Saputello

"Oh my God, here comes the know-it-all again." ----> Do we already know each other? You were also very quick to respond; evidently, if someone is quick to reply, it means they are online at that very moment.

Hi John!! Can you give me an autograph on my butt?

"Those who say that Kubrick is often cold and doesn't evoke emotion" -------> Classic opinion of those who watch films on the surface and believe that it is deeper and less of a film like "carpe diem."

"Thank you for making me smile! Know-it-all, I'm talking to you! The reviewer had depressed me" -----> "You're welcome, if it takes so little, I don't understand why the world seems so ugly."

The song is nice to strum on the beach or to sing together drunkenly at one of their concerts, but the chord progressions are rather basic. The lyrics are very beautiful; aside from that, they pull out their craft, even resurrecting at one point (when the synth comes in) the same harmonic progression that characterizes Dark Side of the Moon.

Those who still follow them on their wandering journeys aimed at receiving payment from fans should seek help. They are truly pulling the wool over people's eyes with these continuous releases of completely bland albums.

This film may also be boring, and that's acceptable. Just as it's acceptable for a Kandinsky painting or a Beethoven symphony to be boring. If a work of art is not understood, it's logical that it can be boring. Moreover, it's easier for a movie by Neri Parenti not to be boring.

Perhaps one of their worst albums from the beginning up to The Final Cut, inferior to Dark Side, Animals, and The Wall, as well as Ummagumma, Atom Heart Mother, Meddle, A Saucerful of Secrets, Piper at the Gates of Dawn. "Shine On..." is commendable in terms of guitar work, but compositionally it’s truly lackluster and with predictable melodies. Welcome to the Machine is perhaps the best and most original song on the album; its sound and the emotional level of the lyrics combined with the "industrial" noises create a tense atmosphere. Have a Cigar has the funky bass line from the part of Echoes, and the vocals mimic the style of Money in how they are delivered; the solo is nice, but for the most part, it's a track that is pushed along by experience. Wish You Were Here, the acoustic ballad and the most famous song by Pink Floyd, lives more from its celebrity than from the actual beauty of the piece. In the same vein, I much prefer On the Turning Away by the later Pink Floyd in Momentary Lapse of Reason. And then "Shine On" starts again, which does nothing but repeat the same chords and sounds from the first part (which was already too long), turning them just a little. An album that lives off craftsmanship, rather than intuition and creativity.

Ah, but is grunge verse and chorus chorus chorus? Or is verse chorus chorus chorus grunge?

"BRIAN FERRY... mimics PRESLEY and writes all the material... and BRIAN ENO is the non-musician genius of synths and tape... PHIL MANZANERA is their refined guitar man... ANDY MACKAY on saxophone and oboe," and Syd Barrett is the crazy diamond, Robert Fripp is Mr. Progressive, and the butler is the killer, and there are no more women like there used to be, and red sky at night, good weather we hope. Congratulations on the predictability.