mementomori

 The lyrics describe a dark and desolate forest, a landscape where a lost soul wanders in the dense darkness of spiritual emptiness.

 John Balance’s dark speech poses the question from which 'All the Pretty Little Horses' will originate: 'Why We can’t just walk away?'

Where The Long Shadows Fall is a crucial introductory piece in Current 93's Inmost Light trilogy. It revisits dark ambient roots with mature existential themes and haunting soundscapes. The single-track album sets the tone for the trilogy's journey from darkness to light. With contributions from Michael Cashmore and John Balance's evocative spoken word, it demands appreciation in its full conceptual context. This work embodies David Tibet's deepening spiritual research. Discover the haunting soundscapes of Current 93’s Where The Long Shadows Fall—immerse yourself in this dark spiritual journey now.

 If Angizia have a merit, it is indeed not slipping into the eternal clichés of the genre.

 It’s all very sublime, although honestly, this music, not very powerful, too little evocative, perhaps too pedantic, struggles to find a slot among the grooves of my life today.

Angizia's 1997 album 'Das Tagebuch Der Hanna Anikin' stands out for its original fusion of gothic metal with classical music and a strong narrative. The album is dense and complex, featuring soprano vocals and avant-garde elements, but remains obscure and underappreciated. While the music is sublime and avoids genre clichés, it struggles to resonate deeply with listeners and does not improve significantly with time. The review praises its artistic ambition but questions its mass appeal. Explore Angizia's baroque gothic metal masterpiece and immerse yourself in their unique theatrical soundscape today!

 Sonnenheim lives on new inspiration and some newness that regenerates the sound of the Danish songwriter.

 Nothing phenomenal under the runes, but this album is listenable, and fans of the genre would do well not to ignore the work of this little craftsman.

This review evaluates Kim Larsen's 'Sonnenheim' as a modest but refreshing continuation of his apocalyptic folk style. While not groundbreaking, the album introduces new elements like industrial sounds and ethnic instruments to enrich the familiar neo-folk landscape. Fans of Larsen and the genre will appreciate the album's honesty and subtle evolution despite some limitations. The work maintains a nostalgic and melancholic atmosphere, blending traditional Nordic influences with modern textures. Discover the evolving sound of Of The Wand & The Moon in Sonnenheim – listen now for a blend of apocalyptic folk and new textures.

 "It's no coincidence that the epitaph of the Violet Theatre is an absolutely asymmetrical record."

 "The sounds, perverse and slithering as if produced by an orchestra of the damned... suddenly stop, giving way to a roaring guitar and the pounding of a devastating drum."

Paul Chain's 'Opera 4th' marks the end of the Violet Theatre phase, blending a daring ambient intro with heavy metal and doom elements. The album showcases Chain's experimental spirit and evolving sound after leaving Death SS. While the long ambient track and subsequent heavy metal songs feel somewhat divided, both parts reveal his artistic ambitions and pave the way for his future work. Despite vocal limitations, the music offers a compelling exploration of dark, metaphysical themes. Dive into the unique fusion of doom and ambient metal with Paul Chain Violet Theatre's 'Opera 4th'—explore this eerie and experimental classic today!

 Paul Chain is someone who lost sleep to make music, and I’m not joking.

 'Master of All Times' is thus, fundamentally, irreparably a trip: blurred images, black-blue-light blue hues that inevitably tend towards mystical shores.

Paul Chain’s 'Master Of All Times' is a distinctive live album recorded in 1999, featuring only keyboards and a band of expert musicians. The album highlights Chain’s visionary talent with improvised, mystical prog-rock atmospheres, blending elements of space rock, jazz, and psychedelia. Despite stepping away from his heavy-doom roots, Chain maintains his unique musical identity. The album stands out as a compelling journey into hallucinogenic and experimental soundscapes. Dive into Paul Chain’s hypnotic keyboard odyssey and experience the mystical journey of 'Master Of All Times' today!

 "IMPROVISATION is the key word to understand Paul Chain's solo career."

 "A piece that seems to come directly from a session of sodomy between Tony Iommi and Frank Zappa (with hemorrhoids)."

Paul Chain's 1989 double album Violet Art Of Improvisation captures his transition from horror metal with Death SS to a unique blend of psycho-doom and experimental rock. The first disc delivers raw, improvisational rock while the second explores mature electronic and psychedelic sounds influenced by iconic artists like Pink Floyd and Tangerine Dream. This album is a foundational work for Chain's solo career, showcasing his creativity and boundary-pushing style. It is a compelling listen for fans of doom and progressive experimental music. Dive into Paul Chain's visionary blend of doom and experimental rock—listen to Violet Art Of Improvisation and experience the art of improvisation.

 "The album’s title is inspired by a visit to the Abbey of St. Clement in Casauria, demonstrating how the artist remains connected to the cultural heritage of his land."

 "A good heavy metal album, yes classic, but one that shines brightly with the signature of one of the greatest authors of Italian metal."

Abbatia Scl. Clementis, The Black's 1992 album, highlights Mario Di Donato's refined heavy metal style blending Latin lyrics and dark mysticism. The album reduces earlier doom influences in favor of more energetic, thrash and power metal-inspired tracks. Strong musicianship and cultural ties to Italian heritage add depth. While less experimental than previous works, it stands as a solid classic with notable moments of dark epicness. Highly recommended for fans of traditional and Italian metal. Discover the intense fusion of Latin mysticism and heavy metal in The Black's Abbatia Scl. Clementis—listen now and dive into Italy’s dark metal legacy!

 Playing stoner is easy, or rather, even a dog, but with the right attitude, can make you feel good playing stoner.

 Von Till outside the rigor of his Neurosis is far too free, also free to indulge in frivolities that are hard to forgive.

Steve Von Till’s ‘In a Dark Tongue’ is a richly atmospheric blend of drone, folk, space-rock, and stoner elements that showcases his guitar mastery. Despite captivating moments and craftsmanship, the album lacks fresh ideas and sometimes feels repetitive. It resonates well with fans of the genre and Von Till’s work but may leave others wanting more creativity. The album evokes primordial and cosmic themes, blending ancestral rituals with modern psychedelia. Dive into the neurotic and cosmic sounds of Harvestman's ‘In a Dark Tongue’—explore this unique fusion of drone, psychedelia, and folk now!

 A masterpiece without ifs and buts.

 Pop Crimes is an album of indescribable beauty, a final farewell hastily put together before death arrives.

Pop Crimes is Rowland S. Howard’s haunting final solo album, recorded during the terminal stage of his illness and released posthumously in 2010. The album features deeply introspective songwriting, blending elements of post-punk, blues, and avant-garde sounds. Collaborations with key figures like Mick Harvey enhance its rich textures. This work stands as a poignant and sincere farewell that resonates with fans of alternative music and those drawn to raw artistic expression. Listen to Pop Crimes now and experience the raw, haunting farewell of Rowland S. Howard’s final masterpiece.

 If 'The Rule of Thirds' was a spring work, here we can claim to be in a desolate winter of the soul, where roads no longer trodden are covered by a thick layer of snow.

 'Peaceful Snow' is thus an icy album, a flat snow-covered area, without trees or houses: a journey into the depths of interiority boasting glacial and evocative atmospheres.

The review examines Death In June's 'Peaceful Snow' as a continuation of Douglas P.'s recent artistic struggles. The collaboration with pianist Miro Snejdr adds elegance but cannot fully mask the compositional fatigue. The album is described as icy and desolate, symbolizing Pearce's retreat into isolation. While glimpses of the band's old allure appear, the overall work feels inconsistent and more like a somber personal diary than striking music. Explore 'Peaceful Snow' to experience Death In June's haunting final chapter and the unique piano collaboration.