Occulto Supersovrano

DeRank ™: 0,69

DeAge™ : 7304 days • Here since 11 june 2006

Stanley Kubrick 2001 Odissea Nello Spazio

10 mar 07

Voto:

universal masterpiece and probably the highest peak reached by Kubrick's genius (but it would be fair to pay some tribute to that old pedophile Clarke, the credit is also his). Anyone who doesn't give it a 5 is a provocateur.

Peter Weir Picnic A Hanging Rock

7 mar 07

Voto:

simply fabulous review, perfectly capturing the unsettling spirit of the film (which I agree with your judgment)

Alejandro Jodorowsky El Topo

6 mar 07

Voto:

certainly an exceptional film, but for me the absolute masterpiece of Jodorowsky remains "The Holy Mountain"

David Lynch The Elephant Man

5 mar 07

Voto:

unforgettable

Ruggero Deodato Cannibal Holocaust

5 mar 07

Voto:

the best among the cannibal movies

William Friedkin L'esorcista (versione integrale)

5 mar 07

Voto:

It's still "The Exorcist," damn it!

David Cronenberg La Mosca (The Fly)

2 mar 07

Voto:

You’re right, Alias, the last one is definitely half-assed, it doesn’t even look like a Cronenberg film. He probably made it just to earn a bit of money after the flop of Spider (flop in the sense that it didn’t make much money, as a film it’s excellent). From what I’ve heard, it seems that Spider was a kind of downfall for him, since he lost a ton of $oldi...

David Cronenberg La Mosca (The Fly)

2 mar 07

Voto:

From here arose the obsession with flesh, as is evident in his other films like "Scanners" and "The Fly". <-- I would also say, and especially, Videodrome... <-- I would even add more, The Brood (1975) and Rabid (1977), which are among his earliest films completely focused on the theme of bodily transformations/degradations.

David Cronenberg La Mosca (The Fly)

2 mar 07

Voto:

beautiful, very beautiful; but Cronenberg has done even better (for me the best are Rabid, Il Demone Sotto La Pelle, and Videodrome). Still, a memorable film. Nice review!

Marco Ferreri La grande abbuffata/La grande bouffe

1 mar 07

Voto:

superlative film, timeless masterpiece (when it was first shown, it was panned by critics and at the Cannes festival the audience drowned it in boos!).