Sanjuro

DeRank : 0,49
DeAge™ : 7515 days • Here since 12 november 2005
The Doors The Doors
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Giving less than five to this album is like saying that Rocco Siffredi is a virgin.
Wes Montgomery The Incredible Jazz Guitar
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I am a musician and the Cancelli Dada are totally crushing it, in 3 months the ciddi. Guest Star Punisher at the doorbells and burps (in front of the picci).
Enzo Balestrieri Stefano Moser Clown In Kabul
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"I sit down so I can laugh in holy peace at your fine sense of humor... bra-vis-si-mo :-))) " BRA-VIS-SI-MO: BRA like the pork chops with which you write your 4352 daily reviews (see comment on Waldo). VIS like VISSANI who cooks them while you write your 3542524 daily reviews. SI like SIMONA, a random one who’s been giving you crap for 20 years. MO like Monica, but that's a different story.
L7 Hungry for Stink
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Marig, technique is fundamental but not necessarily excessive; it’s the meaning that holds no value in my opinion, as cinema has shown us since Fellini, which focuses exclusively on the magnificence of the SignificaNtE. Those who think they have something to say are either naive or foolish. I’m talking about ideas, which are scarce in the grunge genre; the grunge movement is merely a decadent version of rock, a rather unoriginal hybrid of punk and metal with some pop injections in certain cases. When I was 18, I found jazz boring; now I find rock that goes “la la la la la la” tedious. Rock, in most cases, is pure bookkeeping: distort the guitar, then a catchy verse-chorus-verse, a-solo, back to the same piece, identical scheme album after album after album. That’s why I’ve come to appreciate the pioneers, like The Sonics or The Monks (of garage) or Chuck Berry in rock 'n' roll; they were purely avant-garde and minimalistic, not a sad revival as in later times. Talk to me about technique; unfortunately, grunge musicians either play too much or too little, in the sense that they are neither completely illiterate nor cultured. In that limbo, in that middle ground lies the tedious Grunge; there are bands that have created masterpieces without ever having touched an instrument before (musical illiteracy), like the champions Half Japanese (defective technique) and others like Sun Ra (super technique at the service of ideas). Cobain himself considered himself a repetitive and limited guitarist, and he was absolutely right. In fact, I consider his collaboration with William Burroughs the most beautiful thing he ever created along with some b-sides from Incesticide and the ghost tracks from In Utero and Nevermind. Unfortunately, after signing with Geffen, they cut off every real possibility for him to express himself outside the verse-chorus-verse structure, which happened even with Sub Pop: see the Zappa-like gem Beans thrown in the toilet by Phoneman. To be sold in truck stops, Cobain condemned himself to a song form he mastered like a god but which revealed its obviousness after 3 or 4 songs, 3 or 4 turns. For me, grunge musicians have too much technique in essence and they are accountants. Better than almost all of metal-glam-punk 77, for God's sake, but I consider those genres noteworthy as the brand of my toilet. The records that changed my life: Meet The Residents by The Residents, the drones of La Monte Young, Sun Ra - Space Is The Place. But truly, the triptych Meet The Residents - Not Available - Eskimo by The Residents was enough for me to consider all of grunge pure trash or nearly so. Or just listen to the first Faust, or the Dead C, or Goat by the Jesus Lizard (which are not grunge at all).
The Monks Black Monk Time
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Best Garage Group ever...the only ones that aren't outdated and are still listenable now and then.
Sonics Here Are The Sonics
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In my opinion, the best 60s garage band, but after the Monks! AHhh excellent minimal review. P.S.: The garage made in 2007 as a revival makes me shit a cosmic amount of anvils, it's time for these little bands to cut it out!
Orson Welles Othello
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UNVEILING THE IDENTITY OF THE CLOWN POLETTI: TYPING ON MYSPACE MONTHS AGO, MARCO POLETTI POINTS OUT TO ME, A DEAR FRIEND, HERE'S WHAT APPEARED, HIM: Featured Content on Myspace
John Carpenter 1997: Fuga Da New York
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UNVEILING THE IDENTITY OF THE CLOWN POLETTI: TYPING ON MYSPACE MONTHS AGO, MARCO POLETTI POINTS OUT TO ME, A DEAR FRIEND, HERE'S WHAT APPEARED, HIM: Featured Content on Myspace
John Milius Big Wednesday - Un Mercoledì da Leoni (1978)
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UNVEILING THE IDENTITY OF THE CLOWN POLETTI: TYPING ON MYSPACE MONTHS AGO, MARCO POLETTI POINTS OUT TO ME, A DEAR FRIEND, HERE'S WHAT APPEARED, HIM: Featured Content on Myspace
Jonathan Demme Il Silenzio Degli Innocenti
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UNVEILING THE IDENTITY OF THE CLOWN POLETTI: TYPING ON MYSPACE MONTHS AGO, MARCO POLETTI POINTS OUT TO ME, A DEAR FRIEND, HERE'S WHAT APPEARED, HIM: Featured Content on Myspace