geenoo Banned

DeRank : 3,10
DeAge™ : 7509 days • Here since 19 november 2005
U2 October
U2 October
21 oct 08
Voto:
The Punisher, when you make these comments just to keep going... you're a character! They’ve "broken the balls" with an album from 1981? Especially with those early records where they were sincere and innovative? Not everyone is 45 years old, so the U2 have become boring; there are also kids who rediscover them with every new generation (but just think about how I have to explain this...).
M/A/R/R/S Pump Up the Volume
Voto:
Oh my gosh!!! Huge & out of this world, they shattered the eighties like a cleaver. Well, just one killer single, but how many nights in the discoooooooo!
Huey Lewis & the News Time Flies... The Best of Huey Lewis & The News
Voto:
St. Lewis became famous in the eighties for the soundtrack of Back to the Future, with that raspy voice and super AOR sound (but still very rock) and with his band that was very, very tight. I recommend you, as long as you like light rock but played to perfection and above all very, very enjoyable: SPORTS from 1983 but especially FORE! from 1986, an anthem of the '80s, tough and perhaps their best. Then Four Chords... from 1993, many classic tracks re-sung and re-played like a god. A bit of an underrated band.
Cannonball Adderley & Bill Evans Know What I Mean?
Voto:
I've got it! Absolutely amazing. What a thing, what luxury, what delight!
Black Mountain In the Future
Voto:
Good job, Sylvian, let's go listen!
Fratello Metallo Misteri
Voto:
It can be done. Se pò fà. The Sacred has descended into battle against the Tiapolo on its own ground. It will be The Battle of battles! Rivers of fur, blood, horns, and unicorns will flow...
Chuck Palahniuk Soffocare
Voto:
mmm yes good, yes original, yes it reads well but... I certainly don't find it a masterpiece, or at least it doesn't seem to me like that.
Roberto Saviano Gomorra. Viaggio nell'impero economico e nel sogno di dominio della camorra.
Voto:
Kosmogabri, I take the liberty to make a small distinction: one thing are the names and concepts you've mentioned extracted from the comments, another are the offenses and personal attacks. It's not very pleasant to be told "complimenti a tutti" after a serious and comprehensible discussion on a topic. Unfortunately for us (for you...), we are not journalists with the right poise of a primetime figure like Bruno Vespa or Mentana. We are four young guys, each expressing their views on the camorra and Saviano. I see nothing wrong in expanding the discussion, adding color by including examples, names, and references. It’s clear that if the book reviews section is included, it’s completely normal to talk about the book's themes, and the camorra is certainly not music. So I reiterate: one thing are the somewhat boastful opinions regarding the camorra, a whole different matter are the personal attacks on users. I really don’t like being lumped into the same category. Kosmo... no offense or polemical intent whatsoever.
Johnny Cash American IV: The Man Comes Around
Voto:
I must clarify that I didn’t write this review, but Fede did, and I agree with you. In fact, I only allowed myself to dissent (even if in a somewhat clumsy way).
Johnny Cash American IV: The Man Comes Around
Voto:
Bedroombadview, while you wait for the "others," if they ever come, I must strongly but strangely disagree with what you wrote. It’s not country, especially these American Recordings, and Cash is not a fetish; it's just a piece of American music history. But where do these things come from in your head?