killgod

everyone is so rhetorical and emotional when talking about the clash... you're right, I would have loved to see them live, I really like this album, and I like it a lot; I point out to the masses that it's the first one where Topper plays all the songs.

you see I didn't say that WP doesn't appeal to me, I said it's the least beautiful so 4. Why? Maybe because it was the album of melodic turning point, which they already were, or maybe because it was the album wanted by Delgado who made us listen to horrors like "Teenager" which are hard to digest. In this one everything is more balanced and harmonious, Delgado's work is never out of place but always present, Chino's singing is incredibly genuine; I wouldn't change a single member in Deftones otherwise the machine would never be able to produce these masterpieces of SNW. Sorry, are you in love with a rx queen, did you happen to feel offended?

probably Chino likes women, it's known that he’s a sweet adolescent not knowing which way to go. The album is beautiful like the self-titled and the previous ones; now, in my personal ranking, the worst of the group is "White Pony," which has something completely different from the rest. SNW is extremely powerful for those who like Deftones-style ballads without becoming monotonous; even the piece from Team Sleep is a bomb. In short, as usual, they’ve amazed me again. Useless review, I don’t share the pill-popper's opinion... are you in Matrix with Mentana?

users but ...f***... is it no more? it was eccentric

In all this rap the milestones depend on the genre of rap you want, the respect for those who play only with their own strength, looking for the means and tools just to make music, and without being corrupted by majors. The blame is relative to the money you sink and these roots have always had plenty of money without going stale as a band; here they were in the period when they were sampled from the tough ones.

I just finished downloading this CD. I've never really approached the Roots, always preferring electronic influences over instrumentals, but the reviews intrigued me. Anyway, MTV is to be avoided and so is Brand:New; maybe you can watch a bit of Flux, although indie rock has really gotten on my nerves.

Oh guys, why do we have to listen to the TV or whatever they generally play on MTV? Music is meant for those who love to cultivate it and decide for themselves what to listen to, maybe making a compilation in the car to avoid the mierda that they play on the radio every day. If most radio stations played unknown music, the various pop singer models would leave us alone with all that crowd that "follows" the commercial stuff. It's just a matter of taste; if I think it's awful and there are idiots who get hyped about MTV, let them be. But since there has always been something for the fools, I don't get mad if at work they play "Me Voy" five times a day, which is also acceptable, maybe because the singer is hot. But Ligabue on the radio or the remixes of Le Vibrazioni drive me crazy... it makes me want to grind my teeth into dust!

I believe that a rapper's skill isn't just about competition, battles... you can still, like in the case of Chuck D, record and produce without facing anyone in any battle... but still have a bunch of good rhyme ideas and beats to please the audience. If, on the other hand, you make music for reasons of social disobedience, "Son of a Bush" is a great track... I always laugh when I listen to it :D

In He Got Game, the scratches are truly impressive at times, like in the case of "Game Face," lasting throughout the entire song. Dj Lord is also stylistically valid, although I preferred the X. For the Muslim Mos Def, the title will be Tru3 Magic, and I believe it follows the previous one, which I didn't dislike but abandoned quickly due to its overly soulful vibe; it oozes blackness from every pore... I wouldn't mind seeing one of his concerts.

I would like to point out to someone named "Gallagher" that if Noel has a better voice than Liam, then Juventus wins the scudetto again this year, or Man City! How can you say that? Noel has an intense and captivating voice like a bluesman, while Liam has a unique voice in the history of music that’s a mix of Sean Lennon, David Bowie, and Bono Vox. For me, in Brit-pop and rock, he has no rivals; he even outshines Thom Yorke and the one from Coldplay.