Voto:
You’re off, Woodstock, I can barely remember Siberian Kathru... If you want, I can tell you about Close to the Edge or Owner of a Lonely Heart. But speaking of Genesis, one of my strong points is: "Harold the Barrel" as a prototype of Queen’s operatic songs... What do you say?
Voto:
Are you trying to provoke me? :-)
Voto:
@woodstock: I didn't say that Yes didn't make prog. I said they make and have always made crap. :-) Anyway, I'll leave it at that to avoid long discussions on a topic that, all in all, interests me to a certain extent. :-) Oh, and I don't mean to come off as snobbish, okay, let's be clear...
Voto:
The cover hinted at it... Well, the BBC session found on "Archives", the one from 1970 with Anthony Philips, isn’t poorly recorded... I imagine "Stagnation" and "Looking for someone" are taken from that session… Or not?
Voto:
She and I, poetically, understand each other instantly. :-)
Voto:
Because they suck!
Voto:
Hey Bjorky, what is this, a bootleg?
Voto:
I saw the press release for the new tour. Rocco Tanica’s presence is considered certain. I don’t know why he wasn’t at Porky’s Beer... He should be there for the upcoming dates... The keyboardist you’re talking about I believe is the one who usually goes by "Uomo," not a new presence at all, and both live and in the studio he produces the nice orchestral effects that Tanica can’t handle while improvising on the piano... Long live Elio and also the Storie Tese.
Voto:
Who would the Gonzo be, excuse me?
Voto:
Well, I really liked this album. "Can I play with madness" was a great track. And I didn't mind seeing them in concert either...
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