psychopompe

DeRank : 13,33
DeAge™ : 8186 days • Here since 11 january 2004
Magic Lantern High Beams
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I'm also looking for these, and this damn not not fun, who had ever heard of it?
Sun Araw Beach Head
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I'm downloading it now, panic... but are you on perkele by any chance? If so, I've been there for a couple of years too. I'm really curious to hear what the hell they're coming up with. So, feel free to listen to Stag Hare, always passed through one of perkele. Stralunabile folk with a lot (too many?) percussion behind. It sounds like the guy is declaiming while being chased by a herd of wild camels in the Sahara.
Tetsuo Hara, Buronson Ken il guerriero
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stop it, the second season of Ken is an abomination, and the theme songs you mentioned are awful. Do you really like them? You're not joking, are you? My goodness, what do you listen to at home? Well, are you ready to go sing at Mandarake?
Ligabue Buon compleanno Elvis
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If this review is for me, you could have saved it. It's summer, the sun is out occasionally, a trip to the beach, you and that tacky leccabue, right? Here we are in total revisionism, the worst part is that everything is being rehabilitated now, it's the national trend, what am I saying, it's a global trend. For the reevaluation due to a lack of historical (or chronological) memory, please move over to ondarock. And if I were an editor, I would start by not publishing these reviews anymore, especially considering the redundancy of redundancies.
Tetsuo Hara, Buronson Ken il guerriero
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Of course, I mean those famous ones that arrived in the '80s, let's say from mid onwards. I remember Gunbuster arriving with the Granata Press VHS in '93 or thereabouts, the various incarnations of Gundam never arrived, except for the first one (perhaps the best robot anime, but from mid-series onwards). In my opinion, Macross loses some appeal, I actually forgot about Ranma, and Arale is still good. I didn't consider Studio Ghibli and Otomo because I meant television series.
Tetsuo Hara, Buronson Ken il guerriero
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Ken ruined my childhood by putting on video the atrocities I had always dreamed of. The series with Raul is the only valid one. I remember that in the Marche it was aired for the first time in '86 by a local network, but only until the death of Fudo and Ken getting his eyesight back...then it was interrupted! I recall the widespread panic in the neighborhood, children inventing apocalyptic endings, parents calling the local network in a panic, etc... I was only able to see the ending in '91 (which obviously left me quite disappointed). Best villain: Sauzer/Souther, best torture: the fake Toki who makes the guy's heart jump out of his chest, with his wife and daughter witnessing his death. @panapp: half of the '80s anime rewatched now suck, so much so that this one and Dragonball do too. At least this one has a dose of unprecedented violence and cruelty on its side. If I have to say, the only old anime that still hold up today, through the eyes of an adult, are few; I really like Conan, Lupin the first series, Uruseiyatsura (Lum), and maybe I would stop here. And I add the legendary phrase from Kenshiro before blowing up some poor punk: "Omaeha mou shinderu!"
Still Life Still Life
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I came across it a couple of months ago, but I wasn't in a dark prog phase. Sooner or later, I will fill this gap (especially because both this and Steel Mill attract me).
Akira Toriyama Dragon Ball
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Toriyama's best work remains Arale, and the best character is Senbee Norimaki. Dragon Ball was just too big for me to like it.
Michael Jackson Off The Wall
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Cornell, those qualities and strengths of Michele that you describe are, if you think about it, many things that have little to do with music itself. Do you go to see him in concert because you like his music, or because he has a ton of backup singers, a bunch of talented musicians, dances like a god, and puts on a lavish show meant to hide something else? For me, this is one of Michele's biggest shortcomings: he launched the trend of the superfluous, which quickly became the cornerstone of music instead of just a backdrop. What are those damn Boy Bands and Girl Bands (not to mention all the trashy chart-topping R&B with guys whining and grooving in a grotesque way—what the hell do you have to dance about? I don’t know) if not a direct offshoot of this type of show and showman basically invented by him? If for him the artistic discourse still holds, albeit for a short period, I would say it definitely does not for all the subsequent clones. At least that’s my perspective, and that’s why I will never be able to idolize him; he created a format that has now become a lethal virus for music. He did a bit of what Ricci did with drive-ins, the commodification of female flesh on TV, with today’s showgirl culture and phenomena of mass imitation.
Michael Jackson Off The Wall
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I stopped at the first two paragraphs. You’ve already gotten on my nerves with all this praise for the god of pop, the pharaoh of dance, the exegete of kitsch elevated to art, etc... Honestly, a departure that doesn’t touch me, also because that artistic departure happened in the mid-'80s (the mere video of Bad would deserve a complaint for bad taste - in the literal sense of the term) and by then his life was a circus act. And damn, to me, he reminds me more of rampant Reaganism with all its implications, and that plastic culture of the '80s that everyone is so eager to resurrect. And no one admits the FUNDAMENTAL importance of Quincy Jones, without whom Michael would have been left with only white socks and loafers. I don’t understand why he’s revered as a dancer, considering that from mid-career onward, dance was a true smokescreen to cover up monstrous musical gaps. And perhaps inadvertently, he launched the trend of the overwhelming importance of embellishments (choreography, dance, makeup) over the main dish: the music.
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