DaveJonGilmour

Ah, how beautiful these bands that keep the word Music alive in 2006, if only there were more bands like this. Unfortunately, I don’t like it when the singer uses a big voice, or as they say (sorry but I'm not well-versed in the field), but in every other aspect they prove to be masterfully perfect. OPETH, A SURE THING.

I'M HAPPY TO SAY THAT EVEN THOUGH THIS ALBUM IS NOT THE BEST CHAPTER OF CREEDENCE CLEARWATER REVIVAL, IT DESERVES THE HIGHEST. THE HIGHEST. As for the review, a flat 2.

LENNON TEACHES

However, poletti vaqui valì, reading your comment it seemed to me that we were agreeing on something, instead with the last sentence you confirm IDIOT. IDIOT not only if you criticize Black Sabbath, but especially if you criticize those who listen to them, and IDIOT if you do it just for fun, coming to disturb a site where one would like to discuss music and not break people’s balls with these statements, I repeat, IDIOTS!

"UmmagAmma"????? ???????? ???????? ???????? ???

The Wall would have been a masterpiece for any band, not for Pink Floyd, for the very simple fact that they had accustomed us (and we’re talking about the four in question) to works on the level of "Atom Heart Mother," "Meddle," and the other one from '73 whose title I can't recall right now, which are known as the masterpieces of Pink Floyd post-Barrett.
In fact, aside from "Young Lust" and "Comfortably Numb" (which alone might have been enough to make the album a masterpiece if it had been shorter), and possibly "Run Like Hell," it's an album by Waters, that Waters we will begin to know from here on.
There are many moments of Waters that could demonstrate his undisputed value, but all before '73, and they could be found in that cherry on top called "Julia Dream," or in that apocalyptic scream in "Careful with That Axe, Eugene," or in that fury he inflicted on the gong in "A Saucerful of Secrets," or in that powerful sound he imposed on the bass in "One of These Days," or in the monumental "Echoes," but after '73 he didn't move me as much anymore. Overall, The Wall is more of a work than an album, certainly well-executed but nothing compared to this white gem from the Beatles, packed with music for every taste, commendable in every aspect, a further step in their ever-growing musical journey, perhaps unmatched by any band, except for the last "Let It Be."
"While My Guitar Gently Weeps" is perhaps the best piece ever composed by the four, credited to Harrison. All the art of the Beatles is encapsulated in these two albums that almost seem to explode. INDISPENSABLE for music listeners.

I rushed to buy this record as soon as I finished listening to Fetus and Pollution. Magical. I remember that while I was listening to it, every once in a while a ship would pass by...

Great album. Battiato reaffirms himself as one of the few Italian artists who has never fallen into the trivial. Versatile, wise, a philosopher, inimitable, enviable, majestic in his arrangements, Odyssean in his lyrics. At the same time, he has been overrated for some albums and underrated for others. Let’s remember that a pure album like "Sulle corde di Aries" would touch even a brute deeply, yet unfortunately, this is not the Battiato who went down in history. What a shame. It would have been more just.
I extend my heartfelt compliments to him.
Good review.

Either one is ignorant or one is ignorant.
And perhaps this is the statement on which everyone agrees when talking about Marilyn Manson.

@beatBoy: it should be said Il Perigeo even though perigeo sounds better. The Pfm is definitely better.