MarkRChandar Banned

DeRank : 5,51 • DeAge™ : 1718 days

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  • Here since 25 november 2020
Brucia Roma - Antonello Venditti

I’m trying to write something really big, the last missing piece. I keep my promises.
 
Eugenio Finardi - Non è nel cuore

Best Italian love song of all time? @[iside]
 
Com'è Difficile - Stefano Rosso
But how hard it is to get everything wrong and then start over
But how hard it is if pride wins in us
 
Siciliano : il cornuto
@[asterisco]
Dedicated to all the Debaser
 
Ingrandisci questa immagine
@[snes] Glad you follow it
 
Ingrandisci questa immagine Ingrandisci questa immagine
🎞️𝗗𝗘 𝗕𝗔𝗦𝗘𝗥 𝗳𝗼𝗿 𝗦𝗘𝗗𝗜𝗖𝗘𝗡𝗧𝗦 𝗔𝗡𝗗 𝗡𝗘𝗢𝗙𝗜𝗧𝗘 𝗖𝗜𝗡𝗘𝗙𝗜𝗟𝗘🎞️

Preview
Woman with crossed arms - Pablo Picasso (1901–1902) [3-10]

Film from 1993
 
Zero Renato - Chi piu' chi meno

Hi @[Vinst], I'm writing you this letter because I've always thought you were a fake account. But despite the deception and the hatred (de-bal) you feel towards me, I will always remember you as a friend. A friend with whom I shared the same religion and worshiped the same God-Ribaldo.

With affection, A.

"Where there was a man, there is a shadow."
 
Eugenio Finardi - Soweto

@[Komancha] Do you know them? What do you think?
 
La canzone dell'acqua - Eugenio Finardi

We are facing one of Finardi's most beautiful lyrics...

"I wish to be like the water that lets itself go
That glides over everything, that gets absorbed
That overcomes every obstacle until it reaches the sea
And there it stops to meditate
To choose whether to be ice or steam
Whether to stop or to start again"
 
Extraterrestre (Live)

One of the most beautiful Italian songs ever, I like this live version even more.
"Extraterrestre portami via
Voglio tornare indietro a casa mia
Extraterrestre vienimi a cercare
Voglio tornare per ricominciare!"
 
Ingrandisci questa immagine
🎞️𝗗𝗘 𝗕𝗔𝗦𝗘𝗥 𝗙𝗢𝗥 𝗖𝗜𝗡𝗘𝗠𝗔 𝗟𝗢𝗩𝗘𝗥𝗦 𝗔𝗡𝗗 𝗡𝗘𝗢𝗙𝗜𝗧𝗘𝗦🎞️

Preview
O philia - John Everett Millais (1851-1852) [2-10]

Frame from 2012
 
Ingrandisci questa immagine
🎞️𝗗𝗘 𝗕𝗔𝗦𝗘𝗥 𝗙𝗢𝗥 𝗦𝗘𝗗𝗜𝗖𝗘𝗡𝗧𝗜 𝗔𝗡𝗗 𝗡𝗘𝗢𝗙𝗜𝗧𝗘𝗦 𝗖𝗜𝗡𝗘𝗠𝗔🎞️

Preview
Ophelia - John Everett Millais (1851-1852) [2-10]

The work depicts Ophelia, who, having just fallen into the stream, is lying on the surface of the water with her arms outstretched and the flowers from her bouquet dispersing into the flowing element. The girl, placed in an effectively authentic space (which also includes some animals, such as a robin and a water rat, and even a skull) does not resist the current, fully surrendering to what will be her muddy grave.

Millais imbues the flora in the artwork with strong symbolic value. The floral species present are included either because they were directly cited in the Shakespearean tragedy or, more importantly, for their significant symbolic meaning, intended to emphasize the transience of the life of the unfortunate maiden. [SOURCE WIKIPEDIA]

Frame from 2012