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How sad...interesting considerations and a good review.
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Yes, the Wikipedia article indeed says so; let's say that Mick Harris, if he isn't the inventor, definitely comes very close, since he has canonized that type of technique.
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Praise to Mishima, and to Mayakovsky! I wonder why they praised Mishima. Everything I know about the character comes from this quote, an interesting character indeed.
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I heard it, it's violently right so for the enthusiasts it might work, but the best Morbid Angel are the ones up to Domination included. Anyway, I really don't believe the blast-beat is of jazz origin. "some even define them as brutal, but I don't agree," however in the de-genres put "Brutal Death Metal," make up your mind!
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There was one of their songs on the soundtrack of The Crow, I don't remember which. Anyway, I liked all the songs from that album, so I guess I like them too!
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It's true, sometimes they aren't given the recognition they deserve. From a technical musical standpoint, they were highly influential; their guitar harmonies set a standard from that point on. Objectively, it must be said that they are much more niche than other hard rock bands of the time. Rocking regards.
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Beautiful Corazon Espinado, also to play, phenomenal solo XD the rest I wouldn't know, but that one wasn't bad at all... well done also to the obscure (in terms of fame) Maná, who played it.
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I know these guys vaguely just by name, but do they really do hardcore new school? I remembered something completely different. I don’t know them at all anyway, just to know.
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I listened to it a long time ago as well, it’s really beautiful though, Santana at the peak of his form here, I seem to remember that this album had few weak points.
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Another thing I've noticed is the "immigrant" background of certain stuff coming from the U.S. during that period, especially in the realm of extreme music, between hardcore and thrash metal. Just think of the number of Italian-Americans, Hispanics, or otherwise immigrants present in some bands.
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