Guido Passalacqua Il Vento Della Padania
Voto:
beautiful the League (league the league bind it there), salary cages ossì (everyone poorer), first anatipapists then papists first berlusconians then berluskaiser then berlusconians again, 15 years that (more or less) they’ve been in the control room flipping the same old omelette. Ossì long live the League (league the league) away with the benches from largo formentone, away with the sandwiches eaten in the street, let’s open the historic center to cars. with his mama's ass!!!!
Quino Tutti Sulla Stessa Barca
Voto:
this, however, is not a comic!
Flipper Gone Fishin'
Voto:
òòvortex hurts! Don't you see how we've ended up?
Sting The Dream Of The Blue Turtles
Voto:
Nerds aka Old men. a boring and sublime album.
Quino Tutti Sulla Stessa Barca
Voto:
beautiful, after the last move I don't know if I threw it away (sacrilege) or if it ended up in some corner of the basement.
Fabrizio De André Fabrizio De André (L'indiano)
Voto:
In my opinion, you made a mishmash. Then, few instruments... (did you forget about synthesizers and violins?)... You don’t understand "figlio di un temporale" but you understand "franciska"???? "hotel Supramonte" deserves entire chapters in an anthology. A more childish review than mine.
Tazenda Tazenda Reunion Live
Voto:
It was not my intention to compare Armentos with this live performance; it's just that if I have to recommend a live show from Parodi, I would suggest Armentos, and if I wanted a live from Tazenda, I would choose Il Popolo Rock – at least that had meaning and captured an era. This is just the usual clichéd, profit-driven, and morbid ritual.
David Bowie Christiane F.: Wir Kinder vom Bahnhof Zoo
Voto:
look at cristiana f, she's just like many girls (aged 13 to 17) I knew when I was younger (including giving blowjobs to some family fathers and/or middle school teachers). the same battered and stoned eyes.
Silvio Berlusconi L'Italia Che Ho In Mente
Voto:
Even the thug I forgot, dear Ezechiele, that’s where Alemmanno showed his true self.
Tazenda Tazenda Reunion Live
Voto:
S.C., I respectfully disagree with your reasoning (clattering). Abacada, just like the live performance with Al (di Meola), seemed to me less about regionalism (Sardinian) and more like an attempt to reach out to other Mediterranean shores. Perhaps Andrea Parodi (strange that there's another singer from Genoa with the same name and surname) was looking to avoid being forever forced to sing in piazza Procurare e Moderare (like Marras); maybe he preferred to reinterpret "armentos" or "la maza." PS Astrolicamus is by Marielli; could it be that Parodi acquired the rights?