mementomori

 "Haunted Waves, Moving Graves sounds like a passionate requiem dedicated to humanity as a whole."

 "It is a great album, perhaps not a masterpiece, nor something particularly innovative, but unique and tremendously deep, dictated by a communicative urgency that justifies its essence."

Haunted Waves, Moving Graves reflects Current 93's shift from apocalyptic folk to a unique blend of ambient chamber music. The album’s two long compositions evoke a haunted, desolate world, carried by cello, piano, and electronics. It is an elegant and deep work that completes and balances the trilogy of recent albums. While possibly verbose and lengthy for some, the album remains a unique artistic expression tied to Tibet's evolving vision. Dive into the haunting depths of Current 93's latest album and experience a unique post-apocalyptic musical journey.

 "Wakeford has a heart as big as the entire world, and his works, imperfect, limited, as puerile as they may seem, still shine with his personality."

 "L'Orchestre Noir is a project that can only interest the most die-hard fans of Sol Invictus, and particularly those who loved and still love Tony Wakeford’s indomitable battle in every facet on this world."

Released in 1997, 'Cantos' represents Tony Wakeford's symphonic project L'Orchestre Noir, evolving from his folk roots with Sol Invictus. The album embraces dark, evocative atmospheres infused with tragic and martial tones. Despite its ambitious concept and rich instrumentation, it struggles to fully engage beyond its niche, appealing primarily to devoted Sol Invictus fans. Highlights include 'The Lake of Bodies - Aqua Morta' and 'In Europa,' which showcase the project's emotional depth. Explore 'Cantos' and dive into Tony Wakeford’s dark symphonic folk journey with L'Orchestre Noir—listen now for a unique atmospheric experience.

 "A dozen tracks hastily thrown together, seemingly without rhyme or reason."

 "Stapleton’s methodological rigor crumbles at contact with Wakeford’s instrumental mess."

Revenge Of The Selfish Shellfish, a 1992 collaboration between Steven Stapleton and Tony Wakeford, fails to live up to expectations. The album suffers from mismatched styles, technical naivety, and lack of cohesion. While certain tracks show moments of interest and humor, overall it falls short even for devoted fans. The project feels like a hastily assembled, forgettable experiment with limited artistic impact. Explore this rare collaboration that missed the mark and decide for yourself if it’s a hidden gem or a forgotten experiment.

 Wakeford proves to be a passionate painter who, with broad strokes, neglecting details, faithfully portrays the dark landscapes that torment his soul.

 What If... represents the next step in a personal and unique artistic journey that started long ago and pauses on a strange form of apocalyptic chamber music.

The review reflects on Tony Wakeford’s new full-length project Orchestra Noir - What If..., highlighting its melancholic blend of chamber music, folk, and ambient styles. While some tracks feel inconsistent or underdeveloped, the album showcases Wakeford’s matured vision beyond his earlier, more rigid projects. The music evokes intimate and introspective atmospheres, marked by evocative piano, strings, and guest vocalists. Overall, this album presents a unique, if fluctuating, artistic journey into refined apocalyptic chamber music. Discover the haunting beauty of Orchestra Noir's 'What If...'—immerse yourself in this unique journey through chamber and folk-inspired soundscapes.

 "Gorgoni is a monumental piece that digs its claws directly into Greek mythology."

 "In less than three minutes lies all the magic of a horrific metal that does not fear to combine the heaviness of electrified compositions with the magic of the best vintage progressive music."

The Black's 'Gorgoni' is a monumental doom metal album by Mario Di Donato that channels classic 70s and 80s metal aesthetics with mythological themes. The album impresses with its ambitious nearly 80-minute runtime, rich progressive influences, and powerful instrumental performances. While not groundbreaking, it delivers consistent quality and a dark, atmospheric experience reminiscent of vintage heavy metal. Key tracks highlight a perfect blend of haunting organs, driven riffs, and evocative vocal work. Dive into The Black’s epic 'Gorgoni' and experience a classic doom metal journey through myth and melody!

 Ianva is a certainty and a guarantee of quality in today’s Italian musical undergrowth.

 Approach Ianva purely and free from all kinds of prejudice. You will be surprised.

Ianva’s Italia: Ultimo Atto is a powerful and well-crafted neo-folk album that spans seventy years of Italian history. The band successfully combines rich orchestration and varied influences, especially from the Genoese singer-songwriter tradition. Despite occasional pomposity, the album shines with professionalism, passion, and artistic ambition. It demands an open mind, rewarding listeners with a unique cultural and historical journey. Listen to Ianva’s Italia: Ultimo Atto and experience a unique artistic journey through Italy’s recent history and rich musical heritage.

 The album isn’t bad: well-played, well-arranged, well-packaged, stuffed with many nice things, female choirs, trumpets, accordions, cowbells, and more. But excuse me, where are the songs?

 Everything flows well but anonymously, so much so that I wouldn’t know which pieces to cite; all the tracks are nice, none are terrible, but none make you shout a miracle.

This review explores Spiritual Front's follow-up album Rotten Roma Casinò, comparing it to the successful Armageddon Gigolo. While well-arranged and retaining the band's personality, the new album feels less inspired and memorable. The vocals are softer and more polished, but songwriting lacks the earlier spark. Fans may appreciate it, but newcomers should start with the previous album. Discover Spiritual Front's evolving sound – listen to Rotten Roma Casinò and explore their dark pop journey today!

 Valor was a good musician, that is undeniable, and as long as his feats served as a stage for Rozz Williams to enact his neuroses, his obsessions, his mental turmoils, he certainly cannot be criticized.

 The imposing title track... is one of the highest points of the entire Christian Death discography.

This review unpacks Christian Death's 1985 album 'Ashes', acknowledging Valor Kand's polarizing persona and significant contribution to the band's gothic rock evolution. The album is recognized for its rich atmospheres, melodic innovation, and deepening of Rozz Williams's artistic presence. Despite some criticism of Kand's ego, 'Ashes' is praised as a milestone that expanded the band's sound beyond its post-punk roots. The collaborative work with Gitane De Mone adds exquisite harmonies that enhance the album’s haunting character. Explore Christian Death's 'Ashes' and experience a defining moment in gothic rock evolution.

 A man, the last man on earth, wields his guitar and releases the last shred of humanity.

 Primitive music, that of the last man on earth... a new Beginning: Humanity begins again from humanity.

Scott Kelly's 'The Wake' is a deeply intimate solo album that strips back the noise of his band Neurosis to reveal raw, acoustic ballads. The album explores themes of desolation, humanity, and introspection with a minimalist approach centered on voice and guitar. Compared to Steve Von Till's parallel solo work, Kelly's album is purer and more inward-facing. Despite its sparse form, the album delivers profound emotional power and subtle complexity, earning high praise for its evocative nature. Dive into Scott Kelly's 'The Wake' and experience a profound acoustic journey of humanity and desolation today.

 "The album is still the result of Di Donato’s free guitar wanderings, his inspired solos are always excellent."

 "In the fourteen minutes of the title track, Mario Di Donato rediscovers himself as a hero of national (and not only) doom."

The Black’s 2004 double album revisits classic heavy metal roots after a progressive phase. 'Peccatis Nostris' explores dark, violent themes with sharp riffs and dynamic tempo changes, while 'Capistrani Pugnator' showcases majestic, cohesive compositions. Despite some vocals being less inspired, the musicianship and concept elevate the work. A significant release for fans of traditional and doom metal, celebrating the legacy of Italian metal. Dive into The Black’s powerful double album and experience a classic heavy metal revival full of epic riffs and dark themes!