tom traubert

DeRank : 0,26
DeAge™ : 7334 days • Here since 12 may 2006
Fabrizio De André Rimini
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Ah wait because in the end the bucket told him "sir," to Andrea, not madam...
Fabrizio De André Rimini
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Well, "also," okay, but it's a fairly recent matter, still today a minority and definitely at least unusual for the time when the song is set. Surely Faber played with it to give a bit of ambiguity, because otherwise he would have called him Alberto, but if you think about it, not really that much.
Fabrizio De André Rimini
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@ blu: Well, Andrea's text isn't that mysterious if you read it: Andrea had a love, black curls - and up to this point it could also be a woman, ok, but right after he tells you that he was dead on the flag and at this point there are no big doubts left, right? Beautiful album, too often snubbed. Coda di lupo, Sally, Rimini, Andrea: a handful of masterpieces.
Benigni e Troisi Non ci resta che piangere
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One of the funniest Italian films of the 80s, perhaps the absolute funniest for Troisi who later would do some quite pretentious things. Iesterdeiiii... la-la-la-la-la-la faraueiiii...
Roberto Benigni Il Piccolo Diavolo
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Not a masterpiece, not a bad film. And unfortunately, Benigni is not a director. But the movie is fun.
Dario Argento Suspiria
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This film has style, which Argento once had and now... we’ll see the third mother to find out.
Dario Argento Opera
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Opera is Dario Argento's last decent film. Decent because, despite many flaws, it still showcases, and unfortunately for the last time, some good ideas. From this point on, there will be forgettable thrillers lacking passion and creativity.
Dario Argento Trauma
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If it's how I remember it (and it's been yeeeeears), it's quite boring, the first determined step into Argentine anonymity. I should revisit it, but...
Dario Argento Phenomena
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But if only it were a relative of Suspiria (masterpiece) and Inferno (great film). This is definitely inferior, yet still a decent piece of work.
Dario Argento Inferno
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Just rewatched it on DVD. Inferno is a film that deserves a thorough reevaluation, from the time when Dario Argento was still a visionary and innovative director. Of course, it disappoints those looking for a solid plot because Inferno is not Profondo Rosso; Inferno is a dreamlike labyrinth, a nightmare shot in absolutely unnatural primary colors, with a manic attention to detail, from the architecture to the choice of shots that directly reference Suspiria. Special mention for the music by Emerson.