Neo1988

And then there's no need for you to leave your emptiness on the record every time you come here as a squatter. You vote once, just once. What do you say, guys? I’ll be 17, but it’s a given that I think better than this idiot...

Listen, you dickhead... you're right, I don’t understand a damn thing about music (so you can be happy) but you don't understand an absolute thing about anything: you can't relate to others.

Oh, you're also being ironic? Well done...

Well dear Jim Morrison (someone who speaks like you doesn’t have the right to carry the name of the leader of the Doors), I don’t think age is important when it comes to being able to judge music. For this reason, I have absolutely no fear in revealing the year of my birth. Instead, you, who pretends to be the mature man, should be ashamed of shooting out this nonsense in a barrage. How old are you, Mr. music expert?

What an idiot I lOVE mUSIC...next time, make it clear with I hATE mUSIC...

After a career start that we could describe as almost anonymous, Zucchero finally changes genre and dedicates himself to blues, a style that is, among other things, the singer's favorite, and the results are very good. The most beautiful songs, in my opinion, are Dune Mosse and Hey Man. By the way, the former also has a gorgeous instrumental version...beautiful!

To be honest, apart from the sublime Miserere, the lyrics of this album by Zucchero leave something to be desired: I justify my high rating by saying that the music is a true delight and that Zucchero confirms himself as a charismatic force (check out Un'orgia di anime perse and Povero Cristo).

Dear Zuckina, out of curiosity... what kind of music do you like? You criticize Zucchero, one of the most appreciated and well-known Italian singers around the globe, and you also criticize the most famous Italian rocker (forgive me Vasco), namely Ligabue... capable of captivating thousands of people and managing to "gather" them all in a single concert like the one at Campovolo last September 10th. Aside from this, I mean... for goodness' sake... are you telling me that even Liga resorts to plagiarism?!

An excellent album that includes almost all the best songs of the Emilian bluesman. It would be an anonymous repetition of the greatest hits from 1996 if it weren't for the collaborations with various world-famous artists. However, we expect signs of rebirth from Zucchero in the future, considering that his last work composed of unreleased songs is the modest Shake, dated even back to 2001: it would be a dream to see an inspired Zucchero like in Oro, incenso e birra (1989). As for the alleged plagiarisms, I listened to almost all the songs mentioned by zukkina in July, and I can confirm that during Sugar's career, there have been obvious plagiarisms like that of Blue and the guitar riff of Calling Elvis by Dire Straits. For the rest, I find it scandalous to say that Porca l'oca is the same as Have a cigar or that diavolo in me is identical to high time we went. I only cited two examples to illustrate that the cold (but appreciated by me) Emilian, who is always in sunglasses, is not just a copier. Of course, I have more esteem for an artist who is always new and varied like Ligabue, who is a man with a great factory of ideas, but the good old Fornaciari has given so much to Italian and world music... let's not forget that.
Andrea Motta