BathoryAria

Don't worry, I have all these idiots' CDs copied ;-)......

But why anonymous, are you washing yourself now? Strange because I can smell your shit from here.

Mind your own business, mind your own business, mind his own business.....hey, let's stay calm and don't get angry rooster, I haven't gotten worked up.

Listen to the latest song, the title track, it sounds like Attila is imitating a tenor's singing... absurd!!!

hatemoornet, I agree with you on this: in Italy there are a ton of power-epic metal bands and our country is an exporter of this genre abroad. I would also prefer a hundred thousand times to be represented by a serious Italian black or death metal band, but our country probably lacks in these genres and the valid bands in the extreme field are few (and in some cases good, e.g., Necrodeath, Stormlord, Theatres Des Vampires). On the other hand, every country has its well-defined musical genre: the Scandinavian regions have black, Germany has thrash, etc...

Rooster, it’s your problem if you don’t like it.

A very hyped group and everything you want, but we must at least acknowledge this about Rhapsody.

Please, let's not start spouting nonsense and clichés. This "Legendary tales" was a bolt from the blue. For the first time, an Italian group was unaware of... Italian production. These Triestini were either loved or hated at the time and in the years that followed. Many accused them of being incapable when it came to using instruments, claiming that it was nothing but computers playing, or even parts from the German band Heavens Gate. Suspicions heightened due to their prolonged absence from live performances until well into "Synphony...". But I am convinced that many hated them out of sheer jealousy, given that their breakthrough in Italy had no precedents in terms of sales and media attention. Beyond more or less sincere sounds, banal lyrics, and various copies (but remember: copying well is hard, and it takes talent for that too), I have always moderately liked them (at least their first two albums), and they certainly helped to lift Italy's metal scene out of the musical third world it was in, moving from makeshift improvisation and poorly produced records in basements, to presenting themselves as a decent and professional group.

No, come on passenger, the voice is too distinctive, completely different from the usual demonic screams of black singers. Attila Csihar is a very expressive singer. If you don't like it, it's probably your problem.

At that time I'm rarely around, but I'll try to be there sometimes.