fusillo

Hey guys, let's not joke around... I didn't receive a thing...

Okay, everything is very nice, but are these files coming?. :-)

Let's say that I strum. :-)

Come on Poet, which points do you want to lose? Come on... By the way, I sent you a private message...

No problem, Nofake.:-) Hey poet, I also want to hear your tribute to Faber! @Bjork: You're really a Genoese.:-) Wakeman is decent as a keyboardist but terrible as a composer. @Dolly quinn: too many compliments! First arrogant, now ambitious. Thank you, you’re a treasure. Sweet dreams!!!

Noooo, Nofake, pleaseeeee. The footprints nooooooooooooooooo!!!!!:-)))))))))) ))))

Dolly Quinn: Never said I was leaving. In fact, as you can see, my presence is even requested. Get used to it. And the Yes suck. Don’t forget it. :-)

So I understood correctly? Alright, I'll give it a shot. Let's see... "Close to the edge" already annoys me from the start with its characteristic chirping. If I only had a rifle... The instrumental part that comes after isn't bad, but everything is ruined by Jon Anderson and his vocals that break the rhythm and groove. In general, I'm not a big fan of Anderson's voice, too much falsetto, not enough meat... Then there's the keyboardist, whose name escapes me right now. That organ interlude wants to be dramatic, but damn, it's just the same few chords over and over and lacks drama. The solo is a bit clichéd. The transitions are quick, but overall they don't impact me. The best of the five is Bill Bruford, but I prefer him in Crimson and even more in National Health. This is what I remember, I haven't listened to it in a while, but what I like least about Yes's constructions is that quasi New Age aura that conveys coldness to the listener. There's little fire, little passion. Oh, and they dressed like idiots. :-)

Dear Dolly Quinn, I don't give a damn about making a fool of myself. Whether I like lounge pop jazz is up for debate, but even if it were true, what the hell do you care? I think Yes sucks, get over it. Or don't, it’s the same for me. Bye.

Ah, sorry Woodstock, you were replying to Dolly Quinn, I misunderstood completely... Pardon. To Dolly Quinn, I say she is right. I am presumptuous! And I warmly greet her. Bye.