andre86

 This CD contains 100 songs in about 20 minutes.

 This CD can therefore be considered a fun and claustrophobic critique of society in all its facets, whether you like it or not.

This review highlights Agoraphobic Nosebleed's 'Altered States of America' as a chaotic and intense cybergrind album consisting of 100 short tracks in 20 minutes. The album is praised for its furious musical style and dense social and political commentary, touching on drugs, religion, politics, and pop culture. The reviewer appreciates its destructive yet purposeful nature. The album is a challenging listen that acts as a claustrophobic critique of society. Discover the chaotic world of Agoraphobic Nosebleed's cybergrind and explore their intense social critique through 100 explosive tracks!

 "The singer’s cavernous and equally slow growl accompanies us like a lantern in a dark cemetery road at night."

 "The sixth track is a very slow and muddy doom, with a whispered male voice and destructive riffs surviving at the end."

Vedova's mini-CD 'Remembrances' closes their Italian underground metal cycle with a haunting funeral doom metal style. Inspired by Giacomo Leopardi's depressive poetics, the album delivers slow, monolithic riffs and cavernous growls. Despite some predictable riffs, the album's mood and concept stand out. The cover of At The Gates' 'Blinded by Fear' adds an intriguing twist. Dive into Vedova's 'Remembrances' for a deep, monolithic doom metal experience—listen now and share your thoughts!

 This mini CD that surely stands alongside an EP like "The Art of War" by Vader.

 The fifth song, GRIND, is almost a 'child' of Scars of the Crucifix by Deicide... A 9 as a song is almost a bullet fired at full speed.

The review covers Last Rites' H.A.T.E. EP, highlighting the band's evolution from power metal to a raw death-thrash sound influenced by early Sepultura and Death. Each track is analyzed for its tempo, vocal style, and musicality, praising strong drumming and solos. The reviewer recommends the EP as a solid addition to metal fans’ collections and compares it favorably to Vader’s work. The mini CD is affordable and readily available through Akom Productions. Discover the fierce sounds of Last Rites' H.A.T.E. EP—listen now or grab your copy for an intense death-thrash experience!

 The chorus, "WE ARE DEAD MEN WALKING," shouted with increasing anger four times, sticks instantly in the mind.

 After this album, there’s a sense of satisfaction knowing that Italian bands still carry on the ’80s thrash.

Devaster's 2005 demo 'Infernal March' pays homage to classic thrash metal with strong influences from Metallica and Pantera. The demo features energetic riffs and intense drumming, with standout tracks like 'Persecution' and 'Necrothrash.' While some production flaws appear, the demo shows promise and dedication from the Italian band. Listen to Devaster's Infernal March demo and experience raw, energetic thrash metal from Italy's rising legends!

 "Black Mass is the best song on the album, and just for the title track, this album would be a must-have."

 "Kings of Evil starts with a beautiful guitar arpeggio, very similar to songs like 'Fade to Black' by Metallica."

Death SS’s 1989 album Black Mass is a landmark in Italian metal, showcasing a powerful blend of speed, thrash, and horror-inspired soundscapes. The reviewer highlights standout tracks like "Kings of Evil" and the title track "Black Mass" for their composition and atmosphere. Though some live bonus tracks suffer from poor production, the album overall is recommended for metal enthusiasts. The review offers a track-by-track breakdown revealing deep appreciation for the band’s musicianship and horror themes. Dive into Death SS's iconic Black Mass album and experience classic Italian metal with dark, thrilling atmospheres!

 From this 1979 demo by a small group back then called Iron Maiden, which in the future would become the most famous band in metal, it all begins here.

 The first track is 'IRON MAIDEN', slightly longer than the version released on the self-titled album the following year, where the group’s hard’n’heavy influences can be heard strongly.

This review highlights Iron Maiden's 1979 demo 'The Soundhouse Tapes' as a pivotal moment in metal history. Recorded on New Year's Eve with Steve Harris's grandmother funding, it showcases early versions of classic tracks with raw production. The demo captures the band’s hard rock roots and emerging metal sound. Despite modest production, the recording is a milestone for fans and collectors. Discover the roots of Iron Maiden by exploring The Soundhouse Tapes demo – a must-listen for every metal fan!

 Music must evoke emotions—silly, good or bad—or remind me of certain moments.

 This concert is mediocre, firstly because it is a bootleg and secondly because U2 could have avoided certain pieces and made the concert a bit shorter.

The review offers a detailed account of U2's 2005 San Siro concert bootleg, describing the mix of memorable and mediocre songs. It highlights emotional audience moments, Bono's interactions, and notes some vocal strain and song repetition. Ultimately, the reviewer views the bootleg as a decent but imperfect capture of the live event. Discover the highs and lows of U2’s 2005 San Siro live bootleg—listen and experience the emotions yourself!

 This album that is an EXTREMELY IMPORTANT album that influenced bands like Venom, Possessed, Slayer, Metallica, and the list would be even longer.

 The album opens with the title track 'Overkill', the most famous song by Motorhead that I would define as proto-thrash.

Motörhead's Overkill, released in 1979, is a landmark album influencing thrash and metal bands like Metallica and Slayer. The review highlights iconic tracks such as 'Overkill' and 'No Class,' praising Lemmy's vocals, Taylor's drumming, and Clark's guitar work. The album balances raw energy with moments of blues and hard rock, enriched by notable bonus tracks in later editions. It's celebrated as a crucial work in metal history. Listen to Motörhead's legendary Overkill album and discover the roots of thrash metal today!

 Pentagram’s Relentless is as significant as EPICUS DOOMICUS METALLICUS by CANDLEMASS and very underrated.

 The solo strongly reminds us of Black Sabbath from Paranoid, from which Pentagram, and all of doom in general, drew more than just inspiration.

Pentagram's 1985 album Relentless stands as a vital piece in doom metal history, blending 60's psychedelia with Sabbath-inspired riffs. The review highlights the album's dark, slow, and heavy atmosphere, praising key tracks and the band's evolution. Comparisons to early Black Sabbath and Motorhead emphasize its classic heavy metal roots. This underrated record is essential listening for fans of the genre. Discover the heavy doom metal roots of Pentagram’s Relentless—listen now and dive into a classic metal journey!

 "Bathory was formed... which with a very raw thrash album would give birth to the FIRST BLACK METAL ALBUM IN HISTORY."

 "This album isn’t well recorded because it was recorded in Quorthon’s home garage (who was 19 years old at the time), but precisely this is what distinguishes it."

Bathory's 1984 self-titled debut album is recognized as the first true black metal record, shaping the genre's sound and ethos. Recorded in a home garage by a young Quorthon, the album's raw production adds to its unique atmosphere. Tracks like 'Hades' and 'Armageddon' showcase the early black metal style, blending thrash and dark riffs. This album holds a pivotal place in metal history alongside classics by Metallica and Black Sabbath. Explore the origins of black metal—listen to Bathory's groundbreaking debut now!