psychopompe

DeRank : 13,33
DeAge™ : 8188 days • Here since 11 january 2004
Black Widow Sacrifice
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Of course, I meant to say to the left right away! Well, I'm glad that many like it.
Stiltskin The Mind's Eye
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Well, on YouTube you can find videos of the song mentioned above... a bit embarrassing to listen to now, but the angry final part isn't half bad. Now I'm going to rewatch No Rain by Blind Melon, here I go...
Black Widow Sacrifice
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Gentlemen, dwarfs? Right away to the right, this rec please. Nice, good, this is the second rec that hits me well today on deb; it hasn't happened in like two years or more. Honestly, I've had this since 2004, but like Atomic Rooster, they've never managed to excite me; who knows, today when I get home from work I'll listen to them again with the help of various psychotropics. You, really good.
Joanna Newsom Ys
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beautiful, very beautiful this review, it’s been a while since I read one like this, which, while not being minutely descriptive, is not a pretentious exercise in (supposed) style. Really good, my compliments. I only know her from the articles in magazines and because in the review of the album previously done by the good Antimo, I mistook her for Jenna Jameson... talk about a Freudian slip. I read 5 compositions... stuff like Lorca by Buckley? With the necessary distances, of course.
Stiltskin The Mind's Eye
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damn I found myself in the dusty recesses of my useless memory....CANDLEBOX and the song from the video was Far Behind....now I’m searching for it let's see the effect...
Stiltskin The Mind's Eye
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Fuck the Babylon Zoo! I think they were way worse than these, definitely. Dear Kubrick, I also got lost behind meteoric groups that I'd like to hear again to see what effect they had on me. Damn, I have a name on the tip of my tongue.......and in mind a video of a grunge-friendly group....damn, the girl in the tub, singer with long hair, voice kinda like Blind Melon......I think one album was called Candy but it was later...I'm searching for info online. In the meantime, does anything come to anyone's mind?
Stiltskin The Mind's Eye
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I actually commented based on what the music transmitted to me at the time, which was very little. Inside was nice but already tasted of fried and refried, and I had a critical mind, attentive to media phenomena. Maybe they and those who followed them were honest; I don’t make hierarchies between those who listen to "in" and "out" music because it has no real significance, but to me, they smelled like a commercial ploy from a mile away. And saying they were semi-unknown seems like an exaggeration since they emerged with the Levi’s commercial... if you knew them before, hats off, but the masses got to know them a bit like this, for better or worse.
Mercury Rev See You On The Other Side
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I agree with ajeje that this album is the perfect blend of psychedelic and baroque revs of deserter. It's obvious that yerself is practically a separate album, not to be compared with the subsequent ones. I'm more attached to deserter for personal reasons and because I got to know it first; this is a much less refined deserter with fantastic insights.... ah, the sax in everlasting arm....
The 13th Floor Elevators The Psychedelic Sounds of
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My priest, defining the VU as garage is a bit tough... I mean, in terms of attitude, sure, we’re on the same page, but the sound quality isn't quite there, even live. If you have any old live recordings of the Exploding Plastic Inevitable, you’ll hear that, as you say, at most they flirted with a sick psychedelia, not wild garage. They remind me of a noise band. Anyway, I’m in the mood for musings today. Oh, once I read about a concert with MC5 and the last VU together, where Lou Reed stripped down the clichéd political rants of Tyner & Co., who were inciting the crowd to destroy the venue. He called them fake revolutionaries... Reed had a keen eye, much sharper than many other artists of the time. And just because he didn't study with Stockhausen doesn't mean his contribution to the VU was minimal; on the contrary, he was a central figure, and without him, Cale and the others wouldn’t be remembered. Now, just because he’s a public icon, do we have to try to downplay his artistic significance? That seems rather adolescent to me.
...And You Will Know Us by the Trail Of Dead So Divided
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I never understood them, Antò. I cut sources and codes that lasted barely a moment in my reader, and if I'm not mistaken, it was sold used. At times, they even annoyed me. Finally, a beautiful critique that is also well-argued.
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