Occulto Supersovrano

DeRank ™: 0,69

DeAge™ : 7304 days • Here since 11 june 2006

Love Contact

Bad Religion How Could Hell Be Any Worse?

20 mar 07

Voto:

The best album by Bad Religion! On the other hand, "Into The Unknown" is an absolute piece of crap.

Martin Scorsese Fuori Orario

19 mar 07

Voto:

great, very great movie. It’s worth noting that the two thieves in the film are Cheech & Chong, the stoner duo from the '70s movies.

In Germany, it was unanimously condemned by both the audience and critics due to its supposed indulgence towards the little mustache figure. For me, however, it’s a really great film; Ganz is excellent, and I really liked the atmosphere of decay/chaos of the “last days” that you can feel (with officers blowing their brains out). Great review as always, Fidia.

Verdena Verdena

17 mar 07

Voto:

a typical text by verdena (created by the verdena text generator) TITLE: The Suicide of Haste / Don’t correct me if you’re sleeping or not / you don’t feel so purple anymore, I vomit it / Chorus: corrects a distorted haste everywhere like boredom (x2) / I know you’re there when I don’t insist / I think I’m abnormal (x7) / I feel your courtyard on your spin cycle / she sleeps like the innocent angel, me and you / burn me a weak jellyfish of mine (x2) / Chorus: corrects a distorted haste everywhere like boredom (x2) / I offend that I should feel the boredom-girls down (x5) / again…again…again…again…again…again …

Kevin Smith Clerks (Commessi)

16 mar 07

Voto:

To me, Dogma seemed like a stupid movie, it didn't even make me laugh; then I tried watching Generation X (Mallrats) and it was the same story (actually, worse); I won't comment on the sequel to Clerks since I haven't seen it, but given the premises, I don't expect much (and what's the point of making a sequel to a film like Clerks?!)

Verdena Solo Un Grande Sasso

16 mar 07

Voto:

text generator of Verdena link rotto

Ferzan Ozpetek Saturno Contro

16 mar 07

Voto:

insufferable director, with a boring and rhetorical style that always touches on the usual themes (couple crises, family crises, crises of forty-somethings, betrayals, etc.); a cinema that is identical in every way to that of Muccino (therefore tasteless plot, zero originality, etc.), marked by superficiality and a television style.