spartak

mariavergine, how many comments, and to think that I spent a whole minute listening to this record to understand that it wasn’t made for me, I took it off and put on the velvet underground, because we have so little time in life to listen to music, I don’t have time for these things.
hasta el proseco siempre, and maybe it would even do some good to someone...
hello, cordially and without offense to anyone
to spartak

But these rameses, are they Venetians? Ah, no, it's a double-edged sword... it's a stroke of luck that their availability is limited; otherwise, it would be rough finding them in the shops, but I really don’t go to the shops much anyway... I give it one shot of trust... I think I’ll never listen to this stuff, nothing personal but they seem too Teutonic to me; I only need the cen (written Can, yes those from olgerzukai and imrinsmit and the Japanese testimonies).
Hasta el proseco siempre, spartak.

I knew these elsefen well, but now they are just more intelligent names like once when the group was called pincfloid, ghinghrimson, or ghentelgaaiant? If there's a group called blinghotosientodiese, ototodre, levelquarandadue, or iudue or iubiforti (or iubiquaranta) I avoid them right away; it's too stupid to put a number in the name of the group, because why? What does this number represent for me, have you run out of vowels and consonants? Has imagination run dry? But do you remember i ansleidanbarretaleischion, it was a beautiful name, I could never remember it and I didn’t know how to spell it. Or the ecoendebanimen, but who was this banimen?!? It was beautiful back then, now it feels like a joke… mariagrasia, I give you a very low score, but don’t take it personally, maybe you listen to some beautiful things too, but without numbers, numbers are sacred; you can call the records by their number, like these softmashin, which put the number on the vinyls, but maybe you don’t know who the softmashin are… degustibus ciao spartak

wudstock, do you also come from Veneto? orcocan I hear about this place... as for Tim's album, I think it's beautiful as well as Gudbai&Helo and Lorca, but this one is even better because it's more balanced, less overwhelming. But it's an album I haven't listened to in ages, maybe I'll put it on tonight, that way my wife will chill out a bit... by the way, say hi to Laura when you see her, two years is a long time, ostregheta!
until next time
spartak

Dear my bodhisattva, are you also from Veneto? I think you like good wine, since you write reviews like this one. But if you talk to me about female singers, I could tell you about a certain Tori Amos, or a certain Joni Mitchell (we never use double consonants around here), or another one I used to like a lot, but don't anymore, Laura Nyro, especially her early stuff like New York Tendaberry and the other one I forgot the name of.
Personally, I preferred her thirty years younger and thirty less silicone. Anyway, to each his own, as we say around here; we Venetians are intellectuals, even without double consonants!
Hasta el proseco siempre y con todo el respeto
Ciao Spartak

I’m surprised that someone like Julian Cope, of whom I still have two albums, feels entitled to criticize such a masterpiece by the Can... truly astonishing, him who hasn’t gotten one whole right. (Anyway, it's always de gustibus.)
To Robert Fripp, not the anonymous Monsieur King Crimson, but the Man from Arezzo who asks for information about the Can, if you like the Crimson, I think the Can aren’t that distant from certain viewpoints. The Crimson are my favorite band, followed by Soft Machine and the Can, then the Velvet Underground, etc.
Among the Can, the second album (Soundtracks) is really nice, the third which is considered their masterpiece (Tago Mago) but can, at times, feel a bit lost. Then “Ege Bamyasi” and “Future Days” are also very beautiful. Future Days is truly ahead of its time in sound; as I mentioned before, on the first listen it may seem daunting, just like Tago Mago. But after that, you can’t stop listening to it... I highly recommend you check them out!
Hello friend Robert Fripp from Arezzo,
Spartak

I know the National Health, but I find them a bit heavy; they've never really convinced me much (I also had Coda, the third one if I’m not mistaken).

I am surprised that someone like Julian Cope, of whom I have two albums anyway, dares to criticize such a masterpiece by Can... truly astonishing, him who hasn’t got a single one right. (Anyway, it’s always a matter of taste.)
To Robert Fripp, not the anonymous Monsieur King Crimson, but the Man from Arezzo who is asking about Can, if you like the Crimson, I think the Can aren't that far off from certain points of view. The Crimson are my favorite band, followed closely by Soft Machine and Can, then The Velvet Underground, etc.
Among Can's works, the second album (Soundtracks) is very beautiful, as is the third, which is considered their masterpiece (Tago Mago) but can sometimes lose its way a bit. Then "Ege Bamyasi" and "Future Days" are also very beautiful. Future Days is truly ahead of its time in terms of sound; as I mentioned before, at first listen it might seem challenging, just like Tago Mago. But after that, you can't stop listening to it... I strongly recommend you give them a listen!
Hello friend Robert-Fripp from Arezzo,
spartak

I'm surprised that someone like Julian Cope, of whom I nonetheless have two discs, feels entitled to criticize such a masterpiece by the Can... truly surprising, he who hasn't gotten one right. (But as always, De Gustibus.)
To Robert Fripp, not the anonymous Monsieur King Crimson, but the Man from Arezzo who asks about the Can, if you like the Crimson, I think the Can aren't that far off from certain perspectives. The Crimson is my favorite band, followed by Soft Machine and the Can, then the Velvet Underground, etc.
The Can's second album (Soundtracks) is very beautiful, the third which is considered their masterpiece (Tago Mago) but which at times loses its way a bit, and then always very nice are both "Ege Bamyasi" and "Future Days." Future Days is truly ahead in terms of sound; as I mentioned before, on first listen it might seem challenging, just like Tago Mago. But then you can't stop listening to it... I strongly recommend you give them a listen!
Hello friend Robert-Fripp from Arezzo
spartak

I didn't want to open a cross-challenge between Crimson, Yes, VDGGenerator, and Genesis, it was just my very modest opinion...