Nosebleed

Absolutely amazing, I'm almost in tears! And a ton of "stuff" to read as well. A milestone, to say the least; at the time, this title (and especially this character) was truly experienced as a phenomenon: both have a charm that was nowhere to be found back then, nor is it found now. The series, in my opinion, reaches exceptional levels up until the beautiful fourth chapter, which is totally Egyptian (though I would also generously save the Chronicles that came out shortly after for PSX). But my favorites, the ones I feel most attached to (even emotionally), are this last one and the very challenging third...the meat on the grill is always the same, settings and atmospheres among the most beautiful ever seen, top-notch sound, a gameplay system that is sometimes frustrating but priceless and irreplaceable, and an engaging story.

The record also seems interesting from what the review says... anyway, I wonder where NewRomantic is when needed, and it seems there is a need here. Sociological clarifications are urgently required.

And "penso" is written "penso".

Great question Nes12, I am indeed in favor of the dictatorship of the proletariat. Anyway, "Borghezio" is spelled with only one "z".

The Dead Kennedys paid a bit for having debuted immediately with an unreachable masterpiece like Fresh Fruit..., the following albums, although being valid works, have never excited me as much as the first and lose a lot in the inevitable comparison. However, they were absolutely brilliant from start to finish, definitely less so after they broke up; apart from obviously Biafra, who has embarked on a remarkable artistic journey up to today. Anyway, why is "There isn't a standout song like 'Holiday in Cambodia' from the album 'Fresh Fruit For Rotting Vegetables' [...]"? And California Uber Alles, and Kill The Poor?

I find it somewhat amusing when people say that Santoro is "biased"… even among the comments above. "Santoro is a good journalist but too biased," but have you ever seen Emilio Fede in action? Or Feltri himself, or Facci before he played the repentant last night (thank goodness someone like him even said certain things)? Santoro is so biased that he regularly hosts someone who takes every opportunity to throw heaps of mud at the PD, like Travaglio.

A long but heartfelt review as Cornell has accustomed us to; unfortunately, I'm a bit late to the party. Lately, I have the impression that so many reviews come in that by the time one is nearing the "bottom" of the homepage, it stops being "hot." I don't know, in my opinion, getting back together as "Alice In Chains" is a move that just barely makes sense; I don't find it scandalous because a large part of the group's work bears the indelible and unmistakable signature of Jerry Cantrell, but it would have been more appropriate, in my view, to create a new project and reinterpret the material of Alice In Chains in that light.

I remember the radio plays of the singles from the first "Parachutes," which weren't bad. After that, perhaps fortunately, I lost sight of them, but I believe there's a lot worse out there right now.

"A' Richard, what do you think of Malgioglio?" "Of who?" "Of Malgioglio!" [...]

I miss a King Crimson live show. I gather there’s not much from the early stuff and a lot from Larks' Tongues In Aspic in this one. Then of course there’s no Red, maybe I should focus on something else. I don’t know much about Rembrandt’s work, but it’s a great piece as usual; all this hassle for the four of us bumbling fools! (Just kidding, I’m speaking for myself obviously.) And the King Crimson and Robert Fripp are great too, who has understood a lot of things!