Copernico

DeRank ™: 0,00

DeAge™ : 7528 days • Here since 29 october 2005

Lucabrassi is right, let’s leave the demagoguery of some narrow-minded youngsters behind, but do you remember the drumming in "Los Endos" or Collins' exquisite technique in tracks like "One For The Vine" or "...In The Quiet Earth"?, just to mention the "underrated" Genesis. Let’s try to dust off those records, now even better on CD. I almost forgot; does anyone remember Collins playing 7/8, I say 7/8 in "Exposure" exactly the track "Breathless" by Robert Fripp, album from 1978?

Edgar Varèse The Complete Works

2 jan 06

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Thank you, Dante.

Deep Purple Purpendicular

1 jan 06

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Sorry, I'm missing a piece after "...horrible), it should continue with "...I haven't followed them anymore."

Stevie Wonder Innervisions

1 jan 06

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I don't have the album (unforgivable at this level, I realize), but I still enjoyed reading a nice review.

The Mars Volta Scabdates

1 jan 06

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The Mars Volta are the only ones worthy of inheriting, among the new bands, the title of "Crimsonians." They do come off as a bit tedious with their talks about peace, love, being friends with plants, and various other things, but musically they are strong.

Asia Asia

1 jan 06

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Sorry, but are you the same Andrea who reviews McCartney extensively? Otherwise, I apologize for the phrase "...the eagerness to write surpasses that of listening"; everything else remains unchanged.

George Harrison All Things Must Pass

1 jan 06

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The album is remarkable and should not be missing from a respectable nightclub; you could have said a little more. Among the tracks, I find "Wah-Wah" very beautiful and engaging.

Deep Purple Purpendicular

1 jan 06

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I like Deep Purple, but they don’t drive me crazy. I’m not familiar with the album in question (after "The House Of Blu Light," which I found dreadful), but reading your review has rekindled my interest, so I’ll give this other work a try.

Asia Asia

1 jan 06

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Personally, I do not agree with a single letter of this review. Asia as a project has been a failure; the albums that followed this one are terrible; and so far, so good, but if we consider the specific work, well, this is better than some Yes and ELP productions put together. At this point, I wonder, Andrea, if your eagerness to write surpasses your ability to listen. The album is from 1982, when it was released, prog lovers and not only cried out for a miracle, and you tear it down like this, it doesn't deserve it.