Adriano Bernard

...even if I don't want to, I'm already flying again...

extro send me a private message and give me back your msn contact.

The most violent, gratuitous, and ridiculous film in the history of cinema.

livin', lovin', I'm on the road, so far away from you.

Ricky was a young boy; did he have a heart of stone? They would fit well in an advertisement encouraging kids not to do drugs and not to have unprotected sex...

Listen, since I don't have time to waste on people who listen to Skid Row (oh how sad), I'll let Piero Scaruffi respond to you once again:
"What makes Bon Jovi's lyrics even more pathetic are the Skid Row of Rachel Bolan, who catapulted to the spotlight in 1989 with adolescent anthems like Big Guns and Sweet Little Sister and street ballads like I Remember You, 18 And Life, and Youth Gone Wild, which speculate on the epic of the new 'lost generation.' In the '80s, after the rebellion of '60s and '70s hard rock, after the trend of 'student riots' (the phenomenon of '68), 'sit-ins', peace marches, and all the leftist folklore in general, a wave of arrests, exiles, and murders quickly obliterated the extremist wing of the Movement.
Thus, music is charged with a very difficult task during this period: to preserve the mood of that uncompromising rebellion. But the disengagement of the '70s lurks, and the heavy metal that grows on the ashes of revolutionary rock ends up being an unhappy parody of its ancestor, once again devoured by consumerist fever: heavy metal simply becomes an alternative to AOR. Masses of young disco-goers get excited listening to the noise that echoed in the burning streets of Detroit. From here, bands like Bon Jovi, Skid Row, Cinderella, and the entire movement that would go under the name 'pop metal' (not by chance) originate. It was these bands that initiated the slow decline of rock, transforming it into a pathetic memory of the past; the last group to revive rock by inventing grunge was precisely Nirvana... after their arrival, rock died. They were the last great band.
The lyrics confirm what I’m telling you; let’s analyze the lyrics (not to mention the video) of 18 and Life, in which they give a pathetic vision of what they think is rebellious youth: I’m attaching the lyrics here, and I recommend you go check out the video on YouTube so you can better understand what I’m trying to tell you.
"Ricky was a young boy, He had a heart of stone.
Lived 9 to 5 and worked his fingers to the bone.
Just barely got out of school, came from the edge of town.
Fought like a switchblade so no one could take him down.
He had no money, oooh no good at home.
He walked the streets a soldier and he fought the world alone
And now it's
18 and life You got it
18 and life you know
Your crime is time and it's
18 and life to go
(repeat above)
Tequila in his heartbeat, His veins burned gasoline.
It kept his motor running but it never kept him clean.
They say he loved adventure, "Ricky's the wild one."
He married trouble and had a courtship with a gun.
Bang Bang Shoot 'em up, The party never ends.
You can't think of dying when the bottle's your best friend
And now it's "

Listen, since I don't have time to waste on people who listen to Skid Row (God, what a pity), I’ll let Piero Scaruffi respond to you once again:
"What makes Bon Jovi's lyrics even more pathetic is Rachel Bolan's Skid Row, catapulted to fame (1989) by adolescent anthems like Big Guns and Sweet Little Sister and street ballads like I Remember You, 18 And Life, and Youth Gone Wild that speculate on the epos of the new 'lost generation.' In the 80s, after the rebellion of hard rock in the 60s and 70s, after the fashion of 'student riots' (the phenomenon of '68), 'sit-ins,' peace marches, and the whole folklore of the left in general, a wave of arrests, exiles, and murders pulverized the extremist wing of the Movement in a few years.
Music is therefore entrusted with a very challenging task during this period: to transmit the mood of that uncompromising rebellion. But the disengagement of the 70s is lurking, and the heavy metal that grows on the ashes of revolutionary rock ends up being an unhappy parody of its ancestor and, once again, it is consumed by the consumerist fever: heavy metal simply becomes an alternative to AOR. Masses of young disco-goers get excited listening to the noise echoing in the fiery streets of Detroit. From here, bands like Bon Jovi, Skid Row, Cinderella, and the entire movement that will be known as 'pop metal' (not coincidentally) originate."

And as always, there are those who criticize Avril Lavigne and then praise Motley Crue, convinced that they are exercising their right. Motley Crue is one of the most useless, superficial bands, and (as Scaruffi says) one of the least capable of inventing a riff that hasn't already been invented at least 10 times. The hair rock, shock rock, glam hard rock, AOR, or all these fucking subgenres of hard rock were born in the 80s with the meeting of late 60s hard rock, which had worn out in the 70s, and chart pop. "And as always, there are those who criticize Avril Lavigne and then praise Motley Crue, convinced they are exercising their right. Motley Crue is one of the most useless, superficial bands, and (as Scaruffi says) one of the least capable of inventing a riff that hasn't already been invented at least 10 times. The hair rock, shock rock, glam hard rock, AOR, pomp rock or all these fucking subgenres of hard rock were born in the 80s with the meeting of late 60s hard rock, which had worn out in the 70s, and chart pop." Scaruffi. Moreover, this is a band that, like Bon Jovi, Skid Row, Europe, Kiss, Cinderella, or any band from that era you’re talking about, has trivialized hard rock, turning it into a chart phenomenon. To observe this phenomenon, just look at Michael Schenker, who in the 70s was the leader of UFO, a great hard rock band, and who in the 80s formed another group, the Michael Schenker Group, which was melodic hard rock or AOR. This is just to give you an idea. The only ones who managed to combine "something" decent are perhaps Guns N' Roses, in Appetite for Destruction. As for the rest of the street rock, it’s to be flushed down the toilet. PS: that you’re under 16 is evident, but if I were you I wouldn’t attack users by calling Motley a historical band, because if a music critic happened to come here, they might get a good laugh. Haloa

Just one thing: I find it ridiculous how the faun is made. That's for sure.

And anyway, "A Bridge to Terabithia" was presented as a copy of Narnia, but fortunately it turned out to be something completely different... "The Prestige" was beautiful as well, anyway.