Galakordi Urtis Krat

@ElectricOne: what did they do before-during-after the concert?

absolutely foolish review steeped in an overflowing misplaced pride. both the analysis and the final tirade are also very silly. too bad because the film wasn't bad.

I recommend downloading the next one, at least you won't waste those 20 very useful euros.

beautiful Japanese women

They have definitely gotten worse over time. Voice and everything. Now Godano Band. Although they are worth it live. However, they won’t make songs like these or like those from the other 2 subsequent albums anymore.

it is what it is

AHAHAHAHAHA!

I might just write a review on "La terza madre" myself, without having seen it.

let's stop Italian rap

uh, I have that but I still need to see it (I know it's the comment I put most often lately in my ophthalmological reviews on debaser, but it's true). Anyway, for the sake of joining in on the conversation, I think Vic's point isn't wrong. Clearly, the clash with Poletti exists when both rely on different interpretative categories. However, it is true that not all of Bergman's films are masterpieces, and saying that doesn't mean renouncing his genius and skill. I have seen all the films that Vic listed, and based on that, I agree with his opinion. Senmayan wonders why we should compare one Bergman film to another, and in this regard, there are aspects that we cannot take for granted, willingly or unwillingly, such as the strong autobiographical nature that underlies every story he tells, the magical-ritual discourse on cinema and theater (or representation in general), the sense of time, humanity, and human psychology that underpin all his works. This unites ALL of Bergman's films, and it's as if each film implicitly requests (explicitly in the case of the diptych "Scenes from a Marriage"/"Saraband") to be compared to others in his filmography. The cinematic discourse of Bergman is therefore primarily an authorial discourse, and it should be observed from this perspective, with all the implications that derive from it. P.S.: I remember that the author alternated theatrical works with cinematic ones. It would be nice (for me) to be able to see some of his theatrical works, which I lack at least for philological duty (as well as for passion towards Bergman).