CycoCiccio

I’ll add something about the Floyd: besides "Asteroid," have you ever listened to "El Rodeo"? Those opening bass lines, which famous Floyd hit do they openly remind you of? Come on Puntini, take a guess... if you get it right, maybe I’ll gift you one of my records...

Stop talking just to make noise: nothing written in the review was left to chance. If you insist on engaging in duels just for the sake of it, I could start writing everything I know, and you risk making a fool of yourself (I know you don't care because you get criticized by many, but for once, I invite you to spare us the nonsense).

"I Sabbath in full (but more in the later albums)" you see... if there is ONE album by Kyuss that transcends Sabbath, it can only and solely be this one. The subsequent ones are merely legal plagiarisms of Iommi's riffs and Butler's grooves (Reeder even imitated him in his movements). Forgive me if I use the words of "ondarock," I know you operate on another level of culture: "The splendid 'Space Cadet,' almost seven minutes long, a kind of 'Planet Caravan' tinged with Eastern veins" "the album that is to stoner what 'The Piper at the Gates of Dawn' by Pink Floyd is to psychedelic rock of the late 60s." You know, I, who am quite down to earth, despite having grown up with Kyuss (before forming a judgment), always look for reliable sources to base myself on. Also... do you know what "Planet Caravan" is? I imagine you do, given that you see yourself as a deep connoisseur of Kyuss...

The comparison of Wretch to the Floyd, on this page, was made only by you.

Dots, I'm starting to believe that, aside from your instrumental stances, you might be a bit brain-damaged. Before formulating a critique or a comment (the insult, no, that's gratuitous, but you're only used to those), it’s necessary to read carefully what you’re talking about. This isn't the first time you've done this. Reread the piece, attentively. If needed, use "the little finger" to keep track, so you don’t mistake a whistle for a flask. Learn to read (and write) properly, then we'll gladly talk about it again. By the way, have you ever listened to "Asteroid"?

Dots, I read you with pleasure. But you’re a bit stingy with commas.

eh.. eh..

<<perennial and monolithic movement>> \ <<images and memories of who knows what journeys, physical and mental>> \ <<The movement described by the rhythms is slow and undulating>>. I feared that these phrases might suggest (to a potential reader) the idea of dealing with a stoner album (nothing could be further from Ocean Machine, indeed). This is why the clarification.

Dots... Nothing "is by itself." Anyway, I am even honored by a "constructive" criticism. I take pleasure in that. Yes, the repetition slipped my mind (I write at three in the morning and often have tired neurons). As for the rest, your accusatory framework is rather nitpicky.

Well, in some parts it comes across as a bit cloying. Perhaps he was a bit too concerned with catering to the audience of the time. I prefer the progressive Battisti, the one from "Il Nostro Caro Angelo" and "Con Il Nastro Rosa." Nonetheless, even the mere comparison with Max Pezzali is already offensive to Mogol in itself.