Adriano Bernard

DeRank : 0,15
DeAge™ : 7394 days • Here since 12 march 2006
The Dogma Black Roses
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I'm sorry, but I find them disgusting; I think they're loud, garish power metal that hurts the ears and is incredibly tacky. Opinions...
Dopplereffekt Calabi Yau Space
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I liked it and the album might interest me.
Marco Masini T'innamorerai
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Since it won't be enough for you, here’s another one ready for the fearless who will have the courage to read it:
The blind man standing at the edge of the sidewalk
waits for someone to notice
and slow down their haste.
And meanwhile, he remains still, his gaze dim
and fixed as if teetering
on a deep abyss.
The blind man listens and above his face
impassive, suddenly there's a grimace
of invisible pain.
But no one sees it in the glow of the light
and the grimace slowly
stitches itself back into his face.
And then suddenly a girl comes to a halt
the blind man smiles and shyly thanks her.
She is certainly beautiful; he feels it in the scent
in the dark a star lights up and a wind blows in
his heart.
He seeks her hand; she lets him find it
and then they set off slowly and let themselves go.
And they leap over the abyss without falling
the two with a light step that seems to fly!
Then gently they land on the other
sidewalk, the blind man and the girl
after that brief flight.
She throws a luminous greeting from the light!
[Dal Buio Lyrics on link rotto
From the dark, he responds shyly and confused.
He wants to say to her, wait, fragrant angel
don’t go away, stay, rest the heart, the breath.
But he feels her hand loosening its grip
and in the dark, the star dims.
He wants to say to her, wait! But there's too much confusion
and the scent fades away, and the blind man with his cane
continues on his dark path, swaying a bit
happy for that nothing like a sweet
Charlotte!
Marco Masini T'innamorerai
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Since I'm unable to explain it to you because just thinking about Masini makes my central nervous system freeze and a wave of nausea rises in my throat, I’ll have him explain it to you, as he loves to comment on every text:
And I love you, I really do
And I love you, I swear
I write it in red and black
On the huge page of a wall
And I love you, I love you fiercely
And I love you more than my life
Even if I'm over thirty-eight
The years wasted on this planet
And I love you even if it's incomprehensible
To the people who still don’t know
That I love you and it had to happen
At this age
And I love you, I’ve always loved you
Even though I’ve known you for a day
Like Africa filling up
With bonfires under a night sky
And I love you, I love you by mistake
But it’s the most right thing I do
Since I was a boy on a leash
And with everyone I acted the clown
And I love you even if it’s untranslatable
In the language of this city
But is it really so unforgivable
If I already love you
And I love you as if
I had never loved before
Without anger and without it
Having taken anything to want it now
Tell me that you’re there
That you want me
(Na na na na na na na na
Na na na na na na na na
And I love you, I love you, I love you)
Like a sea waiting at the mouth
For its river of life and peace
And I love you and I feel ridiculous
Without masks or gravity
But I love you and it feels like a miracle
If I already love you
And I love you, I really mean it
And I love you, I swear
Even if it will remain a desire
That the rain washes away from the wall...
Marco Masini T'innamorerai
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Woodstock, usually there's no need to explain it, because one gets there on their own. But I think Iside explained it better, it's pathetic, uncouth, a poor thing. He has an awful voice like a dockworker and his lyrics are so cloying, mundane, and pathetic that the only feeling one can experience is pity. Some are even artificially reactionary, like "vaffanculo." But it already speaks for itself by titling a song "bella stronza."
Don McLean American Pie
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American Pie and Vincent above all, pervaded by a moving and subtle melancholy. Beautiful lyrics.
Carlo Verdone Il Mio Miglior Nemico
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Polletti I'm sending you, but accompanied by Spielberg and Mereghetti. As for what your little friend says, for him they are pros, for me they are cons. It’s simply what I say about the film (politically correct, family-friendly American movie, sappy, etc...) explained as if these "cons" were pros. @ iside: no, otherwise I would have cursed you out over the phone. If you give it back to me...just send me a private message :)
Carlo Verdone Il Mio Miglior Nemico
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Criticism doesn't always hit the mark; in fact, it almost always misses. As far as I'm concerned, there's certainly something wrong with making feel-good commercial films; the depth of it is so deeply hidden that you're the only one who noticed it, and you can't even explain it. Explain to me, what is there more that I, a poor mortal and ignorant person, have not grasped in that feel-good American fairy tale, banal and aimed at liberal American eleven-year-olds? :-)
Marco Masini T'innamorerai
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Sennar, unfortunately, I've listened to Masini's songs, believe me. It's just crap, there's nothing beneath him, even Tozzi is a bit above, even Irene Grandi. It makes you long for Claudio Villa and Califano, you know?
Carlo Verdone Il Mio Miglior Nemico
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Dear Polletti, there’s no need for me to specify the aforementioned points you mentioned (which I don’t actually remember since I saw the film at least 3 or 4 years ago). To rate the film (which is a symbolic vote anyway, I would give it a 2.5), I only need the starting idea, the plot. Which is the oldest, most clichéd, and already heard concept imaginable: the monster that kills little by little, the man-animal struggle, etc... all told with a series of special effects aimed solely at disgusting the viewer. Spielberg is the most cunning director in the history of cinema, but since he’s Jewish (nothing against that), Americans adore him and treat him like a genius. They like him a lot because 80% of his films contain the nasty values that he loves: packaged and cunning little films for American families in front of the TV. Sure, I don’t deny he’s made some great films (Duel above all), but the rest is crap: Schindler's List, which made so many Americans emotional, remains for me a clever market operation, soaked in banal rhetoric. And that ridiculous family film ET? It’s stuff to spit on. And that revolting little syrupy movie for American families that cry in front of the TV, namely Always? Vomit material. And Hook? How to destroy a fairy tale. Jurassic Park is a very clever film that can be watched: but it's a TV movie. "A.I. Artificial Intelligence" is simply pathetic, "Catch Me If You Can" is nice, conventional but mostly useless, while in "Minority Report" he perfectly managed to destroy Philip K. Dick's beautiful novel. "The Terminal" has a nice starting idea but ultimately the essence is always that of a cheesy and pathetic family TV movie. Moreover, it’s also boring. In the recent remake of "War of the Worlds" with Tom Cruise, he managed to destroy the original beautiful film (as well as Wells's novel). I haven’t seen Munich but I suspect it’s crap, given that he hasn’t made a decent film in over twenty years. @Orwell: I recommend you ignore him; maybe you don’t know Polletti well. Since you don’t know, let me update you: he’s a fascist and racist Milanese towards anyone different from him: fat people, those with different skin color, those of different nationalities, and finally those who might have a French or English grandparent and are born and live in Italy (like me). He calls them "mixed-race, hybrids, bastards, etc." Besides that, he has an enormous ego that leads him to think he is a sort of "cinematic and musical critical god," so he knows everything about cinema and music and others don’t understand a damn thing.