Luca-LJ

Great!

It also seemed too good to be a review of Guns to me! But why do you do it? What's in it for you?

SHIT.

Okay, Evanescence suck. But Lacuna Coil aren't so great either, right?

Of course I meant to say "will leave."

Coelum is going crazy for these guys, they will definitely leave a comment soon with a rating. They make me want to throw up and the singer looks like a Pokémon.

Well done, now give each other a sporty handshake!

I'm sorry for Fripp, but I like Vai more (as a composer and not as a guitarist). I swear I'll listen to it again very carefully, but what more can I do? Actually, if you could recommend something, I would be very grateful! I want to point out that I have all the King Crimson albums; I mainly need something from Fripp as a solo artist. Distortion is not a subjective concept; it's a specific intervention that is applied to the sound wave: a phrase like "It's clear that you and I have two different conceptions of distortion" is unacceptable. The distortion in Rising Force is there.

For ossian1973, I don't know if "Sgt. Pepper's..." or "The Piper..." was released first, but I do know they were recorded simultaneously in two nearby rooms at Abbey Road Studios (there's even a fun recording of Syd singing with the Beatles). So it's a bit difficult to say who influenced whom. Usually, these things aren't invented; they're the result of a shared feeling, let's say that psychedelia "was in the air." It's important to note that the first to introduce psychedelic elements into music weren't the Floyd, but for the other bands of that era (Doors, Beatles, Beach Boys, etc.), psychedelia was just a backdrop; only with the Floyd does it become the foundation upon which to develop their music. The Floyd take the psychedelic intuitions of the time to extremes. I detest these kinds of discussions, so I'll leave it at that; I just wanted to give you the information about the two albums. Bye.

These pieces appear a bit everywhere in various collections, and everyone has already pointed it out to you (some quite poorly), but don’t worry, I won’t give you a lecture! However, I wanted to point out that to find "Scarecrow," there's no need to search in "Relics," "Echoes," or who knows in which other collection! It’s present in one of the regular albums, the first one to be precise! So now I have a doubt: could it be that the version on this album is different from the one released in "The Piper At The Gates Of Dawn"? What do you think? Do you know anything about it? In any case, the review is not bad; a few mistakes may slip through, but you manage to describe the music effectively without falling into too many technicalities.