands among the best things ever produced by the band."

 "Di Donato unleashes his uncontainable creativity, resurrecting the track through the heaviness of the most archaic and visionary Sabbaths."

The Black's 'Golgotha' is a standout doom metal album blending progressive and heavy metal with sacred and apocalyptic themes. Mario Di Donato's unique dual role as musician and painter enriches the work's visual and conceptual depth. The album offers a mixture of Italian and Latin lyrics, heavy riffs, and atmospheric interludes, culminating in a cohesive yet diverse listening experience. Praised for its creativity and homage to Italian progressive traditions, 'Golgotha' is among The Black's best works. Dive into the haunting world of The Black's 'Golgotha' and experience the pinnacle of Italian doom metal artistry today!

 “Nighttime Nightrhymes is a good album of apocalyptic folk, honest, heartfelt, passionate.”

 “An intimate walk in the woods, a handful of ballads illuminated only by moonlight and warmed by the crackling bonfire.”

The review praises Kim Larsen's debut album 'Nighttime Nightrhymes' by Of the Wand & the Moon as an honest and heartfelt entry in the apocalyptic folk genre. It highlights the album's strong Norse mythology themes and intimate, nocturnal atmosphere. The music is described as sparse yet inspired, with acoustic guitar, subtle instruments, and evocative vocals. While not groundbreaking, the album is appreciated for its conviction and emotional depth, appealing especially to genre enthusiasts. Larsen's later works show some artistic decline but still seek to evolve. Discover the mystical world of Of the Wand & the Moon—listen to 'Nighttime Nightrhymes' and immerse yourself in haunting apocalyptic folk!

 "Gravitoni is a cerebral album, cold, unfriendly, that leaves very little room for catchiness."

 "Pan Finale is the highlight of the album, a shamelessly celebratory track expressing the essence of Pan Sonic’s music."

Gravitoni by Pan Sonic is a refined, minimalist electronic album showcasing the Finnish duo's mastery over experimental sound and industrial noise. The album is dark and challenging, emphasizing claustrophobic and suffocating atmospheres with few melodic elements. Notable tracks like "Pan Finale" highlight the duo's ability to blend rhythmic intensity with sonic complexity. This 2010 release encapsulates their career-long exploration of minimalism and sound texture. Dive into the dark and mesmerizing world of Pan Sonic’s Gravitoni—listen now and experience the forefront of minimalist electronic sound.

 Nos Chants Perdus is the most personal and defined work to have come from Reuter’s pen over the years.

 Reuter has now become a sort of Hemingwayan hero, a man devoted to the cause, no matter where, no matter with whom, no matter against whom.

Jerome Reuter's fifth album, Nos Chants Perdus, marks a mature and intimate milestone in his career. Moving away from earlier influences, the album creates a rich, nocturnal atmosphere thanks to producer Patrick Damiani. Focused on dark, poetic ballads, the album blends sparse acoustic and orchestral elements. The review praises its emotional depth and Reuter's unique voice in apocalyptic folk. Dive into Rome's Nos Chants Perdus and explore the emotional depths of modern apocalyptic folk today.

 Art, I learned, no matter how decadent, no matter how void of light, no matter how void of hope and filled with disillusionment, is Life.

 "The Grave of Civilization" requires a bed and a lot, a lot of time. So take a vacation and plunge into its listening!

This review reflects the writer's deep personal connection to Void Of Silence's music, highlighting The Grave of Civilization's atmospheric and apocalyptic doom metal style. Although considered conceptually and vocally inferior to their classic Human Antithesis album, it remains a powerful, immersive, and challenging listen. The album demands attention and time with its lengthy compositions and bleak soundscapes, continuing the band's tradition of intense emotional expression and dark ambient influences. Dive deep into Void Of Silence's apocalyptic doom with The Grave of Civilization—prepare for a powerful, immersive metal journey.

 David Tibet’s art is pure expressive urgency: such is the perceptual sensitivity of our Maestro.

 Baalstorm, Sing Omega listens great, it doesn’t sound as important as its immediate predecessors, yet it pleases, engages, and excites.

Baalstorm, Sing Omega is a contemplative and acoustic folk album by Current 93, reflecting mystical and pastoral themes. Released shortly after a seminal album, it offers a quieter, introspective experience without the earlier electric intensity. The album showcases David Tibet’s spiritual urgency and features new collaborators contributing to a more traditional, folk-rooted sound. While shorter and more elusive, it pleases and engages with its poetic depth and emotional turbulence. Dive into the mystical folk world of Current 93 with Baalstorm, Sing Omega—listen now and explore the poetic journey!

 Steven Wilson literally cleaned out the space around him!

 Porcupine Tree’s pieces seem to free themselves from the studio shackle to expand and soar high in the sky.

This review reflects on a vivid live experience at Pistoia Blues 2010 featuring Anathema and Porcupine Tree. While Anathema’s set showed some weaknesses in setlist choice and sound balance, Porcupine Tree delivered a dynamic and memorable performance, especially with Steven Wilson’s commanding stage presence. Highlights include transformative versions of classic tracks and engaging new material from 'The Incident'. Overall, the concert captured both the complexity and emotional depth of these prog rock icons. Discover the magic of Porcupine Tree live and explore their vibrant Pistoia Blues 2010 performance now!

 Where is the power of the sounds that had clouded our minds?

 Julius may also be a good violinist, but we much prefer him behind his tapes, his vinyls, and his laptops weaving horrendous war scenarios.

This review critiques Der Blutharsch's 1999 album 'The Pleasures Received in Pain' as a weaker effort compared to the artist’s other works. Despite starting strong with signature dark, martial elements and haunting violin, the album suffers from inconsistency and questionable vocal delivery. Some tracks in the middle recover the tradition of grim, immersive soundscapes, but overall it foreshadows a decline in artistic quality. The album remains evocative but less impactful than previous releases. Explore the darker side of Der Blutharsch’s journey and discover what makes 'The Pleasures Received in Pain' a curious but flawed chapter in post-industrial music.

 Every work constitutes a fundamental step in the artistic evolution of Jhon Balance and Peter Christopherson.

 'Moon's Milk' is a series of sketches capturing Coil’s artistic evolution with gloomy ballads, oppressive ambient, and electronic intricacies.

This review praises Coil’s 'Moon's Milk (In Four Phases)' as a critical artistic evolution marked by deep ritual and industrial influences. The four EPs reflect a cosmic and spiritual dimension that paved the way for Coil’s signature 'moon music.' Contributions from William Breeze add emotionally rich layers, while the album embraces occult themes with innovative sounds. The review highlights each EP’s unique style and Coil’s continuous creative drive, positioning the album as a significant milestone in experimental music. Dive into the haunting depths of Coil’s Moon's Milk and experience the cosmic journey of industrial moon music today.

 "It manages to capture the magic, the atmosphere, the spiritual, dare I say religious, fervor, which are palpable during those sorts of collective rites that are live performances by Current 93."

 "The tracks follow one another like in a multiple and continuous orgasm, from which classics such as 'Song for Douglas After He’s Dead' and 'The Death of the Corn' soar in all their beauty."

This review highlights Current 93's "All Dolled Up Like Christ" as a standout live album capturing the band's peak folk period. The performances at New York's Orensanz Foundation in 1996 showcase a potent mix of spiritual fervor and timeless tracks from key albums. Despite minor imperfections typical of live recordings, the album’s raw and enchanting essence shines. It serves as both a rich retrospective and an ideal introduction for new listeners. Experience the spiritual folk mastery of Current 93’s rare live gem—listen to 'All Dolled Up Like Christ' now!