antimo_d

That said, I really like the final triplet, especially 'nothing really ends'; and well, it's a recycled piece, but you are the deus-dependent fans who already knew it, not me ;P

I have always preferred 'the ideal crash', you know... the intensity, the lyrics (even though I didn’t pay much attention to those from the other albums…), the taste for the (what was it?) pop struktuur of those dEUS has always captivated me more than the more 'experimental-deviant' bursts (which is why 'in a bar...' was the one I liked the least; for example, I've always found the ending of 'little arithmetics' a bit gratuitous or, better, not very successful, one of my god-songs by the way...): therefore, I don't share the same reasons as Lukin for wildly bashing the new album, but overall there are various songs that feel a bit 'flabby', which don't grab me much... to my ears, it's a nice piece of work, not a god-of-work; I just find it, in patches, a bit uninspired, yep.

well, the Oneida make rock, they don't do covers, they're original, good (imho) and an album came out in 2005, buddy... <-- this is just an example

I was passing by and there you were, too! ;D

beautiful beautiful this cd... some journalists labeled Unsane as 'bluescore'; I think it's a pretty fitting definition, given that the core of the songs is clearly blues, tainted with ultra-distortions and hallucinatory vocals, a sonic equivalent of a metropolitan pulp comic. A captivating and cathartic album, quite different at least from Helmet's 'strap it on,' much more genuinely tortured, where Unsane is more 'oleographic' and... carefree? Anyway, I remember a devastating live show in Trani, monsters capable of forcing many of the club's regulars (which usually featured indie-pop...) to sit on a step with their hands cupped over their ears and their heads down; the album with the bathtub on the cover, I think, is not the last...

Well... I listened, and I only found 'catartica', precisely, and I find it immensely 'kitsch' in juxtaposing rock with Sonic Youth alongside an ornate/pseudo/refined Italian style of phrases like 'vociare di monete obsolete', etc. Not to mention the singing (deliberately, I suppose) always a bit over the top, perhaps to be/feel different (take a listen to the celebrated 'nuotando nell'aria', with a voice that’s now ultra-mellifluous, now lost in ridiculous screams in the background); elsewhere, it's also the themes of the songs that don’t convince me, like 'MK', a tense, aggressive atmosphere to talk about... rivalry between Italian groups? Kitsch... I don’t know this, but since 'catartica' is often celebrated (as in the comment above...), I wanted to express my doubts (and biases, of course) that I have developed about Marlene Kuntz starting from listening to that album...

but where the hell do these Google Ad-sense come from? ('Start with a full tank from Naples | 5 CDs + 1 cap for 52.90 euros! the best of Neapolitan singers') ... is it Laurito's fault? who knows

oh, what a beautiful messy speech, just the way I like it... you didn't even let me read the review, now I want to go, if Palermo allows it.

Palermo wins 2-0, this review needs to be studied without distractions, but the mere word moccasins deserves a 5... the album, I don't know? Should I listen to the Boredoms again, is that the same?

penalty for Palermo