MarkRChandar Banned

DeRank : 5,51 • DeAge™ : 1719 days

  • Contact
  • Here since 25 november 2020
Sanremo 2021 - Lo Stato Sociale, Emanuela Fanelli e Francesco Pannofino - 'Non è per sempre'
Di cosa parlano le canzoni indie

<<<... Stato Sociale has taken that Gaber-style approach and turned it into a sort of proto M5S language, filled with post-ironic statements that are, in reality, very serious and convinced, yet always hidden beneath a supposed dose of irony. Their portrayal of indie, Italy, work, or anything at all has been the most generic and populist narrative we've seen in recent years in Italy, where, not surprisingly, they triumphed on the Sanremo stage, which has boasted that banal, insipid, national-popular, and unbearable language for years.>>>

These are the words of Riccardo De Stefano (second video link), a music critic who seems to be independent in every way, and an expert on the "non-mainstream" circuit.

Now, the commendable interpretation by Lo Stato Sociale (first link) in favor of the culture and entertainment sector – which has been in crisis for an entire year – is definitely the best thing to happen so far in this sterile Sanremo Festival. But don't you think it could be self-serving? Should certain battles be fought in this way?
 
Ingrandisci questa immagine

@[iside] Thank God I
 
Ingrandisci questa immagine
@[iside] Man of his word
 
Vivo

One of the most beautiful songs of the decade, two decades, three decades, four decades...
 
Aggio Perzo 'o Suonno

I'm very attached to Neffa's earliest works and to some of those released post-2000. The last album, "Resistenza" (2015), wasn't that bad, either. Now... after 6 years, how can one come back with a song like this? Such a huge, overwhelming disappointment.
 
Rosa Balistreri - Terra ca nun senti

Careful! We're about to witness a new revelation.
 
Stefano Rosso--Il circo

Come join the circus in the square
there's really no cost at all
many people work here, most of whom don’t even know

This is also subsidized
like the others by the State
it starts in the morning
and there's no closing time

And there’s @[iside] all day on the rope
punishing those who forget the alarm and those who don’t have one

And @[Dislocation] @[123asterisco]
that flitter around intoxicated
tightening the belt
loading the syringe

There’s Mandrake, called @[IlConte]
his strength and the magic
all day on the street
how he survives, nobody knows

Come join the circus in the square
there's really no cost at all
good people work here, most of whom don’t even know

There’s also @[CosmicJocker] and @[Farnaby]
but who, in the end, are good
they act this way, you should know
because they’re from the neighborhood

And then there's @[Martello]
making people laugh
and for a glass of wine
he couldn’t care less

And there’s also @[Komancha]
a charlatan singer-songwriter
who protests and makes a racket
while @[G] works himself to death

Come join the circus in the square
there's really no cost at all
certain people take care of everything.
 
Il Telegiornale - Antonello Venditti

Tg1 TG2 what a confusion
But at least the merit of information remains
And between one denial and another and a ministerial smile
It makes us understand that things aren't going too badly after all
 
ABACADA ANDREA PARODI Cagliari 22-9-2006.

In the relentless shadowy flow of death, the evenings illuminated by the voice and by glistening eyes that shine desire life are phosphorescent.
 
E SARA' NATALE and ARMENTOS ANDREA PARODI Cagliari 22_9_2006.avi

In the relentless shadowy march of death, the evenings lit by the voice and dew-like eyes that shine long for life are phosphorescent.
 
Andrea Parodi(1).mpg grazie alla vita

In the relentless shadowy pursuit of death, the evenings illuminated by the voice and by dew-bright eyes that glimmer, yearning for life, are bioluminescent.
 
MISERERE - Trailer italiano | un film di Babis Makridis, dal 24 Ottobre al cinema!

An underrated film of the Greek "nouvelle vague." In contrast to the relentless stylistic Americanization of Yorgos Lanthimos, there is his screenwriter... Babis Makridis, who, thanks to "atavistic influences," explores the concept of Pietas. Highly recommended.
 
Lucio Corsi - Cosa faremo da grandi?

In the works of Lucio Corsi, there seems to be a meticulously obsessive attention even to the single sequin.

For me, he is the best young artist on the rather desolate scene... for now, at least. Did you know that the beautiful cover of his latest album was designed by his mother?
 
@[G] Your Eminence... but as of 26/02/2021, are there no commands on this site to modify/delete comments, listens, or reviews?
 
Jóhann Jóhannsson – 'Heptapod B' from Arrival Soundtrack (Pseudo Video)

The Villeneuve - Jóhannsson duo was something of rare beauty in post-modern semi-autorial cinema. It's a shame that the composer left us too soon.
 
Adriano Celetano Prisencolinensinainciusol

A showcase of all the pointless personalities that audiovisual media have pushed throughout the last century and this one.
First place goes to him.